Steve Jobs nos lleva entre bastidores de la revolución digital, para pintar un retrato del hombre en su epicentro. La historia se desarrolla detrás de tres lanzamientos de productos emblemát... Leer todoSteve Jobs nos lleva entre bastidores de la revolución digital, para pintar un retrato del hombre en su epicentro. La historia se desarrolla detrás de tres lanzamientos de productos emblemáticos, que finalizaron en 1998 con la presentación de la iMac.Steve Jobs nos lleva entre bastidores de la revolución digital, para pintar un retrato del hombre en su epicentro. La historia se desarrolla detrás de tres lanzamientos de productos emblemáticos, que finalizaron en 1998 con la presentación de la iMac.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 28 premios ganados y 117 nominaciones en total
- Jandali
- (as Mihran Shlougian)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Found 'Steve Jobs' to be a good and interesting film, albeit not one that will appeal to all viewers as can be seen from the polarising reviews. There is a lot to like here, and the good points are actually excellent. At the same time, considering the involvement of such fine talent and subject matter, 'Steve Jobs' also had potential to be, and perhaps should have been, more than good, great even. There are also a few issues here, and fairly sizeable ones, though there is much more good than there is bad.
There could have been more complexity to Jobs himself, difficult to do for a perfectionist who was very difficult to work with. Can definitely understand the criticism of 'Steve Jobs' being a pretty one-dimensional portrait of the man that magnifies his flaws. For something featuring heavily, his personal/family life could have been better explored and delved into more, there is heart with the relationship between Steve and Lisa but the final fifteen minutes or so to me came over as contrived rather than emotional and although Katherine Waterston does a good job her role is underwritten.
At times, the film is jumpy and also could have shown more of the launches themselves and showed how they were received rather than being told afterwards, for a film so heavily reliant on the backstage/behind the scenes aspects. Actually really liked the script on the most part, it is though talk-heavy and with scenes having a lot to take in there are instances where it's not easy keeping up. Also didn't buy Jobs/Scully's final scene together, which went against what was seen with their acrimonious confrontations before.
However, 'Steve Jobs' is very well made visually. It's unfussy but never cheap, actually it is very slick. It may feel like a filmed play, which is also down to the structure of the film, but for me it wasn't a problem. Boyle directs in a restrained fashion, while showing plenty of engagement with his material. The music is both low-key and lively when used.
While not perfect, Sorkin's script is one of the high points of 'Steve Jobs'. It's thought-provoking, intriguing smart and rapid-fire, with plenty of wit, intensity and snappy put-downs. The story, following an unconventional yet fascinating three act structure dealing with three different launches that Jobs revolutionised, goes at an energetic pace and is kept afloat by the intensity of the characters (especially Jobs and Joanna). Things move quickly and there is plenty to be interested by, one just can't help feeling that some aspects could have been delved into more. Jobs and Joanna have plenty of intensity in their chemistry, while Woz's final scene and the big scenes between Jobs and Scully are especially powerful.
Other than Sorkin's script, 'Steve Jobs' best asset is the acting. Fassbender may not look like Steve Jobs but he is nonetheless terrific and is an incredibly compelling presence. Winslet's performance is tense and deeply felt. Michael Stuhlbarg steals scenes in his not large screen time, while Seth Rogan demonstrates why he should do more dramatic roles and films and Jeff Daniels has not been this good in quite some time. Waterston does well with limited screen time and her role underwritten.
Concluding, good film but not a great one. 7/10 Bethany Cox
For example, Michael Fassbender looks nothing like Steve Jobs did at any point in his adult life, sounds nothing like Steve Jobs did. Yet, by the end of the film you feel that you are looking right at the man. Why? Because every incident portrayed sounds EXACTLY like something Steve Jobs would have done or said even if the entire incident never happened.
Kate Winsett gave an Oscar worthy performance as Joanna Hoffman, Jobs' marketing expertise and confidante, if he had any confidante at all. She acts as his conscience, his anchor, yet she actually wasn't there for a third of the film. Hoffmann retired before Jobs went back to Apple. As for Seth Rogan as Steve Wosniak, what can I say. He blew me away as he stood toe to toe with Fassbender in a show down that took my breath away with its intensity, and he stole the entire scene from Fassbender, proving he is much more than just the comic relief of Judd Apatow films.
