Gary Johnson, un investigador que interpreta el papel de un asesino a sueldo para atrapar a los individuos que ordenan un asesinato.Gary Johnson, un investigador que interpreta el papel de un asesino a sueldo para atrapar a los individuos que ordenan un asesinato.Gary Johnson, un investigador que interpreta el papel de un asesino a sueldo para atrapar a los individuos que ordenan un asesinato.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 premios ganados y 19 nominaciones en total
Martin Bats Bradford
- Isaac
- (as Martin Bradford)
Jo-Ann Robinson
- Society Lady
- (as Jo Ann Robinson)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If you enjoy quirky movies, director Richard Linklater is your guy. His latest is HIT MAN, which is a romantic comedy that's very loosely based on an article about a real guy, Gary Johnson. Gary (Glen Powell) is a college professor and part-time staffer at the New Orleans Police Department. He stumbles into a new role as an undercover hitman, arresting people who try hiring him to kill someone. It turns out he's very good at it. Powell really showcases his talents here, playing different characters for each arrest. When he meets Madison (Adria Arjona) though, he breaks protocol. I guess Powell has great chemistry with whoever he works with. He has an undeniable charm that seems like it spreads to the whole cast. I could tell they had fun filming this. It also has a very smart script, playing with ideas of identity and being your true self. The strong sense of humour actually changes as the movie progresses, which was fun for me, but might not work for some. I find it hilarious that they must've asked the real Gary Johnson for permission to go as far as they do here. The movie makes it clear what actually happened during the end credits. HIT MAN is quirky, unconventional, and very enjoyable. If you can't see it in theaters, don't worry! It'll be on Netflix June 7th. Make sure the algorithm doesn't bury it. Enjoy!
Richard Linklater's movie career has been punctuated by intense narratives originating from everyday events. 'Hit Man' somehow achieves the opposite - it's a fluffy confection based on the exploits of a psychology professor who poses as a professional hit man.
The purpose of Gary Johnson's masquerades is to help his local police department entrap those wanting to hire a killer. The film's introductory sequences show several unconvincing restaurant encounters where he assures a procession of would-be murderers he's a hardened criminal in the liquidation business. When a beautiful Latina asks him to terminate her abusive husband, Gary baffles his handlers by refusing her down-payment, and suggesting she initiates divorce proceedings instead of contracting a homicide. By this point, the narrative has departed from anything close to gritty realism - and clownish complications ensue when Gary secretly starts an affair with this 'femme fatale' while maintaining his assassin persona.
'Hit Man' could have followed in the footsteps of modern classics like 'Body Heat', but Linklater chooses to play it for comedy rather than drama. Tension is lost as the story becomes increasingly frivolous, until it arrives at a conclusion that belongs in a farce. The acting performances and lightly amusing screenplay just about hold one's interest, but the final product feels like an insubstantial appetizer that could have been a memorable main course with a different approach.
The purpose of Gary Johnson's masquerades is to help his local police department entrap those wanting to hire a killer. The film's introductory sequences show several unconvincing restaurant encounters where he assures a procession of would-be murderers he's a hardened criminal in the liquidation business. When a beautiful Latina asks him to terminate her abusive husband, Gary baffles his handlers by refusing her down-payment, and suggesting she initiates divorce proceedings instead of contracting a homicide. By this point, the narrative has departed from anything close to gritty realism - and clownish complications ensue when Gary secretly starts an affair with this 'femme fatale' while maintaining his assassin persona.
'Hit Man' could have followed in the footsteps of modern classics like 'Body Heat', but Linklater chooses to play it for comedy rather than drama. Tension is lost as the story becomes increasingly frivolous, until it arrives at a conclusion that belongs in a farce. The acting performances and lightly amusing screenplay just about hold one's interest, but the final product feels like an insubstantial appetizer that could have been a memorable main course with a different approach.
First thing's first: Glen Powell is incredible in this movie. He transforms across the spectrum of characters incredibly well. He's dynamic and believable in this role that boarders on absurdity and keeps it in bounds.
The premise of the story was entertaining and engaging, with an enjoyable secondary cast.
Adria Arjona was also fun, but her character could've better developed. The high octane romance tag transpires feels entirely too surface for how emotionally involved it becomes in the end. There were no flashes of actual connection beyond sexual intensity and discussion about murder. It would've been nice to see them have at least one "get to know you" interaction outside of the sex-murder dichotomy.
The ending is also.... Unnecessary. Maybe for laughs amongst the people who knew the real Gary Johnson, but for storytelling purposes it was a little too campy.
An entertaining watch, one of Netflix's better recent films. But it does fall a little flat in a couple places.
The premise of the story was entertaining and engaging, with an enjoyable secondary cast.
Adria Arjona was also fun, but her character could've better developed. The high octane romance tag transpires feels entirely too surface for how emotionally involved it becomes in the end. There were no flashes of actual connection beyond sexual intensity and discussion about murder. It would've been nice to see them have at least one "get to know you" interaction outside of the sex-murder dichotomy.
The ending is also.... Unnecessary. Maybe for laughs amongst the people who knew the real Gary Johnson, but for storytelling purposes it was a little too campy.
An entertaining watch, one of Netflix's better recent films. But it does fall a little flat in a couple places.
I watched it at home while sipping mojitos one lazy night and it was what I was looking for. Nothing special but good acting and directing. Intresting plot to just keep my attention. Not too predictable too. Also I dont think the script was too bad either. If you are looking to relax and watch a movie, dont overthink it just hit Play!.
Nevertheless, its not perfect but it exceeded my expectations. The problem is that people are not really considerate with what they consume especially in movies. You cant expect a perfect burger in McDonalds, but you will get your moneys worth, if you know what you desire.
Enjoy!!
Nevertheless, its not perfect but it exceeded my expectations. The problem is that people are not really considerate with what they consume especially in movies. You cant expect a perfect burger in McDonalds, but you will get your moneys worth, if you know what you desire.
Enjoy!!
So much of the dialogue contradicts itself, so many of the characters actions make no sense. The plot had so much potential based on the setup, but the female lead is utterly unlikable and you never feel sympathetic or even like she's a real person.
This could have been cool, about him actually becoming a hitman, him involved with the husband's mobster family, etc. Instead it becomes a typical and predictable plot. Such a bummer and was so close.
This paragraph is just to make my review long enough for the new six hundred character requirement instituted because Amazon's $1Billion snow ranked and got bombed on this site. Hopefully they change it back because this is a waste of my and everyone else's time for quite literally seemingly absolutely no reason. Boom six hundred characters.
This could have been cool, about him actually becoming a hitman, him involved with the husband's mobster family, etc. Instead it becomes a typical and predictable plot. Such a bummer and was so close.
This paragraph is just to make my review long enough for the new six hundred character requirement instituted because Amazon's $1Billion snow ranked and got bombed on this site. Hopefully they change it back because this is a waste of my and everyone else's time for quite literally seemingly absolutely no reason. Boom six hundred characters.
¿Sabías que…?
- TriviaThe real-life Gary Johnson passed away early in production and never got to see the film. Richard Linklater only talked to him on the phone and never met him in person.
- ErroresAt 00:06:45 you can see the camera and camera person in the reflection of Jasper's sunglasses when they are sitting in the car.
- Citas
Gary Johnson: Seize the identity you want for yourself.
- ConexionesFeatured in WatchMojo: Top 10 Movies of 2024 So Far (2024)
- Bandas sonorasNew Orleans Bump
Performed by Jelly Roll Morton
Written by Ferdinand Morton
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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- How long is Hit Man?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 5,348,633
- Tiempo de ejecución1 hora 55 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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