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Una exploración de varias interpretaciones de la película de terror de Stanley Kubrick, El resplandor (1980).Una exploración de varias interpretaciones de la película de terror de Stanley Kubrick, El resplandor (1980).Una exploración de varias interpretaciones de la película de terror de Stanley Kubrick, El resplandor (1980).
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 16 nominaciones en total
Sam Walton
- Cast
- (as Samuel Walton)
Lisa Burns
- Self
- (material de archivo)
Louise Burns
- Self
- (material de archivo)
Ryan O'Neal
- Self
- (material de archivo)
Scatman Crothers
- Dick Hallorann
- (material de archivo)
- (sin créditos)
Tom Cruise
- Dr. William Harford
- (material de archivo)
- (sin créditos)
Barry Dennen
- Bill Watson
- (material de archivo)
- (sin créditos)
Kirk Douglas
- Spartacus
- (material de archivo)
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
An exploration of various interpretations of Stanley Kubrick's horror film, "The Shining" (1980).
What this film is not: a reveal of any deeper symbolism in "The Shining". The theories here rely on personal interpretations, and in some cases they are not relying on very much fact to build such opinions. The minotaur section in particular is a bit nutty, because it has us build a vision off of a minotaur that is not even there.
What this film is: a look at the theories of some very brilliant but clearly eccentric people. Despite the connections these people see in random numbers and images, Kubrick was not making a statement about American Indians, the Holocaust or the Apollo program, nor was he using "minotaur imagery".
So, if you are looking to find out more about the deeper meaning of the now-classic film, this might not be the place for that. Ask Jack Nicholson, or Vivian Kubrick, or someone who was actually on the set.
What this film is not: a reveal of any deeper symbolism in "The Shining". The theories here rely on personal interpretations, and in some cases they are not relying on very much fact to build such opinions. The minotaur section in particular is a bit nutty, because it has us build a vision off of a minotaur that is not even there.
What this film is: a look at the theories of some very brilliant but clearly eccentric people. Despite the connections these people see in random numbers and images, Kubrick was not making a statement about American Indians, the Holocaust or the Apollo program, nor was he using "minotaur imagery".
So, if you are looking to find out more about the deeper meaning of the now-classic film, this might not be the place for that. Ask Jack Nicholson, or Vivian Kubrick, or someone who was actually on the set.
Yeah, that's right. I said comedy, and this isn't a review for the wrong film. Like most people, I went into ROOM 237 expecting a documentary on Kubrick's THE SHINING, containing various theories exploring the movie's subtext and the like. What I got was an increasingly deranged collection of ramblings and outlandish conspiracy theories from a team of crackpots and wackos.
Because ROOM 237 isn't about THE SHINING at all. Instead, it's a documentary about obsession, and how ANYTHING can be interpreted as ANYTHING given the right frame of mind. So in the course of this documentary we learn that Kubrick faked the Moon landings, that a poster of skier is in fact a minotaur, and plenty more besides.
It's all complete hogwash, of course. Yes, Kubrick added in subtle, almost subliminal things to mess with the viewer's mind; changing the carpet pattern or removing a sticker from a door. But he did that to further unsettle the viewer in what after all is a horror film. There's no more to it than that. However, the nonsense spouted in this film is actually very funny, hence my comment that this makes a great comedy indeed.
Because ROOM 237 isn't about THE SHINING at all. Instead, it's a documentary about obsession, and how ANYTHING can be interpreted as ANYTHING given the right frame of mind. So in the course of this documentary we learn that Kubrick faked the Moon landings, that a poster of skier is in fact a minotaur, and plenty more besides.
It's all complete hogwash, of course. Yes, Kubrick added in subtle, almost subliminal things to mess with the viewer's mind; changing the carpet pattern or removing a sticker from a door. But he did that to further unsettle the viewer in what after all is a horror film. There's no more to it than that. However, the nonsense spouted in this film is actually very funny, hence my comment that this makes a great comedy indeed.
There is a lot of anger about this film on this page and, while I was considering whether to watch it or not, it was this passionate hate that made me interested to see it myself. It isn't across the board though, but whenever someone dislikes this film they seem to really dislike it. The problem seems to be that it appears to be a documentary about The Shining but it really isn't any such thing – but to watch it as one must be frustrating because you sit to watch that and have to listen to loopy theories about the film presented as (in your head) facts. I didn't have this approach because I had heard it was all about the theories rather than the film and as such I found it quite fascinating even if it is a little too long.
The whole film is people talking over clips from the film or other clips illustrating their point; the theories range from the film being about the Holocaust through to the Native Americans through to the Kubrick making it about his own involvement in faking the moon landings. It is all pretty nutty in terms of what it says, but it works because the contributors believe it and they speak with such passion and enthusiasm about their specific interpretations that it is hard not to get drawn in. There are plenty of moments where you find yourself starting to listen rather than mock – so specific things that are in the film that are attributed to meaning something and I started to wonder "well, why is that thing there – it was chosen to be in this shot or be worn by this character, so what was that decision taken for". Of course there are plenty of bits that do the opposite and are pretty laughable but generally I found myself quite drawn in by it. The length works against this in some ways because it does stretch things out more than it can bear but it was still engaging to me.
