Spring Breakers: Viviendo al límite

I watched this film on Amazon Prime where its genres are listed as "comedy, drama", which does such a huge disservice to what this film is.

It is in no way a comedy at all so get that idea out of your head before you watch this film. In reality it is a dark crime drama which has an incredible tone and vibe to it.

At times tone and vibe are favoured over plot and storytelling, but having digested this film a bit I don't think I mind. There were some wildly good visuals in this film and the direction from Harmony Korine was top notch.

I loved the performances from all of the cast. Franco's character was very out there but it worked in the context of the film.

A wildly underrated film which was probably hampered by the fact that people were expecting a frat bro comedy, when in actuality this is a much more elevated and stylish affair.

Spring Breakers highlights the mindless popular culture that surrounds youth of this generation. The reason for its controversy stems from the fact that its target audience found its plot to be pointless, even though that was the point. This film depicts the shallowness of the modern definition of what is 'cool', like idolizing people that suck, those that contribute nothing to society but cheap entertainment. This sort of fascination blindly controls youth, the main reason so many did not understand the meaning behind this movie: they are blind to its influences. They think week long drinking binges, whoring themselves out, and having no goals is cool, because YOLO. However, this film is based off of these components and its audience deems the plot as pointless. Funny. Spring Breakers is like this generation looking itself directly in the mirror.

Overall, Spring Breakers is full of outstanding graphics, bright colors, provocative scenes, and young Disney turned Hollywood stars. It was fun yet hard to watch, depending how serious of a reality check you need (assuming you even understood that it was one)

Harmony Korine is a strange one. I've seen 3 of his other films, Gummo, Mister Lonely and Julien Donkey Boy and I thought they were decent to good. I can often see what he's trying to do but its lack of character and substance hurts it. Spring Breakers is perhaps his most mainstream effort given the concept, stars and the slick production but it's probably his least interesting. With MTV style cinematography and editing, a dubstep soundtrack and drama distant from the camera, the result is an unpleasant nightmare. I'm not sure who this film is aiming at, the type of person the film is about or the art-house crowd where the the techs are the furthest to their taste? It wants to be a comment on contemporary party culture but its unrealistic characters make it unbearably tedious. Every time a character starts to becomes sympathetic, they leave the film, and far too easily at that. Why are we even trapped in this nightmare if the characters are deliberately raising the stakes? It's a film that relishes on forced juxtapositions such as singing Britney Spears over robberies and it ends up obvious or pointless, nulling its effect. I still don't really know what to make to Spring Breakers but it definitely isn't my thing.

5/10

Very creative stunning shots. Watching the violence and crime scenes mixed in with the spring break experience, brought back that sense of shock I felt as a kid watching spring breakers party for the first time. Lots of beautiful girls and there's a sense of comedy and irony. I loved when the heavy gangster is playing Britney Spears on the piano.

Harmony Korine created a cult classic for the early 2010s that captures the decade through hazy, atmospheric scenes. The film features a cast including his wife, Rachel Korine, and THREE 'It' girls-Vanessa Hudgens, Selena Gomez, and Ashley Benson-all in the midst of transitioning to R-rated projects. It encapsulates the abrasive yet optimistic tone around the time of its release, full of florescent lights, neon clothes and dubstep music.

While it has the hyper-sexualized party scenes that contemporary films like Project X were built around, Spring Breakers arthouse ambition allows it to stand out from similar-seeming films and allowing it to improve with time. As one of the first films released by A24, it is an important step in the direction that the company would follow: prioritizing artistic decision-making, not shying away from explicit content and having a dope ass lighting/color palette.