Matru Ki Bijlee Ka Mandola

Vishal Bharadwaj serves you "Mr. Pankaj Kapur on the rocks!"

'A twisted title, Limousine in gehu ke fields, African Zulu tribes, Pink buffalo called gulabbo, Politician sucking a lollipop in fields, Mao Tse-tung's (Maoism wala) desi avatar, UFO in a village?' Yes, this Vishal Bharadwaj film has more bizarre elements than you can ever think of !

MKBKM is one hell of a ride - from crazy, absurd, wacky, bizarre to... social, political, addressing some of the pertinent issues faced by our nation. Here you have one of the greatest actors of India in his elements, with his dual act of - caring, sensitive drunkard 'Hariya' and, a stern, selfish & staunch capitalist 'Harry'. Only actor of his caliber can carry-off such role with aplomb (he is teetotaler in real life). Please, hand over all the awards of 2013 to Mr Pankaj Kapur for his exceptional performance!

Director Vishal Bharadwaj has his own eccentric ways of making social commentary with issues such as SEZ (Special Economic Zones), land grabbing, capitalism, Maoism, corruption, honor killing, lokpal, media and what not! At one point, Bharadwaj doesn't even think twice before taking actual names of politicians -- from Sheila Dixit, to Rahul-s, Varun-s, Scindia-s of Congress as political heirs of successful politicians. It takes some time and effort from our side to get acquainted to this Haryanvi setup and accent...but if you start getting Bharadwaj's references and quirky dialogues, you are into this exhilarating mad-cap ride.

Imraan Khan as 'Matru' does well with whatever he can do with his limited acting capabilities. Anushka Sharma is effective, but she is getting typecast in these type of roles. Shabana Azmi is excellent in her sly and manipulating political avatar. Arya Babbar does well as Azmi's dimwit son.

There are many memorable scenes which only director like Vishal Bharadwaj can think of -- that hilarious fight between Matru and Mandola during "well" scene, Mandola riding a plane after getting drunk, Azmi's monologue about 'progressive' nation called India (over ages), the scene between Mandola and Azmi just before the rain arrives, Mandola telling 'Mao' - tu "left" wala bottle le, or the love story involving something as banal as "tooth-brush".

In some cases, Bharadwaj tends to go overboard especially towards the climax sequence and some of Imraan-Anushka's scenes are simply annoying. Sometimes, the film gets repetitive with street theater (natak) type execution.

Music: Vishal-Gulzar combo for music is delicious as always. It takes the film one notch higher. You get to hear samples of African and Haryanvi folk music in some of the songs. My picks from the album - Khamakhan, Badal uthiyan, Oye boy Charlie, title song.

Verdict: Overall, the film is as twisted as its title. So, watch it if you can digest this genre/Vishal Bharadwaj's films......otherwise you might walk out of cinema hall during the show, like some did where I watched the movie.

P.S. Pankaj Kapur is God of acting.

I generally don't do film reviews and frankly I wouldn't have done this unless my driver hadn't been late to pick me up.So if you hate this post, you know whom to blame.

That done with, Matru Ki Bijli Ka Mandola or MKBKM is in one word, a riot.You can easily see Vishal Bhardwaj dripping all over this flick as he does an excellent job directing this movie(and singing one of the tracks as well).I wont give away the plot but it revolves around three characters: Harry Mandola, a rustic rich construction business owner who's acute alcohol consumption keeps him swinging between two personalities i.e. a bumbling,heavily accented fool and the other of a suave,daughter adoring father.Second is Bijli, Harry's daughter who is a beautiful,wild spirited girl with a golden heart.She's childhood friends with the last main character,Matru. Matru is a LLB graduate who works for Harry as a driver cum man-Friday. Oh! Did I mention Gulabo, the pink buffalo?

