Última noche en Milán

Long time since I enjoyed a thriller/police story so much, especially at the cinema.

No CG, no big explosions, just extraordinary screenplay and acting performance. Fantastic the double-shooting of the flashback scenes, while the whole plot is re-constructed piece by piece.

I hope that only sub-titles will be added for the Sicilian and Calabrese dialogues, they are essential to create the "urban jungle" clash, as much as the chinese dialogues are kept in the original audio.

Favino fills the screen without saying a word for half his scenes, you squirm and suffer with him the whole time: yet another masterpiece from him.

A must watch.

At last, an Italian genre film - thriller, noir - to be really proud of. A plot capable of surprising, masterful performances by the actors in both the main roles and the supporting cast, intelligent and never mannered direction. But what is most pleasing is that the Italian-ness goes beyond the obvious production and plot details-the setting, the characters, the cultural references- , enriching the dialogues with that typical irony proper to our country: we are brilliant even and above all in moments of crisis, even if there is a decision at stake on which our lives depend. The grade does not go toward 10 only because of some minor shortcomings in the mise-en-scene, such as some details in the key sequence (which nonetheless holds one's breath for pace and twists). An 8, however, is the minimum, well-deserved and full. Let's hope Andrea Di Stefano can return to our country to make a new film in the future.

Mesmerizing opening with an aerial night view of Milano and the trademark giallo soundtrack which reminded me of Morricone: it must be in my top 50... maybe even higher.

Not an absolutely perfectly designed noir/police drama: I felt like I missed something that wasn't completely clear despite my efforts.

Also some scenes and parts of the screenplay were a little weak partly due to the attempt of creating authentic main characters - which is a rarity in today's marketing designed productions - partly for reasons I can't pinpoint but involve both the writer/director and the actors.

Yet it's been more than a year since I've watched something as compelling in the genre (which I'm a great fan of - as you can see from my list of over 1000 watched productions - and about which I'm starting to become hardly satisfiable).

Great music, maybe a little too dark and dramatic compared to the script, but that's nitpicking.

Photography as well tries to mimic the '70s style of giallos with its simple camera work and original lights/colors - though maybe indulging a bit too much with Milano postcards.

So if you love well designed and executed crime stories, you have to add it to your list.

The only unforgivable negative is the audio: 2/10. Better use subtitles in a language you know, because not even a mother tongue can get more than 95% of what is said in the original italian version. The most understandable italian is spoken by one asian character...

It's an 8, which means a 10 in the world of IMDB.

Very nice movie! And I'm speaking from someone who usually doesn't like the genre and 8/10 hates the italian way of acting, sometimes very poor. From the intro with an amazing aerial view of Milan by night with a perfect, thrilling soundtrack, the plot unfolds in very clever way. I liked the flashback part, not exaggerated, just helpful to understand the story. The acting is pretty good, the rythm is perfect. The sound editing play the lion's share here: the music is truly remarkable, really "pulp", perfectly timed. This film for me was a huge surprise. You won't regret the choice. To be seen!

A wonderful opening sequence with stylistically typical writing and score - is this the return of the Poliziottesco? No, the hopeful nostalgics quickly hit the ground of reality, obviously that of our time. No tough 70s cop, a leading actor who, in my impression, initially embodies more of a RomCom prototype, for example. A deliberate break in style? In his role, he is semi-corrupt, disillusioned, tired of everyday life, battered, on the verge of becoming a "loser". So after a leisurely and not very meaningful 3/4 hour, i.e. A rather long span, I was ready to set my expectations back to zero for the sake of fairness, let's see what else happens, and suddenly the plot really picks up speed. The dynamics in the middle section are great cinema, the exciting follow-up in the episode no less thrilling. The makers' plan probably worked for me, hats off, a wonderful film with a great script.