Diana Vreeland: The Eye Has to Travel

Diana Vreeland: The Eye has to Travel, was an interesting film but a few jarring issues made it hard for me to really enjoy it. Firstly, the decision by the film maker (who I assume is a relative of the subject) to leave unchallenged Ms Vreeland's assertion that she was "not rich". How can anyone how has their clothes tailor-made by Coco Chanel be anything else! Not rich compared to whom, the Vanderbilts? Also the decision not to name any of the talking heads was infuriating. I note one of the other reviewers claims that the child reading from a magazine column was a grandchild of the subject. How did they know that? The print I saw did not identify a single soul. Finally, several of these nameless heads spoke in languages other than English, and none of what they said was translated. Mystifying! Maybe I saw a dodgy version, and all the captions and subtitles left off... Or maybe I am too much of a pleb to be included in the target audience for this film (who are trilingual and have an intimate inside knowledge of the fashion industry and an encyclopeadic knowledge of the physical appearance of dozens of designers, photographers, models and, I assume, hangers on of the fashion world). Bah humbug.

I'm completely mystified by the fact that there are no name titles given to a single person interviewed nor subtitles used when someone being interviewed did not speak in English (keep in mind this film is in English the majority of time so I guess those interviews in French weren't important for us to know). I watched this in Hulu so unless they released an incomplete version, I'm at a loss to understand such an amateur decision to leave your audience in the dark.

This is a fascinating, if very flawed, film about one of the most fascinating women of the 20th Century who opened doors for women in the 21st Century.

It was informative, and "in her own words", but, as one reviewer put it, the talking heads were never identified. I only knew when her sons spoke because they called her "mother". Otherwise - unless you know from looking at this crew who they are, you have to just sit back and enjoy their stories about her taking it on faith.

Thank goodness she had the fortitude and strength to steamroll over the man at the Met who wanted to know her "credentials". What an idiot.

What a wonderful woman! Well ...... to a lot of people.

Her first name Diana is pronounced "Deeanna). Unsure if that was to sound better with Vreeland or was the original pronunciation. It would surprise me not one whit if she suddenly changed it because it went better - that is the audaciousness of who she was.

To view this very well done documentary is a sheer delight and an amazing time capsule of women's fashions and a very intimate and up close documentary of the woman who has had the biggest impact of anyone on the planet on women's fashions.

You will be highly entertained, laugh often at this most audacious lady who says "Live the life you know you want, make it your own". Who's statements of fact become what she terms "faction" a better story than telling it like it actually was.

It is rare to meet someone who so lived their life at full throttle. A fascinating in-depth documentary that includes conversation with Diana, those who worked with her, celebrities, musicians, etc.

You cannot help but be mesmerized and riveted. Loads of pictures, covers of Vogue, Harpers Bazaar, and notable people.

Her impact on fashion, photography, creating an experience on the pages of these fashion magazines that challenged, entertained and gave snippets of geography, history and knowledge to the reader was and still is unmeasurable.

I am so happy that I enjoyed the full movie experience to this bigger than life Grand Dame. A definite buy when available on DVD - but I do encourage you to see it in the theater.

Even though I'm really not a very "fashion-conscious" fellow (as a lot of other people certainly seem to be) - I was still quite impressed with this first-rate bio-documentary that focuses in on the life and times of the "Empress of Fashion", Diana Vreeland.

Back in the mid-20th century (spanning the years from 1940-1970) - Diana Vreeland was not only credited for her vast influence on the ever-changing face of women's fashions - But, she was also noted for being the trusted fashion-adviser to such high-profile women as Jacqueline Kennedy.

All-in-all - "The Eye Has To Travel" is the sort of presentation that is sure to appeal to a wide range of viewers (whether they are women, men, or trans).