Mamá

I was not disappointed in Mama in the slightest. I found the story original and fascinating. The acting was well done. The children were great and the character of Mama was very creepy indeed, even if I did feel a bit sorry for her back story just a tiny point.

I don't see why people seem to have a problem with the second half of the film. I found it just as solid as the first part. I was engrossed right through the whole film and was not left feeling cheated of any scares or thrills.

The storyline is solid, and like I said previously it feels like a fresh creepy idea and certainly had the great atmosphere which I feel makes a good horror film. I am pleased to have it on my DVD shelf.

Would definitely recommend.

¨A ghost is an emotion bent out of shape, condemned to repeat itself time and time again.¨

Another South American director has made his splash on Hollywood after the successful debut of Mama in theaters this year. Argentinean director, Andres Muschietti, made over 70 million dollars in the box office and received decent reviews for this horror/suspense film based on a short 3 minute movie he directed in 2008. That short film garnered the attention of movie executives such as Guillermo Del Toro who decided to produce and present this film. The fact that Del Toro's name was used here and that the coveted Jessica Chastain signed on to play the main character gave Muschietti the tremendous possibility of debuting on a high note. The formula worked pretty well because critics and audiences seemed to enjoy this film alike, and we could be heading to the start of a new horror franchise. I enjoyed most of the movie, and loved Jessica Chastain's performance, but the ending just ruined the entire film for me. It is kind of the same problem pretty much every ghost story film has. I feel like most of the endings in this genre are pretty unsatisfying and ruin the entire suspense the film has been building throughout the story. There is no denying that Japanese films have heavily influenced the genre with films such as The Ring, The Grudge, Dark Water, and One Missed Call which have all been remade, but the truth of the matter is the only film that really worked with critics was The Ring. They have tried to imitate its success, but I haven't been scared like I was with The Ring, which had a pretty satisfying ending compared to the rest. I do prefer this type of psychological horror more than the gory slasher films, but I find it troubling that they can't find a satisfying ending. My favorites in this genre will always be the first two I saw: Zemeckis's What Lies Beneath and The Ring. The rest have all fallen short. Mama was close to achieving that similar success in my opinion, but the ending really hurt it.

The film centers around two girls named Lilly (Isabelle Nelisse) and Victoria (Megan Charpentier) who are abandoned in a cabin in the middle of the woods after their father murdered their mother and was attacked by some presence inside the cabin. Five years later the search finally pays off and their Uncle Lucas (Nikolaj Coaster-Waldau) finds them. To everyone's surprise the two girls have managed to survive on their own, but they live like animals crawling around the floor and talking to walls. Lucas and his girlfriend, Annabel (Jessica Chastain) decide to raise the kids with the help of Dr. Dreyfuss (Daniel Kash) who continues to treat the girls in order for them to make the transition from their isolated lives to a normal and nurturing family life. Annabel soon discovers that these girls might have never been on their own and that somehow the presence that was with them in the cabin might be in their home as well. Several suspenseful and horrifying events begin to take place while the girls continue to talk to shadows in the walls and call out for Mama.

The film has several thrills and suspenseful moments with a great performance from Jessica Chastain. It was good to see her try out a different role and she proves she can do about everything. It's hard to find good performances in horror films, but this may be one of the best. The movie also has its weaknesses like pretty much all horror films do considering the protagonists always seem to make stupid decisions, but that is what makes the genre so entertaining at times. They are clichés which we have learned to accept. The two girls were also surprisingly good, they had strong performances as well. I really enjoyed everything about the movie up to the last 15 minutes which pretty much ruined everything. Psychological thrillers usually have this impact: they begin with a lot of promise but end up on the wrong note, and that is exactly how I felt about Mama along with Sinister, a similar movie I got to see a few months ago. The film is above average thanks to Jessica Chastain, and Guillermo Del Toro's influence in the production of the movie, but that is about it.

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When sisters Lily and Victoria are left in the woods after a series of horrific events leaves them orphaned, how would they survive for the next five years until they are eventually rescued? Have no fear, Mama is here. The debut feature from Spanish director Andres Muschietti has some plot hole, but still delivers the goods in a scary, almost poignant way.

In Mama, there are similarities to the American version of The Ring in the way some of the scenes are shot in that grainy, static, antiquated, black and white style. Horror/ghost film fans might think parts of the film are clichéd and they would be correct. However, the two sisters in the film (played by Megan Charpentier and Isabelle Nelisse) make for interesting viewing. As Victoria and Lilly, the two are feral creatures having lived in the wild the bulk of their lives. Even after being taken in by their uncle (Game Of Thrones' Nikolaj Coaster-Waldau, Lilly still prefers to run around on all fours, eat with her hands while on the floor, and sleep under her bed. Her speech is relegated to growls and grunts with a few words mixed in. Her big sister, Victoria has a faster time assimilating to the civilized world. She even begins to cozy up to her uncle's punk rock girlfriend Annabel (Jessica Chastain).

