Spring Breakers: Viviendo al límite

Harmony Korine created a cult classic for the early 2010s that captures the decade through hazy, atmospheric scenes. The film features a cast including his wife, Rachel Korine, and THREE 'It' girls-Vanessa Hudgens, Selena Gomez, and Ashley Benson-all in the midst of transitioning to R-rated projects. It encapsulates the abrasive yet optimistic tone around the time of its release, full of florescent lights, neon clothes and dubstep music.

While it has the hyper-sexualized party scenes that contemporary films like Project X were built around, Spring Breakers arthouse ambition allows it to stand out from similar-seeming films and allowing it to improve with time. As one of the first films released by A24, it is an important step in the direction that the company would follow: prioritizing artistic decision-making, not shying away from explicit content and having a dope ass lighting/color palette.

Faith, played by Selema Gomez, and her three very close friends plan to escape their boring college dorm lives to attend a massive Spring Break party. In order to pay for their getaway, her three friends commit an unthinkable act of terror. Their Spring Break vacation turns out to be a non-stop party of drunken drug use and sexual perversion that lands them in prison. This is when Alien, played by James Franco, bails them out and a new type of party begins.

With a dub-step softcore porn music video opening sequence, it is uncertain if Spring Breakers is glorifying the demoralizing activities portrayed or if it is a satire. Even when the film is not flashing to what looks like stock footage of a Girls Gone Wild Spring Break special and we are with the girls, the framing seems to have been done by a sex addict. This will be one of the most uncomfortable experiences Selema Gomez's fans will ever experience. For parents, this will be an absolute nightmare. Younger male audiences, on the other hand, will think they've found their new favorite movie. When the girls are introduced to Alien the film feels like it gets a new director. The feeling of a Girls Gone Wild narrative feature film is lost and we are filled with a great sense of dread. Who is this guy who calls himself Alien? We even find ourselves afraid to find out what he has planned for these young girls he has bailed out of prison.

As we continue through the second half of the film, it becomes very clear that we are in fact watching a satire. A horrific and effective satire. This is done though exposing the character of Alien and much credit must be given to James Franco, this is him at his best. Through the course of the film we go from fearing him, to laughing at him, to feeling sorry for him. The film is worth watching just for Franco's performance. The girls do an excellent job as well. These are easily two of the most frightening female characters ever put on-screen.

Spring Breakers is written and directed by Harmony Korine, the writer of Kids and director of Gummo. If you've seen anything he has written or directed you already know what you are in for. It has the core of a Natural Born Killers story wrapped in layers of what would be if Terrence Malick directed Girls Gone Wild.

What ends up becoming an annoying distraction is the repetition of dialogue we hear over and over again, playing in a loop. It's understood we are in the girl's shoes, things are spiraling out of control and the editing helps get that across. Some of it works but in the end, we've heard the same things so many times it is as if Korine is hammering the message of his satire into our heads, almost desperate to prove it has a point. Through the story it's meaning is made clear, no reason to over-use certain Malick-like editing techniques to over-state what the story has already made obvious.

The core story is genius. The way in which the story is told is split between things that play out like a master at work and a new filmmaker still experimenting.

Spring Breakers (2012)

* 1/2 (out of 4)

Four college friends don't have the money for spring break so three of them decide to hold up a restaurant. Now with the money they head down to Florida to drink and experience life but soon they run into a gangster (James Franco) and their future hits a bumpy road. I understand SPRING BREAKERS is getting mixed reviews but I'm going to just flat out say that I hated the picture. I thought it was a rather confusing mess with unlikeable and annoying characters, a horrid story and an ending that's so bad that I really wanted to scream at the top of my lungs. Director Harmony Korine makes 90% of the film about style as we get all sorts of strange camera shots, bizarre editing and slow motion shots of bodies giggling and for the life of me I can't understand the point. It certainly doesn't add anything to the story but I will admit it was a "new" way to tell this type of story. With that said, just because it's new doesn't mean it's good and in fact it's just downright annoying. Even worse is the so-called story, which I've heard from some was supposed to be a satire while others appear to be taking it very serious. To me it wasn't clear what the director was trying to do with the material but if we were supposed to like these characters that certainly doesn't happen. I'd say they're all rather hate worthy but at the same time if we were supposed to hate them then the film really lets all of them off easy. The ending was just a downright joke and whatever "meaning" we're supposed to take from it is even worse. The film's selling point seems to be the "Disney Girls Gone Wild" aspect as Selena Gomez, Vanessa Hudgens, Ashley Benson and Heather Morris all tease up the screen. Performance wise they're fine but their characters are just so bad who cares about anything else? Franco chews up the scenery as if he's the son of Max Cady (the Robert DeNiro character in CAPE FEAR) but it's hard to take the character too serious. Again, I understand some are finding deep, haunting meanings to this film but to me it's just a complete joke from start to finish. If you want to see a much better movie about social media and today's culture then check out GOD BLESS America.

Spring Breakers highlights the mindless popular culture that surrounds youth of this generation. The reason for its controversy stems from the fact that its target audience found its plot to be pointless, even though that was the point. This film depicts the shallowness of the modern definition of what is 'cool', like idolizing people that suck, those that contribute nothing to society but cheap entertainment. This sort of fascination blindly controls youth, the main reason so many did not understand the meaning behind this movie: they are blind to its influences. They think week long drinking binges, whoring themselves out, and having no goals is cool, because YOLO. However, this film is based off of these components and its audience deems the plot as pointless. Funny. Spring Breakers is like this generation looking itself directly in the mirror.

Overall, Spring Breakers is full of outstanding graphics, bright colors, provocative scenes, and young Disney turned Hollywood stars. It was fun yet hard to watch, depending how serious of a reality check you need (assuming you even understood that it was one)

This is a strange film. On the one hand, it looks likes an extended music video, filled with mindless scenes of teenagers having one big party. On the other hand, there's clearly more to it. Some characters are so one-dimensional and cartoon-like, that the whole film becomes a sort of mockery of the modern teenage culture. This ambiguity is very clever, because the film appeals to a teenage audience as well as to the art-house audience Harmony Korine is usually associated with.

But at the same time, this ambiguity stands in the way of 'Spring Breakers' being a really good film. Unlike other serious movies about teenage culture, like 'Thirteen', 'Ghost World', Korine's own 'Kids' or the recent 'The Perks of Being a Wallflower', this film looks too easy. The temptation of showing lots of girls in bikini has been stronger than the ambition of trying to tell something meaningful.

Still, there are some nice moments. The hold-up in the restaurant is beautifully filmed from the window of a car slowly passing by. It's nice that, later on in the film, the director shows some short moments of what happened inside the restaurant. I would have liked more ambitious film making like that, and less footage of wild parties.