6 Days to Air: The Making of South Park

Not sure what's the point of this 40 min "documentary".

It might appeal to die hard fans. For the rest of us: it might actually push some people away from ever watching any SP episode.

Now: I used to watch South Park (maybe the first 5, 6 seasons) then I guess I grew up and found most of the sexual and poop related "jokes" as being lame and fillers to carry on an otherwise empty episode.

But anyway.

The topic of the human centipede is just unwatchable stuff for anyone not familiar with SP; the unnecessary punishment to push through an episode in 6 days is not entertaining and definitely not meaningful at all (ok, it can help to work under pressure, but there are limits and they are not presented on screen). The pressure the animators, editors, etc are subjected seems like mobbing.

This is a sort of reality show that has been obviously heavily edited (even though the several black frames here and there tell us whoever reviewed it did a sloppy job). It seems the goal is to place the couple of Matt and Trey on the pedestal and see how they operate, rather than the process of making an episode. Again: cool stuff for a long time fan, useless for someone who doesn't knoew much.

The parts about the book of mormon, the oscars awards and how they started are cool yes, but totally unrelated to the premise of the documentary.

There is not much that made me say: "hey now I see how collaboration between different people can help trigger the creative process".

This documentary is pretty much exactly what it says: a look inside the studio and how a small group of dedicated people are able to bring a cartoon to your home each week with only days to go from scratch to screen.

My biggest disappointment is the length of this thing. Clearly it was designed to fit within an hour of television, but I would think they could have put more for those who did not watch the original run (I saw it on Netflix, for example). There was not much discussion of the movies these guys made, and how films like "Cannibal the Musical" fit into the story of Parker and Stone.

That aside, I think it was a good peak at how these guys work, and it is interesting to see Bill Hader in on the fun, too. I knew some episodes were made last minute, but I was not aware that the show consistently worked that way. It is an amazing feat.

This was a great, insightful film that details the intense personages, and working conditions, regarding the creation of South Park. It was quite illuminating and I found all the interviews and sections as intriguing as the last.

Recommended for those who enjoy South Park!

Why I saw this just now is something I can't explain to myself. I was actually watching some youtube and ended finding little bits of it, dealing with the way Trey Parker does the voice of Cartman – this got my attention as I don't think I've seen him doing that before (aside of that funny bit from BASEketball in which he turns into Cartman). Later, I found the clip of Trey doing some voice work together with Bill Hader. I did know Hader (yes *the* Bill Hader from SUPERBAD) was working for SOUTH PARK but watching the actual thing with him and Trey just laughing hard made me think something like "wait a minute, why I haven't seen this documentary? I even own the damn thing on Blu-Ray!"

What "6 Days to Air" offers is a look at how the first Season 15 episode ("HUMANCENTiPAD") got made. Also, we have stuff dealing with the story of the show. Is worth pointing out that hard-core fans of the show will find some great and unique material even from the bits with well-known stuff like the story behind "The Spirit of Christmas" or the going-to-the- Academy-Awards-with-dresses-and-on-acid anecdote. The rest of it, well, it's clearly priceless material – is seeing with your own eyes everything you have heard or read before; I mean, is seeing how Trey Parker and Matt Stone come up with pretty much everything (6 days before the airing, certainly) and their ability to basically hear an idea and immediately start to think with Cartman or Kyle's mind to create the dialog. Bill Hader has the dream job of being a writer who does basically nothing aside of laughing hysterically thanks to the whole making of a SOUTH PARK show. And you'll laugh hard too!

*Watched it on 09 September, 2012

This picks up Matt & Trey's return to the studios in which they have less than one week to come up, write and have ready the first episode of the fifteenth South Park series following their return from writing and opening the musical "Book of Mormon"

For anyone not already aware, the entire process of writing a live theatre production like that isn't just draining beyond belief it's also entirely different - almost polar opposites of that involved with writing a 22 minute animated comedy. Not only that they came back with no literal clue what to even use for writing so even getting back into that mindset is an achievement in itself let alone putting an entire episode together ready to air in just six days.

The cameras are allowed briefly to record Matt & Trey with the other writers bouncing around ideas which is not a place anyone is or has been allowed to venture before. As Matt says and another writer agrees, it's a very vulnerable place to be throwing out ideas most of which will be rejected and maybe two or three out of every 100 even making it into further conversation but the culture within the studios and especially amongst the team is one that means they feel able to expose themselves and not worry about ridicule and being ripped on for an idea that's dire.

It was interesting to hear amongst the many topics, ideas and suggestions thrown out casually, one that Matt mentioned which was something he read about NCAA / basketball players making others a small fortune for their efforts but whose own Mothers weren't even paid to go see them play at any of the games (which would later be the 5th episode "Crack Baby Athletic Association") . Seeing hidden camera footage of Trey pacing full circles around the writers room like an injured animal trying to think up ideas gives an even greater sense of the stress, anxiety and incredible pressure they're under and have been subjecting to themselves for over 20yrs.

It gives you new found and full respect to the animation and sound / editing team who get extra tense and worried when there's not much noise and laughing from the writers room because the writing and voice recording is done first and then handed over to the animators. The amount of absolute belly laughing inside the sound booth whilst they are recording must be a nightmare for the sound guys to edit and cut out all the sniggering and wheezing from Matt & Trey's mic and al the while, Anne Garafino (God love her) has to take the initial ideas and intentions they have for each episode and run it by the legal standards making sure it's allowed to air.

Anne is such a sweet, gentle natured soul and although obviously not by any stretch easily offended or a prude given how long she has been working with Matt & Trey, it's still funny to hear her talk and make the phone call to run the initial ideas by their legal standards people and include what type of detail will be included i.e. The scenes showing characters with their mouth sewn to someone's arsehole and how much crap will be visible.

For me personally, at just shy of 45mins long it felt like too much time was spent covering older ground and recapping the origins of South Park and generally going back over well trudged ground. I wouldn't have thought this would appeal to many other than existing and well established fans most of whom would know this already.

The other minor gripe is that I got the distinct impression Matt & Trey weren't entirely 100% comfortable or keen to have even filmed this which I know they're fiercely private and guarded about anyway so it seemed an odd thing they would allow the cameras to follow them. I understand that entirely and would have preferred they weren't asked to give interviews on camera or if the cameras had stuck solely to a fly on the wall footage (as seen when Trey is pacing the writers room) or better still, scratched that and focused more on the animation / general creative team and how they work day to day.

I dunno there's just always something really uncomfortable in any interviews with Matt & Trey where you know they've been asked to sit just so, have really crap generic questions put forward or asked to do impressions and they oblige because they're such professionals but you can feel the awkwardness and sympathise.

Would love to have just seen how the team works from when they get back the recording and start the animation process to match. Would also love to see more of Anne at work if not an entire documentary dedicated to her job being "Oh God no... I have to people call up and try explaining this??"

A definite one South Park fans will love for sure though.