So,with that background,the plot revolves around a hostile government land acquisition in a village.But in MKBKM, it's not the plot but the funny little scenes which matter.Both,intense and comic at the same time,Bhardwaj has created a film which is obvious in it's plot yet keeps your wit running as to what happens next. Pankaj Kapur takes away the accolades for his brilliant acting and performance while Anushka's role was far more of being eye-candy with assistance in sub plots (Not that I'm complaining!). Imran Khan too plays second fiddle to Pankaj Kapoor, but his skills and versatility as an actor are simply great.The music as well as direction had the usual yet hatke style of all Vishal Bhardwaj movies. Lastly, the flaws. The dialogues although well written, were heavily accented and required a bit of North Indian blood in you to grasp their meaning. Secondly, although the movie is rated U/A and there are no scenes of sexual depictions, the sly abuse laced language could result in some odd questions from a younger crowd. I mean would you be willing to answer a 7 year old's question: "What does Bhencho mean?" Plus, some scenes are blunt and simply added for over dramatization so if you're one of those so called "true cinema lovers", you might throw up. So to sum it up, as Anushka Sharma's waist says, Dekho Magar Pyaar Se ;)

Madness with a mission and purpose, that's 'Matru Ki Bijli ka Mandola' in nutshell! Right from the word go, the movie seems to be sheer moron-ism! You will end up saying 'Kuchh bhi' so many times esp. before intermission. But dare not leave the cinema-hall at intermission going by the slack slow lack-luster and not so impressive first-half. Post intermission, however, the movie picks up pace, zeal, direction and life! Not delving much into the story line, I will straightaway go to my observations and comments:

• MKBKM couldn't have been so without the veteran 'manjha hua' perfectionist Pankaj Mandola Kapoor! He literally brought the weird Harphool Singh urf Harry Mandola alive on-screen. Seems Vishal Bhardwaj wrote the character keeping him only in mind. He does full justice to both his avatars, first, of a polished, sophisticated yet politically exploited millionaire and that of the rebel, cuss-worded, almost mad and guilt-filled man.

• Shabana Azmi is the other pillar of the film performance-wise. Both these actors of the erstwhile parallel cinema weave magic on-screen. She is quite convincing as the shrewd, opportunist, ruthless chief-minister of state. After Makdi, Vishal has given her yet another meaty role with negative shade and she as usual scores full marks.

• Imran 'Matru/ Mao' Khan gets into skin of the role as the film progresses and carries the rugged look well. However, he still lacks the killer-instinct of his competitor Kapoor (Ranbir) to carry such roles with 100% conviction. 'Bijli' Anushka is as usual her bubbly and loud best. High time gal! Move on and experiment. We are bored of seeing you in similar avatars in all your movies till date. Special mention of Arya Babbar who has been handed over the responsibility of creating silly comedy in the flick. He does it well, though he many a times he tries hard to copy the mannerisms of his pa, Raj Babbar. However, going by the character he plays, he looks merely a caricature of his actor father. Rest of the star-cast is fine.

• Now coming to the treatment meted out to the movie. The subject of effects and intricacies of land seizing from farmers by big corporates for industrialization and dirty politics involved in the same is innovative and very relevant. The dark rural 'Bharat' behind the shining urbane 'India' has been shown well. However, the mode used by Vishal this time is that of 'nukkad-nataks' which do not impress everyone especially in the beginning. The director has also used a lot of symbolism viz. Pink-cow somehow reflects the conscience of Mandola. The movie tickles your funny bone at many places and mention of many real- life political and business names brings in more relevance to the subject. Despite lot of pink-ism ('Gulabbo' and 'Gulabi bhains'), the movie isn't on a feminist mission!

• This doesn't mean that there is no flaw in the film. There are lot many of them viz. * Excess songs (at unwanted places) * Slack editing with many unrequired portions like that of aircraft crash (The media scene after that reminds you of a certain 'Joker') * Slow pace pre-interval - Good part is that unlike most movies these days which die after interval, this one peaks during climax and carries a 'happy ending'.

