Saving Lincoln

Saving Lincoln is a film that is relatively historically accurate, yet quite mediocre in production quality. While the actors are able to put up somewhat believable performances, some of them simply do not resemble the characters they are portraying. The film also seems to brush over some of Abraham Lincoln's most notable moments, as if the filmmakers are just showing a crash course on the life of Lincoln. Aside from this, some of the dialogue and pacing of the film is rather poor. Saving Lincoln primarily focuses on the relationship between our 16th President, played by Tom Amandes and his bodyguard, Ward Hill Lamon, played by Lea Coco. The film follows the duo from when they first meet all the way until Lincoln's second term as President. These two specific actors perform well objectively, and Coco seems to grasp the heroic nature needed to portray someone as vital as the bodyguard of the President. Amandes seems to be a bad fit for Lincoln though, as even when he makes the most of the sub-par dialogue, he simply does not look very much like Abraham Lincoln. In comparison to Daniel Day Lewis in Spielberg's Lincoln, Amandes looks very off. He does not seem tall enough, and his face is far too forgettable to be that of Lincoln's. Out of all Lincoln actors such as Lewis, Henry Fonda, and Raymond Massey, as well as others, Amandes seems the least like the President. His voice is also far too deep in pitch and is missing Lincoln's accent. The production quality of Saving Lincoln was not one of its strengths. Excessive use of a green screen and TV-movie-like costumes serve as the main factors here. The backgrounds appear fake and the costumes look cheap. The sepia filter applied over the footage is cheesy and unnecessary. This took away from the film more than it added anything. As mentioned earlier, the dialogue in Saving Lincoln is one of its weaker points. Character development is sparse, and exposition is given too quickly in the form of dialogue. Real conversations where the audience can notice the character's personalities and relationships with each other are lacking. For example, Lincoln and Lamon do not seem truly friendly with each other because of the dialogue the actors are given to work with. This film seems to lack patience and the opportunity to take a minute to breathe. It moves so quickly over momentous parts of Lincoln's life such as the Gettysburg Address, the death of Willie Lincoln, and his plans to end slavery. The film does seem to have a good grasp on the life of Lincoln, though. It includes scenes based on actual events. Even if they are just displayed in plain sight, scenes in which a first Lincoln assassination failed to fall through, Lamon protecting Lincoln on a horse ride, the delivery of the Gettysburg Address, and nearly all other scenes are based on real history.

Fast and lose with motive and historical record. Yes there were plots against Lincoln but much of the dialogue is absurd.

The hokey scenes of riding through fake battlefields in in a carriage is too much. Making this movie on the cheap was the only way to get this before the public. At least, it will be playing every night at Hillsdale College. With a script that appears written by Liberty University, it presents an Abraham Lincoln that no cursory examination of Lincoln's writings would support.

Must have been paid for by DeSantis historical revisions board in Florida.

God protect us from the village idiots.

I was moved by this film. As someone who has lived in the DC area my entire life, has visited Ford's Theater on numerous occasions, and has been to Gettysburg, Antietam, and other civil war battlefields more times than I can remember, I felt that seeing Tom Amandes' portrayal of Lincoln this evening brought me closer to understanding Lincoln the man than I have ever been. Amandes' Lincoln was not overplayed, but real and genuine. Litvak was bold in creating his Lincoln as a man of faith and emotion, natural charisma and strength. Lincoln's melancholy made him more endearing, not distant. Penelope Ann Miller's Mary Todd was also genuine, a person of real emotion, not the disconnected and distant caricature that she has been portrayed in previous films. Lea Coco was masterful in walking the line between obsessive, monomaniacal protector and best friend of the most indispensable man of his time. No spoiler here, but Coco's finest hour came towards the end of the film in my opinion, when he as Lamon visibly let down his guard for the first time, no longer able to protect his friend. What an amazing piece of art this film is. Seeing the actual images of Civil War soldiers in the hospital behind Lincoln in one scene tapped an emotional well in me as I realized that these were real people, real faces of the men who fought and died for their country, and for this I must say that the Cinecollage method that Litvak has brought to life is a treasure that is capable of connecting us with our history in a way that is unique and of deep value. I applaud the creator and cast for the wonderful film and eagerly await the opportunity to see it again.

They tried to do something groundbreaking, but it didn't quite work. It is a shame, because the story is interesting. Lamon looked suspiciously like he borrowed his clothes from some old tv western.

While this film was no doubt overshadowed by the theatrical release of Steven Spielberg's "Lincoln", it's attempts at telling a story are admirable, with a rather modest performance by Tom Amandes as the 16th president, which serves as the true highlight of the film. Lea Coco plays the role of Ward Hill Lamon, Lincoln's self-appointed bodyguard, and merely plays second fiddle to Amandes while brandishing a Southern accent. Perhaps the biggest thing that stands out in the film is its reliance on a green screen for setting and background, which, due to the film's modest budget, is impossible to hide. However, the film succeeds in demonstrating the friendship between Lincoln and Lamon.