Explora la respuesta de Estados Unidos al Holocausto y cómo desafió los ideales de la democracia.Explora la respuesta de Estados Unidos al Holocausto y cómo desafió los ideales de la democracia.Explora la respuesta de Estados Unidos al Holocausto y cómo desafió los ideales de la democracia.
- Ganó 1 premio Primetime Emmy
- 2 premios ganados y 7 nominaciones en total
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Mr ken burns for his ever so connective and brutally consistent narrative talents and partner in the direction crew together with lynn novick and sara botstein. This documentary doesnt just put the magnifying glass on the usa, indirec tly it tells the story about how the entire globe positioned itself on the jewish and other surpressed minorities going under the term of refugees during the nazi era.
Its just a pitty mr burns (et.co.) that you didnt make this series in 1985 when the war generation still lived, the year you famed the brooklyn bridge forever. I think that the number of reciepients are highly diminished due to digital media platforms, the topic of ww2 is alien and the subject of the jewish destiny is a heavy subject to elaborate and devour for the fast food and fast news generation x and z'ers of today.
I really admire the efforts done searching archives for pictorials and film reels used in this 3 part series, loads of material i havent seen in the past, and i, the grumpy old man, have a sofisticated interest on an amateur level the ww2 history and have seen almost everything that has been issued from english, french, german and japanese language spheres + the italian, and loads and loads of norwegian war history.
Im glad mr burns that you still have many productive years to come, i can not praise enough the impact and inspiration youve released in miself as your products have appeared
so to everyone sceptical to the harrowing title making usa seem like a crook, well then watch and learn, cause the refugee problem will always be there. Its an overwhelming recommend from the g.o.m..
Its just a pitty mr burns (et.co.) that you didnt make this series in 1985 when the war generation still lived, the year you famed the brooklyn bridge forever. I think that the number of reciepients are highly diminished due to digital media platforms, the topic of ww2 is alien and the subject of the jewish destiny is a heavy subject to elaborate and devour for the fast food and fast news generation x and z'ers of today.
I really admire the efforts done searching archives for pictorials and film reels used in this 3 part series, loads of material i havent seen in the past, and i, the grumpy old man, have a sofisticated interest on an amateur level the ww2 history and have seen almost everything that has been issued from english, french, german and japanese language spheres + the italian, and loads and loads of norwegian war history.
Im glad mr burns that you still have many productive years to come, i can not praise enough the impact and inspiration youve released in miself as your products have appeared
so to everyone sceptical to the harrowing title making usa seem like a crook, well then watch and learn, cause the refugee problem will always be there. Its an overwhelming recommend from the g.o.m..
This film presents an interesting take on Jewish immigration during World War Two. Ken Burns et al do a good job of giving us the backstory of how FDR's administration approached the situation and the constant barrage of anti semitic forces working to keep the United States out of the war for as long as possible. The documentary is raw, graphic , and in your face but people need to see this to realize that life is precious. Man's hatred and cruelty knows no bounds but if we are reminded of it by films such as these, hopefully we can keep ourselves in check to try never to repeat this type of heinous cruelty.
Yes, it's another in-depth, detailed history from Ken Burns and crew.
But having each episode over 2 hours long really drags out. I watched it bite sized chunks and also found myself fast-forwarding at times. Peter Coyote's narration also drones on.
The narration outline, especially in the first episode, parallels immigration issues the USA is having today. Not sure if this emphasis was intentional or as the saying goes, "nothing ever changes."
There are a lot of still photos and videos, taken by the German soldiers, that will likely be new to anyone viewing the documentary.
The testimony from Eva Geiringer in episode 3 about camp conditions will turn your stomach.
But having each episode over 2 hours long really drags out. I watched it bite sized chunks and also found myself fast-forwarding at times. Peter Coyote's narration also drones on.
The narration outline, especially in the first episode, parallels immigration issues the USA is having today. Not sure if this emphasis was intentional or as the saying goes, "nothing ever changes."
There are a lot of still photos and videos, taken by the German soldiers, that will likely be new to anyone viewing the documentary.
The testimony from Eva Geiringer in episode 3 about camp conditions will turn your stomach.
I typically like Mr Burns's content. Yes, he does have a left-leaning slant but compared to other historical documentaries produced today its slight and very
This revealed Burns's current stance on immigration policy more than it was history of the USA & Holocaust.
Comparing today's political discourse with societal attitudes and legislation passed (on immigration) in 1920s and 30s America is dishonest and anti intellectual... you're no better than the Bush campaign in 92 playing the prison furlough commercial. If you vote/advocate for this, then this could happen. Politics thru baseline emotions.
Comparing today's political discourse with societal attitudes and legislation passed (on immigration) in 1920s and 30s America is dishonest and anti intellectual... you're no better than the Bush campaign in 92 playing the prison furlough commercial. If you vote/advocate for this, then this could happen. Politics thru baseline emotions.
3DrD3
This Ken Burns documentary was not up to the standards of his previous documentaries. Peter Coyote is a fine narrator and always pleasant to listen to. It was interesting in the first episode dealing with the prejudices and racist attitudes in the US with the influx of immigration concerns.
There were a number of historical inaccuracies that took away from what the documentary was attempting to portray. Historical documentaries need to do more than tell the viewer what happened; they need to ask the question why certain incidences occurred in order to better understand the issues being presented. There were a number of historical omissions that would have explained things more in depth. For instance; how the slaughter of 66 million Christians and Russians by the Bolsheviks influenced the mindset of the Germans during this time. The documentary also lost some credibility by having Deborah Lipstadt as a voice of authority as her input took away from some of the plausible historical accuracies with her repetitive accusatory conjecture presented as fact.
Other than that, there wasn't much revealed that hasn't been covered countless times before.
There were a number of historical inaccuracies that took away from what the documentary was attempting to portray. Historical documentaries need to do more than tell the viewer what happened; they need to ask the question why certain incidences occurred in order to better understand the issues being presented. There were a number of historical omissions that would have explained things more in depth. For instance; how the slaughter of 66 million Christians and Russians by the Bolsheviks influenced the mindset of the Germans during this time. The documentary also lost some credibility by having Deborah Lipstadt as a voice of authority as her input took away from some of the plausible historical accuracies with her repetitive accusatory conjecture presented as fact.
Other than that, there wasn't much revealed that hasn't been covered countless times before.
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- TriviaPeter Coyote, the narrator of this series, has been a frequent narrator in Ken Burns's documentaries since their first collaboration, 1996's The West. In a 2019 New York Magazine interview with Coyote and Burns conducted by Tim Greiving (during the release of Burns's film Country Music), Greiving asked, "Ken, is it project-specific when you choose to use Peter?" and Burns's response was, "Yes it is. I would ask him for every project except those that are subject-wise African-American. There's a process: We would prefer that Peter not see the script and he prefers not to see the script. And we do not run the film while we're recording. We get about 95 percent of the way through editing, and then we say, 'Time for Peter.' An episode might run an hour and 50 minutes. Peter reads it cold. And more often than you could possibly believe, that first take is often terrific. It's usually two, three takes. I'm sure it now drives him insane. I always say, 'Perfect. One more for the insurance company.'"
- ConexionesFeatured in Ken Burns: One Nation, Many Stories (2024)
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- The U.S. And the Holocaust
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- Tiempo de ejecución2 horas 13 minutos
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