What makes Mama work is the relationship between the female characters. Chastain ( Take Shelter, Zero Dark Thirty) has the lead role. She's the girlfriend, but becomes the unwilling stepmom to the two girls. The girls accept her to different degrees, but still cling to each other first and foremost. They also cling to "Mama" and vice versa. Thus what you have is a battle of wills between the supernatural and the living world with the emotional and physical well being of two little girls hanging in the balance. Maybe the presence of Barbara Muschietti (sister of the director) as one of the producers and writers of the film had some influence on having women as the driving force.

In addition, Mama might feel and look like the style of Guillermo del Toro film. That could be because he executive produced the film. If you are familiar with his work, you can see his hand in guiding this maiden voyage. Even so, Mama stands on it's own merits. It's far from perfect. The acting, especially from the kids, some trippy and macabre imagery , and a bit of a twist might make you want to sleep with the lights on.

This is meant in a genuine and not at all malicious way. 'Mama' is not a bad film. It's also (this is all personal opinion, not objective) not a great film. It very nearly was and its potential was enormous, but this is one of the most frustrating recent examples of films of two halves.

'Mama' is absolutely great in the first half. It's genuinely unnerving with a good deal of suspense in the ambiance and build-ups, beautifully timed jolts and spine-tingling scares without resorting to cheap gratuitous gore to make their mark. There are many horror influences here but not in a cheap or predictable way, almost in an affectionate homage sort of way without it meaning to be. The titular character is an ominously creepy presence for most of the film, there is a real sense of danger lurking around the corner at any time. There is something very beautiful and poignant about the story-telling too, underneath the horror was something more than that with at first characters one could connect with and a vulnerable edge that comes over movingly.

On the most part, 'Mama' looks good. It's suitably unsettling but also beautifully shot with creepy and audacious production design and splendidly macabre and sometimes inventive visuals. For the first half of the film, a lot of thought went into the visual effects. The direction from Andy Muschietti shows successful attempts at taking risks rather than over-blowing things or taking it too safe, there is a lot of visual panache and a seeming appreciation for film not just of the horror genre but in general (some of it actually almost thriller-like).

Always look out for a good music score in film, being a musician and growing up in a musical family music is of great importance to me when watching film, television etc. 'Mama' has that, a lot of it is truly haunting while not being over-bearingly used.

Jessica Chastain may not convince as a punk rocker but gives a performance of intensity, steel and vulnerability. Have noticed that both here and in Muschietti's latest film 'IT' that he brings the best out of child-acting, something that has wildly varied in film throughout history. Because 'Mama' is one of the finer recent examples of child acting that is remarkably mature, poised, natural, affecting and sometimes frightening. All of which achieved by Isabelle Nelisse and particularly Megan Charpentier. Daniel Kash makes the most of his problematic nearly pointless plot-device role, while Mama herself is voiced to unnerving effect and even more so in action with Javier Botet.

Which is why it is such a pity that at the midway point 'Mama' feels like a different film altogether with a second half that brings things down. The scares become less frequent, the pace lacks its tautness, the dialogue gets confused and things start becoming predictable and contrived. Due to plot devices not properly followed through, things that don't add up sense-wise and some illogical character decisions.

The less frequent the scares got, Mama also diminished in the scare factor and was almost cartoonish and the effects start to lack finesse. Nikolaj Coaster-Waldau does his best but he is used terribly to the point that he is nearly completely wasted, despite his role in the story being important it's not treated as importantly as ought and fairly indifferently done in execution.

Faring least is the ending, which was unsatisfying on every level as has been said. It is just far too ridiculously outlandish, feels tacked on and it's also very vague in that it leaves questions without fully if at all answering them.

In conclusion, great first half but really disappoints in the second with a slap-in-the-face ending. A small 6/10, was very torn in what to give it having been so disappointed with its unevenness but its good elements and the first half were so well done that being too hard on it was a no-no. Bethany Cox

I am a big fan of horror but recently i cant remember a movie which i enjoyed to my heart but then i saw MAMA and it was like a fresh air which u asked from a long long time. What makes MAMA special and different is it's Story and Acting.Not many horror movies has it now a days but MAMA has it all..a beautiful and emotional film with great horror elements to back it.The performance from Jessica Chastain is mind blowing.when the movie starts I didn't seem to connect with her character but as soon as the movie progressed she just blown my mind with her screen presence and screen fit performance.