Sting: Araña Asesina

Sting is a good, not great kind of movie. It's not bad, it's not spectacular. Sure, it has a lot of cliches and it's fairly predictable, but it makes up for it with some cool aspects. First off, the spider looks and sounds pretty good. As a creature feature, it works fairly well. A lot of it is set in the vents and air ducts of a Brooklyn brownstone, which is interesting but unfortunately underutilized. The claustrophobic setting generally does work pretty well. The kills are brutal, and it very much leans into the body horror subgenre (which is what disturbs me personally, so it was effective in that regard). Think back to middle school science class and imagine what you know spiders do to their prey, and now imagine that happening to people. That's what goes on in it. The effects are quite good. The characters are bland, tropey, and forgettable. But then again, are you seeing this movie for the characters or for the killer spider? There's a great tension-building atmosphere, and there are some pretty cool shots from the spider's perspective. The dialogue isn't the best, and every attempt at humor falls flat. It's a fine movie, nothing too special, but if you're the type of horror fan who's in it for those brutal kills, it has those.

STING is a really good monster movie with impressive -both CGI and practical- special effects. If you are a fan of such films, then this monster will not disappoint. While the story might not be complex, it gets the job done, presenting us with plenty of terror, gory moments, and some humor along the way.

Set in an apartment building during a heavy snowstorm, the residents begin experiencing a severe bug problem after young Charlotte (Alyla Browne) captures and befriends a tiny spider. Of course, we know from the opening that said arachnid is actually a visitor from outer space. A creature with a voracious appetite, and the ability to grow at an alarming rate.

One thing that helps this film is its having a solid cast of oddball characters, including an elderly woman with dementia; an exterminator with an attitude; a strange, monotone biologist; and the mean, ultra-bitter owner of the building. Charlotte's family provides the pathos and dysfunction to the proceedings.

A fun, scary movie with some nice homages to classic sci-fi features...

It's like someone made Little Shop of Horrors meets Aliens or rather that's what it reminds me of. I was expecting a very low grade horror movies and in a lot of ways that's exactly what it is, but the filmmakers did such a good job of putting it together that it just made for one of the best I've seen this year.

The monster itself was excellent. Just scary as hell and monstrous to boot. I feel like it was all about what needed to be show and what particular time and what did not and they did it with perfection.

Not much to say but to say it's definitely worth your time to see sting. Was not expecting much but got so much.

Greetings again from the darkness. The trailer for this one makes it clear that it's a monster movie in the vein of those Friday late night creature-features I stayed up watching as a kid ... whenever I wasn't grounded from watching TV. Australian filmmaker Kiah Roche-Turner has set this one in Brooklyn and it takes place almost entirely inside an old apartment building (the only exceptions are shots of the ice storm occurring outside).

Roche-Turner may have delivered the latest creature-feature, however, it's not one of those that inspires empathy towards the creature. Twelve-year-old Charlotte (get it??) is on one of her adventures through the air vents of the old building when she captures a little black spider. A pet spider may be uncommon, but keeping secrets from your mother, Heather, (Penelope Mitchell, HELLBOY, 2009) and stepdad, Ethan, (Ryan Corr, THE WATER DIVINER, 2014) is right in line with the actions of an adolescent frustrated by the responsibilities of having to watch her newborn brother while the frazzled adults go about earning a living.

The film's opening shows Charlotte's sweater-knitting grandmother, Helga (Noni Hazelhurst, TRUTH, 2015), battling dementia and calling the exterminator after hearing loud noises in the wall. The story then flashes back four days to when Charlotte first finds the spider. Frank (Jermaine Fowler, RICKY STANICKY, 2024) sprays the building, but even as a pest expert, he doesn't suspect what's about to happen. Relative newcomer Alyla Brown (TRUE SPIRIT, 2023) performs superbly as Charlotte, and is stunned when the pet spider she names Sting mimics her whistle when it's due for another meal of crunchy bugs, which leads to exponential growth.

Although it's not necessary, there are additional elements to the story that occur around the whole rapidly-growing spider. Charlotte's stepdad is the building super and an aspiring comic book artist. In an effort to bond with her, Ethan illustrated the story she created about her biological father, whose deadbeat nature mother Heather has withheld from her. Their neighbors consist of lonely widow Maria (Siliva Colloca, VAN HELSING, 2004) and oddball science geek Erik (Danny Kim, "Born to Spy"), the latter of whom exposes Charlotte's clandestine arachnid pet to the parents. The final player here is frugal and grumpy Gunther (Robyn Nevin, RELIC, 2020), who apparently owns the building and lives with her sister Helga. Ms. Nevin has a face made for horror films (and I mean that as a compliment) and gets to go full out in her one big scene with Ethan.

As you'd expect, some of these folks meet a grisly end, while others are more fortunate. There are enough kills for those that lust for such moments, and enough creepiness and chuckles for everyone else. It does take a while for the arachnid rampage to begin, but there's enough suspense to keep us around. Most will appreciate Brad Shield's cinematography as the camera worms it's way through the claustrophobic hallways and air ducts of the building. The origins of the spider might be missed by those who aren't paying close attention, but it's a brilliant touch. And even though it's a bit of campy horror, the dayglo red used in the fake blood is among the worst you'll likely ever see. The film is quite a bit different from the 1990 cult classic ARACHNOPHOBIA, but the lesson in keeping moth balls on hand could someday come in handy. Over the opening credits, "What a Way to Die" by The Pleasure Seekers acts as a foreshadowing of events, and in keeping with the film's title, there are a couple of "stingers" for those who stick around.

Opening in theaters on April 12, 2024.

This is a horror movie for sure, if you like horror movies I recommend this one. As the title says, I went into it without knowing very much and that was a good thing. I won't ruin that here. You know it's about a spider and a little girl, that much is from the cover. Is that spider good or bad, is the girl bad, are they friends, these are the things I had no idea about and kept it that way until I had a chance to see it in the theater. I would say this could probably wait for a streaming viewing or DVD/Blu-ray if that's still a thing. The special effects are good, but it's not the type of movie that warrants a larger screen than most people have in their homes these days. If you like horror, give this one a go and try not to read too much on it so you can be surprised as well. If not, it's still good and worth a watch. There is blood, there is some gore and it's a great time.