Feludar Goyendagiri

'Feluda Pherot' came during the Christmas & it's follow up series 'Feludar Goyendagiri' released on the day of Ganesh Chaturthi. Don't know whether the festive mood was somewhat responsible for this wholesome experience or the show itself stole my mind. This show is based on the storyline of 'Darjeeling Jamjamat'. Tota Roychoudhari was exactly perfect for the role Feluda - the icon of bengali culture. His appearance solely resembled the sketches of Satyajit Ray. Anirvan chakraborty was also quite relatable with jatayu. Better not to say about topshe's acting as he has very little to do in this matter. Veteran actor barun chanda is like a red wine in this series. Within his short screen sharing, he is able to make a memorable impact. Actor Rahul Banerjee also quite fits in the role of pulak ghosal. Unfortunately, there was no reference of any lady character like suchandra & I don't know what was the need for it. Feluda's thought of stabbing birupaksha majumder by different persona - herein the repetition of the same scene is a bit annoying.

But above all, the excellent cinematography serves as the asset of this web series. The beauty of kanchenjunga is well captivated within the camera frame. And lastly, the reference of Byomkesh Bakshi's 'Chitrachor' during the drop-scene is quite appreciable.

I've said it before, I'll say it again - Srijit Mukherji has bagged the best lead actors since Sandip Ray's original trio (Sabyasachi Chakraborty, Saswata Chatterjee and Rabi Ghosh). All three leads look (and have been made to look) awfully similar to Ray's sketches and have clearly worked on 'becoming' the characters they play. Then again, nostalgia is a tough thing to beat. Our expectations would always remain sky-high.

With season 2, Anirban Chakrabarti has stopped being Ekendra Sen and has started to look and sound more like Lalmohan Ganguly without parroting his predecessors. He has understood the assignment (mostly) and has worked on delivering. Kalpan Mitra gets a lot of hate on social media, but I like him better than all his predecessors and peers post Saswata Chatterjee. Tota Roy Chowdhury's approach is more grounded and real, yet his portrayal elicits conflict. Despite wowing in some scenes, quite a few of his expressions and body language made me cringe. Even his voice sounded drab and too loud at times.

The supporting cast should've been stronger.

Kashmir has been used well, its ethereal beauty oozing in abundance in almost every shot; the 'travelogue' element well-incorporated. The colour-grading is definitely an issue, but can be overlooked if only the camerawork is taken into consideration.

As for the narrative, Mr Mukherji has kept the whodunit intact but has added elements of his own to spice things up a bit. The political tension was unnecessary in my opinion but does add another dimension for viewers who haven't read the story. Creative liberties here and there could've been avoided, especially the two big ones in the climax. The planchette scenes felt awfully underdone, comical even. Loved the "Hirak Rajar Deshe" reference, the "Sonar Kella" reference and, of course, the casebook montage.

The BGM, though repetitive, sounded good.

Our need for a Feluda story to look and feel like a Feluda story on screen is a mighty ask, for what we actually look for is the same feeling we feel every time we watch the two OG films and the OG TV series. Feludar Goyendagiri S02, like Feluda Pherot S01, is thankfully quite watchable.

It's been almost two years since I laid my eyes on a Feluda feature. Earlier it was with Chinnomostar Ovisaap, which by the way I adored despite others criticizing it heavily although this time around, I'm not that convinced, let's just say, I have had mixed reactions to it.

Whilst, I did cherish the chemistry in-between the three main protagonists (or Three Musketeers as Lalmohan Ganguly likes to call themselves); at the same time, I would have preferred if the writing was more productive.

It's a very simple story, a rudimentary narrative, so to speak; hence, and I'm sure all the people who will watch the show, amongst them, a vast majority will be Feluda fanatics and have already read the book. Therefore, at the end of the day, it all boils down to the execution (as we all are pretty much aware of the happenings) and how and in what way the director decides to adapt the original novel into a cinematic contour.

And I feel, that is precisely where Srijit Mukherjee has committed a few blunders. On one hand, he did manage to safeguard as well as maintain the conventional flavors of Feluda (by staying true to the source material) but on the other hand, he did miscalculate and took some erratic steps that just cannot be condoned.

Feluda is not just a name, Feluda is an emotion which only the fanatics can relate to. Over the years there were many movies on Feluda with some new twists here, some new additions to the story there, some parts omitted from the books, and terrible side casts. But Sabyasachi made the movies work. He was nowhere near the Feluda Satyajit Ray drew, but he was the Feluda he wrote. The charisma Soumitra and Sabyasachi brought to screen as Feluda is really hard to match and Tota had a huge responsibility to fill in the shoe. When i saw him as Feluda the first time, i was pleasantly surprised cause he does resemble young Sabyasachi and he has been in the previous Feluda movies. But then i saw Chinnomostar Obhishap and royally disappointed with his performance. It was so stoic and unemotional, his nervousness for the role showed throughout the series.

Then came Darjeeling Jomjomat. As someone mentioned in his/her review that the fanatics already know the story, so what matters most is the execution. Tota RC was more at ease this time around and i liked the Jatayu & Topshe. Some might find Jatayu overacting but no one can top Shaheb in that department. The guy who was Topshe once upon a time came back as a villain and delivered such a sub-par performance. I liked this Pulok Ghoshal better than the ones in Sandip Ray's movies. In the book, Jatayu mentions Pulok as chokra, some young guy. So this casting was better than those ancient Pulok Sandip Ray cast. The story telling through Sepia tone was a nice touch. And it was a straight story just like the book, no fantasy addition which Mr. Srijit likes to incorporate in most of his films and ruin them. So i am very surprised he managed to make something decent.

But this series wasn't without any faults. The worst thing was the theme song. It was like a cheerleading song for Feluda. It should have played only once in the first episode, not in all 6 of them. The background score when Feluda did find some clue or saying something intelligent, very annoying. The makeup for Tota RC in places were so heavy, especially in one shot when he was standing near a window and sunlight falling on his face, the make up looked like it was melting. The wigs used in the series looked so fake that u can say it's fake. Shaheb got the worst deal. Lip sync was below average, especially for the Police guy. Also Tota bro. And that shot with the leopard was so unnecessary, what can i say.

Yes, it's hard to match the personality of Soumitra and Sabyasachi as Feluda, but Tota RC has done a commendable job in this one which i can't say for Chinnomostar Obhishap. And this series was very straightforward which is something Srijit has never done before. As a Feluda fanatic, i would say a job well done. Could have been better? Maybe.

I feel Srijit Mukherjee should take a break after 2 disaster outing in Kakababu and now Feluda. Directors are ruining the legendary stories like this and we are watching with so much of expectations around it.