Jeff Daniels as the conventional CEO John Sculley, recruited by Jobs to deal with a most unconventional visionary in a pioneering industry, absolutely nails the part. The scene towards the middle of the film where Sculley and Jobs have it out is a work of art in itself of dialogue, editing, and acting, and the time shifting between the present and various pasts of their relationship is expertly done.
As for the plot? It takes place entirely at three product launches - the Mac in 1984, the NeXT computer in 1988, and the iMac in 1998, and the central theme is Jobs' relationship with his daughter Lisa, the paternity of whom he did not come to terms with for years. Of course, if Jobs had even one product launch like the ones in the film with everybody he's ever known approaching and reproaching him, Jobs would have had security like the secret service at every launch afterwards.
So don't approach this like a documentary, instead approach it like the art it was meant to be and I think you'll enjoy it greatly. And regardless of what others say, I think it gives the most humane portrayal of Jobs I've seen on film. Strongly recommended.
Yet I can also see why it was not so commercially successful. It's weird format of taking place before three computer unveilings and the film essentially consisting of conversations with limited action between them. It is by no means a biography of the man's entire life but it does paint a portrait which, like any picture, only reveals some aspects of the person.
The film has a great cast who give solid performances. Michael Fassbender creates a character whose tyrannical and devilish behaviour you want to keep watching while longing for a glimpse of the human side.
Overall Steve Jobs is a very watchable and engaging film, provided you are already into end of the year Oscar bait drama films.
These are all very interesting performances. Fassbender, Winslet, and Daniels all deliver. Seth Rogen is surprisingly good in a non-comedic role. Waterston is terrific as the baby mama. There is no denying that Aaron Sorkin knows how to write unique dialog but it feels non-real. I believe that this would be one of the best movies of the year if it's about Stephen Jet. Sorkin has written some of the greatest work around like West Wing, Newsroom, and others. They all have a superior to reality feel. This is altered realism but I think everybody is more interested in the actual truth. There are some great scenes. There are big scenes. This is a perfect creation.
Round-Up: Although Fassbender didn't look anything like Steve Jobs, over the 14 year period that the movie portrays, he still brought enormous intensity to the character, who seemed quite scary to be around. The music throughout the movie, suited the mood that was set by the director, Danny Boyle, 59 but I didn't quite understand why the whole film is based backstage, before Jobs is going to release a new computer. You can tell that Boyle has taken the events from a book, because it seemed more like a play than a movie. What's quite fascinating about the film, is that it proves that Jobs actually wasn't the engineer behind the many devices that was released under the Apple name but it was his unique vision and determination to get what he wanted, which has proved to be EXTREMELY successful. I was hoping to get more from the movie but I personally think that I need to watch the many documentaries to find out more about the mind behind the Apple brand.
Budget: $30million Worldwide Gross: $35million
I recommend this movie to people who are into their biography/dramas starring Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Michael Stuhlbarg and Katherine Waterston. 6/10
Danny Boyle's Movies Ranked by IMDb Rating
Danny Boyle's Movies Ranked by IMDb Rating
¿Sabías que…?
- TriviaThe three sequences in the film were filmed on 16mm, 35mm, and digital to illustrate the advancement in Apple's technology across the sixteen years of Jobs' life depicted.
- ErroresIn the first act, Steve Jobs talks about the issue of Time Magazine naming "The Computer" as Person of the Year, instead of him and the Macintosh. Despite the scene taking place on Jan 24th, 1984, that issue came out in December of 1982 and the Time's Person of the Year from 1983 was Ronald Reagan and Yuri Andropov.
- Citas
Andy Hertzfeld: We're not a pit crew at Daytona. This can't be fixed in seconds.
Steve Jobs: You didn't have seconds, you had three weeks. The universe was created in a third of that time.
Andy Hertzfeld: Well, someday you'll have to tell us how you did it.
- Créditos curiososThe film's title is never shown in the opening or closing credits.
- Bandas sonorasTimes They Are a-Changin'
Written by Bob Dylan
Selecciones populares
- How long is Steve Jobs?Con tecnología de Alexa
- What is 'Steve Jobs' about?
- Is 'Steve Jobs' based on a book?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Cuộc Đời Steve Jobs
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 17,766,658
- Fin de semana de estreno en EE. UU. y Canadá
- USD 521,522
- 11 oct 2015
- Total a nivel mundial
- USD 34,441,873
- Tiempo de ejecución2 horas 2 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39:1