CALIFICACIÓN DE IMDb
4.6/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaAn army recruit was found dead during a 24km road march. After the death of the recruit, strange things started to happen, haunting all the soldiers in the barracks.An army recruit was found dead during a 24km road march. After the death of the recruit, strange things started to happen, haunting all the soldiers in the barracks.An army recruit was found dead during a 24km road march. After the death of the recruit, strange things started to happen, haunting all the soldiers in the barracks.
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Opiniones destacadas
To the Western audience this may seem strange or slow or lacking in the frights. It certainly isn't big budget at all. However the basic storyline is good. I think it suffers a bit in translation culturally but on the whole it is a really good effort for a very low budget. The concept was superb and if more money had v-been utilised I think it would have improved the outcome. I don't mean doing the big Hollywood thing either as that gets done to the point where many films are just ridiculous.
The overall look of the film is good, actors are consistent and both sound and photography are better than films with such a small budget usually are. Pace and timing are its main failings but I think the local audiences were probably willing to overlook that.
23:59 tells the tale of some army cadets in training on an island who have the misfortune of running into a local ghost with revenge on her mind.
The strongest points of this film are the the unique army barracks setting (for a ghost story) and the attempt to develop the main character arcs.
A better execution of the basic concept would have given a vicarious experience of what it is like to be an army recruit under these circumstances. The gold standard for this kind of thing in my opinion is FULL METAL JACKET (1987). Unfortunately, this film largely fails on that front.
On the character development front, we have, among others, one character who goes from being a skeptic to a believer in ghosts, and another who goes from being a bully to an empathetic person. Unfortunately, the first seems rather like an endorsement of superstition, and the second failed to be pulled off in a way that seems authentic. At least I still had reservations whether the bully's remorse was sincere. That actor's wooden performance may have contributed to my impression.
Apart from these issues, there is also a problem with the overall structure of the movie. Frequent flashbacks add hints about what had happened, but they are introduced in such a clumsy way that one cannot help but think of them as film-maker contrivances, and that takes us immediately out of the movie. Also, the story becomes more confusing because of the way the film is constructed.
The ghost character is yet another variation on the "Stringy-haired ghost girl" archetype, called onryo, which, it seems, has been milked dry in Asian horror. Perhaps it is worth noting that a Singaporean film availed itself of a ghost originating in Japanese folklore.
It is really all too bad. The premise is fresh and with better execution could have yielded a decent horror flic. As it stands, this is not a good film.
The strongest points of this film are the the unique army barracks setting (for a ghost story) and the attempt to develop the main character arcs.
A better execution of the basic concept would have given a vicarious experience of what it is like to be an army recruit under these circumstances. The gold standard for this kind of thing in my opinion is FULL METAL JACKET (1987). Unfortunately, this film largely fails on that front.
On the character development front, we have, among others, one character who goes from being a skeptic to a believer in ghosts, and another who goes from being a bully to an empathetic person. Unfortunately, the first seems rather like an endorsement of superstition, and the second failed to be pulled off in a way that seems authentic. At least I still had reservations whether the bully's remorse was sincere. That actor's wooden performance may have contributed to my impression.
Apart from these issues, there is also a problem with the overall structure of the movie. Frequent flashbacks add hints about what had happened, but they are introduced in such a clumsy way that one cannot help but think of them as film-maker contrivances, and that takes us immediately out of the movie. Also, the story becomes more confusing because of the way the film is constructed.
The ghost character is yet another variation on the "Stringy-haired ghost girl" archetype, called onryo, which, it seems, has been milked dry in Asian horror. Perhaps it is worth noting that a Singaporean film availed itself of a ghost originating in Japanese folklore.
It is really all too bad. The premise is fresh and with better execution could have yielded a decent horror flic. As it stands, this is not a good film.
To understand this show, you have to be a local and must have serve NS to know the plot driving it.
This basically deals with the things that all NS men are told or share around the bunk like in the starting scene. Tales and folklores whispered and shared about what they have been told or have overheard etc.
For myself, the suspense build up is good as I can relate to it partially but the final third bit is a bit of a let down when most of the plot is revealed. I feel it would have been better if it was kept in suspense and with glimpses instead of the director/producer trying to tie everything up.
Other reviewers have commented that there are some loose ends. For me, the most obvious is that how the heck did the Sgt and recruits manage to locate the shack.
But in the end, this movie is definitely worth a watch if nothing more then to reminisce about them good old army days!
This basically deals with the things that all NS men are told or share around the bunk like in the starting scene. Tales and folklores whispered and shared about what they have been told or have overheard etc.
For myself, the suspense build up is good as I can relate to it partially but the final third bit is a bit of a let down when most of the plot is revealed. I feel it would have been better if it was kept in suspense and with glimpses instead of the director/producer trying to tie everything up.
Other reviewers have commented that there are some loose ends. For me, the most obvious is that how the heck did the Sgt and recruits manage to locate the shack.
But in the end, this movie is definitely worth a watch if nothing more then to reminisce about them good old army days!
The movie sets up the basis for the spirits, but in two ways, and then throws in a third. One is that a villager was killed in the past by a recruit, so at 23:59 its spirit comes forth. The other is that if a pregnant woman commits suicide, she and her daughter will come to haunt. And the recruits do see spirits. The movie has a group of recruits in training. There is a suicide, and another one dies under mysterious circumstances, so they are on edge. Their Sgt even provides them with talismans and later a medium is brought in. While all the recruits have similar and short haircuts, the Sgt has a very bushy do, and the officer certainly isn't regulation. That is a detail that should have been trivial to know and fix. The movie is decently done, although if what was shown was reflective of their training, not much of a fighting force. It simply is not that interesting although if one was familiar with the legends, perhaps more so.
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- ConexionesFollowed by 23:59: The Haunting Hour (2018)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Hồn Ma Lúc Nửa Đêm
- Locaciones de filmación
- Productoras
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Taquilla
- Presupuesto
- USD 600,000 (estimado)
- Total a nivel mundial
- USD 1,208,479
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By what name was 23:59 (2011) officially released in Canada in English?
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