Part of the interest for me was seeing how it is possible to really find meaning in anything if you apply yourself. I was never a fan of school lessons where we had to tear works apart looking at each detail and talking about what it could possibly mean, rather than just enjoying the whole for what it does, and this is what happens here. The hunt for meaning and for symbols rewards those that are doing it, but ultimately they all have their point if their theory is true. The extent of their criticial analysis of each frame and second of the film is intense and it did make me wonder why they did it and whether they are still able to see the film for the great piece of entertainment that it is?
Room 237 is too long and lacks a clear point – it would have benefited from something topping and tailing it, but as it is I still found it engaging thanks to the passion and detail in the delivery; it doesn't mock these people it just gives them a platform and leaves the rest to us and them. I found it interesting even if ultimately it is quite empty as a film – ultimately if you dig in every corner looking for your agenda, you'll find enough to back you up – which isn't the same as you being correct. This is the message that I took from it and I found that message to be entertaining, but it is ironic that Room 237 is about lots of people seeking meaning in one film, all while it really doesn't do a good job of presenting its own meaning.
The whole film is people talking over clips from the film or other clips illustrating their point; the theories range from the film being about the Holocaust through to the Native Americans through to the Kubrick making it about his own involvement in faking the moon landings. It is all pretty nutty in terms of what it says, but it works because the contributors believe it and they speak with such passion and enthusiasm about their specific interpretations that it is hard not to get drawn in. There are plenty of moments where you find yourself starting to listen rather than mock – so specific things that are in the film that are attributed to meaning something and I started to wonder "well, why is that thing there – it was chosen to be in this shot or be worn by this character, so what was that decision taken for". Of course there are plenty of bits that do the opposite and are pretty laughable but generally I found myself quite drawn in by it. The length works against this in some ways because it does stretch things out more than it can bear but it was still engaging to me.
Part of the interest for me was seeing how it is possible to really find meaning in anything if you apply yourself. I was never a fan of school lessons where we had to tear works apart looking at each detail and talking about what it could possibly mean, rather than just enjoying the whole for what it does, and this is what happens here. The hunt for meaning and for symbols rewards those that are doing it, but ultimately they all have their point if their theory is true. The extent of their criticial analysis of each frame and second of the film is intense and it did make me wonder why they did it and whether they are still able to see the film for the great piece of entertainment that it is?
Room 237 is too long and lacks a clear point – it would have benefited from something topping and tailing it, but as it is I still found it engaging thanks to the passion and detail in the delivery; it doesn't mock these people it just gives them a platform and leaves the rest to us and them. I found it interesting even if ultimately it is quite empty as a film – ultimately if you dig in every corner looking for your agenda, you'll find enough to back you up – which isn't the same as you being correct. This is the message that I took from it and I found that message to be entertaining, but it is ironic that Room 237 is about lots of people seeking meaning in one film, all while it really doesn't do a good job of presenting its own meaning.
I really hoped this would somewhat focus on the film 'The Shining', but it doesn't. It's all about how people, who I have never heard of, think about it and how they interpret it. Sorry, I don't need strangers to tell me what to think. My recommendation is to avoid.
This film is an elaborate joke, a satire on those oh-so-earnest analyses of films one sometimes comes across. Tins of baking powder which show it is a movie about the American Indian? A German typewriter (a make which I also used to use), plus a supposed Hitler moustache in the final shot, shows it is a holocaust movie? Kubrick's face in a cloud formation? Significance in running the film backwards superimposed on running it forwards? A minor character played by an actor who also played Pontius Pilate? I would go so far as to say that The Shining itself is an elaborate joke. An enjoyable one all the same. As is Room 237. But don't take it seriously!
¿Sabías que…?
- TriviaLeon Vitali, former assistant to Stanley Kubrick, dismissed the theories in this film as "gibberish," saying they are entirely without merit.
- ErroresBill Blakemore mistakenly attributes a literary quotation. "History is a nightmare from which I'm trying to awake" is from James Joyce's Ulysses, not from anything by T. S. Eliot.
- Créditos curiososThe end credits scroll downward.
- ConexionesFeatured in Minty Comedic Arts: 10 Things - The Shining: The Lost Version (2022)
- Bandas sonorasWe Cannot Escape the Past from the album 'A Stairway to the Stars'
Composed and Performed by The Caretaker
By Arrangement with History Always Favours the Winners
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- How long is Room 237?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Soba 237
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 296,359
- Fin de semana de estreno en EE. UU. y Canadá
- USD 29,693
- 31 mar 2013
- Total a nivel mundial
- USD 367,406
- Tiempo de ejecución1 hora 42 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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By what name was Room 237 (2012) officially released in India in English?
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