• Music has a usual Vishal Bhardwaj stamping and camera work too has the darkness quotient of Vishalism. Going by the serious subject highlighted by MKBKM, the entertainment quotient thereof and super performances by PK and SA, I would go with 3.5 stars out of 5. One time watch to banti hai bhai!

P.S.: Be ready to get 'beaucoup De' 'gaalis', which has now become a common culture in Bollywood flicks now!

I am pretty sure you know what the story is, so I won't strain on that! Well, it is typical and a lot of movies have been made in the same line of land acquisition and dirty politics - in all languages perhaps!

MkBkM is a musical odyssey of great performances by the whole crew except the writer. Lead actors are solid - Kapur, Khan & Sharma are great and perfectly monetize their characters. Kapur's character is like a villain that you love. Shabana Azmi portrays her stellar performance and I appreciate that!

Editing, screenplay is good; direction is the usual Vishal Bhardwaj and music is punchy yet enjoyable. I won't spill the beans about the pink cow, because you need to watch it to enjoy and take pleasure.

What works and supposedly will in the box office is it's catchy screenplay full of the Bollywood masala which was lacking in most of the 100 crore worth films of 2012. It is definitely not boring a movie to pay 300 bucks for. I am pretty sure you won't be disappointed by the performances, but the clichéd story might dull you!

After Table No. 21, I would not totally recommend to watch this but you won't complain as it is a VB movie (7KhhonM, Omkara) and not Dabangg 3!

Bottom Line: Watch it because it has and will give you a kickstart in this 3 day holiday weekend! But MkBkM is not pure filmaking. As we all are irritatingly bored by 2012's greatly depressing masala-item dance movies, 2013 is time for some enjoyment!

WATCH OUT FOR: Pankaj Kapur!

Can be watched with a typical Indian family? YES

Language: Mild | Sex: No | Nudity: Very mild | Violence: Mild | Mouth- Kiss: Yes | Foreplay: Yes | Drugs: Implied | Alcohol: Strong | Smoking: Mild

Pankaj Kapur is the life and soul of this film, delivering an acting masterclass and a riveting performance, that, combined with the overall sheer zaniness and its excellent, rustic dialogue, keeps you hooked and helps gloss over the wafer-thin plot and limited acting skills / suitability of Imran for the lead role

Whether in the opening sequence, while trying to cajole the Theke wala before ultimately driving his limo through his shed. Or trying to persuade the well to move out of his way. Or inciting a revolt amongst the farmers against himself, the man who knows how to make a plan take off but not land, who speaks flawless English when sober and thet Haryanvi when drunk on his favourite desi, Pankaj Kapur is the man with a vision.

As he explains to his delicious (his words, not mine) partner in crime, Shabana, he finds the sight of agricultural fields boring. He would prefer smoke belching factories, a concrete jungle, cubby-hole apartments for workers, whom you pay salaries with one hand and set up glitzy malls to take it all away with another. Shabana, a minister bank rolled by Pankaj's wealth is only too willing as an accomplice, even playing footsie with him during meetings with officials. And the marriage between her son, a superbly played idiot by Arya Babbar and Pankaj's feisty daughter, Anushka should settle matters once and for all.

The only impediment is Pankaj's valet cum driver cum drinking parner, Imran. A leftist, rabble rousing, JNU educated (that explains everything, doesn't it ?) villager, he wants to rally the remaining farmers to not give up their land, to continue to farm.

Shabana's dark, villainous turn, reminiscent of her evil-exuding role in Loins of Punjab Presents is excellent. Arya throws himself enthusiastically in his role of a well-meaning, slightly daft Mama's boy. Anushka doesn't have much to do apart from fetching apples from the bottom of the pond, sympathizing with the villagers and going around bit confused but she does it well.

There is a message here somewhere. Not that hard to get, nor a particularly new one where the rich, the powerful and the politicians combine to loot the common man who is soon left with no option but to succumb to the crumbs being offered to him. In any case, it's a message told with flair, panache and a craziness involving more than a few pink buffaloes