This Is Jinsy

The songwriting skills of Neil Innes at his best, the intelligent madness of Spike Milligan and an inventiveness that defies description, these are just a few of the elements that make This is Jinsy the best British comedy for many years. Justin Chubb and Chris Bran are to be congratulated on an original character based comedy that has joined sit-com to sketch-show with a joyful confidence and utter success under the superb direction of Matt Lipsey. The series is supported by a surreal design team led by Nic Pallace the captures an entire world of insane parallel development.

The highlights are almost too numerous to mention, but gold stars have to go to the entirely too believable civil service banter and by-play between the two main protagonists that occasionally riffs on Yes, Minister for the niceties of political structure formalities; Harry Hill as the sadistic Dominatrix punishment manager; The Jinsy Singers for some entirely too complex harmonies; Alice Lowe as the darkly frustrated yet interestingly sensual Tessellator engineer; the narcoleptic historian; David Hatton as the Weather Monk Tracee Henge, surely Spike Milligan on top Goon Show gibberish form reincarnated; songs you find yourself humming three weeks later; Simon Callow, Kevin Eldon, Jane Horrocks, Nigel Planer, Jennifer Saunders, Peter Serafinowicz, David Tennant and Don Warrington completely off the wall in guest roles.

It all makes a kind of mad sense, suspension of disbelief is entirely too easy, not to mention enjoyable as you immerse yourself in a very different normality. You can't help but laugh all the way through, each episode has gem moments, but the overall absurdity is a giggle form start to finish. Bravo, more please.

Must say I didn't quite know what to make of Jinsy the first time I watched the pilot episode. But after watching a few more, you really do get into the whole surreal world they've created. The songs are silly, catchy and years later I still find myself humming along to a number of them, something I haven't done to any comedic songs since the Python days. This won't appeal to all, especially the more conservative mainstream sitcom type watchers, but to anyone who likes some quirky and a bit crazy comedy sketches and songs and episodes filled with guest stars such as Rob Brydon (love his badger song!), David Tennant, Greg Davies, Stephen Fry etc etc, its a blast!

Funniest thing on British TV in many years and the most re-watchable program I've probably ever seen.

...There is every chance you'll enjoy this. This is its own thing. But it's never going to escape style comparisons with Monty Python. And darn it, if you love weird, surreal, off-the-wall and unconsciously jarring British humour, Jinsy is going to sink under your skin. Even when you can't find it amusing, or find it repetitive, the visuals alone will haunt your back brain.

Jinsy also has flavours of Brazil, The City of Lost Children, The Delicatessen, and Twelve Monkeys. It includes the sort of self-consciously ironic music-comedy skits that peppered The Big Gig and The Sideshow variety shows from Australia.

I predict that in 10 or 20 years Americans will discover another reason why cults become classic.

If you never grew up on a small island, watch this. If you did, watch this. Amazingly inventive and funny, full of cameos from the likes of David Tennant and Harry Hill.

Perfectly pitched and balanced, with an excellent cast, the residents of the island of Jinsy are definitely act like inmates of an asylum, overseen on the behalf of "The Great He" by Arbiter Mavern and his ever faithful team of dripping, myopic and cleverer assistants. Whilst this may appear simple, it is anything other than that.

If it is an asylum, the inmates have definitely taken over and they have a lot to sing about. So, daily greet and sing sing sing.

This is - I'll admit - a patchy but also occasionally brilliant comedy. Rather like League of Gentlemen or Monty Python, any surreal and original comedy will have moments where it doesn't work; this, like those programmes, is worth watching for when it does. The musical interludes are superb as are the guests who join in the fun - such as Rob Bryden's performance of "Female Badger" (see youtube). Don't watch it before visiting the supermarket as you'll end up singing questionable lyrics to bemused fellow shoppers. The use of language is also inventive and generates the claustrophobia of small communities. It is criminally under appreciated and definitely deserves to be better known.