Xi you: Xiang mo pian

A great take on the classic Chinese legend, and director Stephen Chow does it with his usual finesse and sense of mixing up comedy with action.

I must admit that I was a little bit skeptic at first, given the synopsis and the legend to which the movie is based upon. But with talents such as Stephen Chow behind the wheel, it just had to be experienced. And of course, also with the lovely Shu Qi in the movie it is not one to be missed.

There is a good amount of action throughout the movie matched up with good choreographed fighting and wire stunts. But it all comes together for an enjoyable end result, which is what matters. And the comedy throughout the movie was great. If you enjoyed "Kung Fu Soccer" or "Kung Fu Hustle", then you will also enjoy "Journey to the West: Conquering the Demons", no doubt about it.

The costumes and sets were great and really added a lot to the movie. But also hats off to the special effects team. They really managed to pull it off quite nicely, and these demons were quite interesting to look at, yet convincing enough to appear real. So thumbs up for that.

There is a nice continuous flow to the movie, where the alternation between comedy, action and romance is a good change of pace and makes for a great roller-coaster experience.

It should be said that "Journey to the West: Conquering the Demons" is the type of movie that you will only fully enjoy if you have an interest in Chinese cinema and more or less an interest in Chinese mythology.

The cast was good, and there was a great chemistry between Shu Qi and Zhang Wen on the screen, both in a comedy way, but also during the action sequences.

"Journey to the West: Conquering the Demons" scores an easy 7 out of 10 stars from me.

Can any earnest Stephen Chow fan be blamed for eagerly anticipating his "Journey to the West"? Aside from the fact that it marks his first movie in four years, it promises a return to the inimitable blend of slapstick comedy, kung fu and romance which Chow had so successfully parlayed into a winning formula in the duology "A Chinese Odyssey: Part One – Pandora's Box" and "A Chinese Odyssey: Part Two – Cinderella" – never mind that Chow does not reprise his role as the "Monkey King" or for that matter have any starring role in this new movie.

Fortunately, Chow's fans can rest easy – despite not having any physical presence in the movie, this "Journey" is classic Chow from the acting to the writing and to the directing, the latter two roles of which he is credited for in addition to producing the movie. And perhaps the best news of it all is that Chow returns to the sheer inspired inanity and hilarity of "Shaolin Soccer" and "Kung Fu Hustle", so be prepared to be rib-tickled silly by the misadventures of Miss Duan (Shu Qi) and Xuan Zang (Zhang Wen) in demon country.

Those familiar with the classic "Journey to the West" novel will know that Xuan Zang is also known as Tripitaka, who would be entrusted by Guanyin with the mission of recovering the sacred texts together with three disciples – Monkey King, Zhu Bajie and Sand Monk. Chow leaves that tale for the inevitable sequel; rather, in this movie, he fashions in essence a prequel, where Xuan Zang is no more than an amateur demon hunter yet to attain enlightenment, Monkey King or Sun Wukong (Huang Bo) is a conniving demon imprisoned in a cave by Buddha, Zhu Bajie is a pig demon called KL Hogg (Chen Bing Qiang) who especially kills women who lust after handsome men, and Sand Monk (Lee Sheung Qing) is a half-fish half-beast water demon who wrecks havoc on fishing communities living near the water.

You'll do well to remember that each demon you see on screen is of significance; otherwise you may be wondering why the screenplay, credited to Chow and seven other writers seems to dwell too excessively on each particular demon-slaying encounter – beginning with Sand Monk, then KL Hogg and finally to Sun Wukong. Indeed, the movie is really made up of these three distinct sequences, with the exception of one more that builds on the budding romance between Xuan Zang and his much more skilled and experienced fellow demon hunter Miss Duan.

Within that narrative structure, Chow constructs four elaborately staged battles that combine his brand of quirky humour, choreographer Ku Huen Chiu's imaginative action and production designer Bruce Yu's richly conceived sets with some truly impressive CGI that rivals anything you have seen so far in Chinese cinema. Thankfully, Chow doesn't get caught up with putting on the best visual effects show; in fact, with an inspired and confident directorial hand, he balances all these elements deftly, never forgetting that his audience is expecting nothing less than his signature brand of laughs.

Right from the start, you'll know that Chow's comedic sensibilities are at his sharpest. He takes his time to set each scene – for instance, in the first sequence, a charlatan is seen tricking the villagers that a giant sting ray he had blasted dead in the water was responsible for one of their own's death, so much so that when the real culprit (i.e. the water demon) appears, that entrance is even more dramatic. Ditto for the appearance of KL Hogg and Sun Wukong, whose appearances in full glory are again preceded by red herrings that make the 'coming-out' more impactful.

Chow again demonstrates an exceptional ability to juggle comedy and tragedy – here, in engineering humour amidst the deaths of others by the respective demons – and it is to his credit again that placing these two elements side by side in every sequence does not make the movie any tonally jarring at any point. And of course, as with all his films, this one features his unique brand of exaggerated slapstick - like the obscenely over-sized woman who comes to save the day (think "Kung Fu Hustle" and "CJ7") or the occasional gross joke that involves some inappropriate kissing – and his cheeky tendencies of confounding genre stereotypes.

In place of his mug, Chow has found his proxy in the form of Mainland actor Zhang Wen. It is said that Chow shows his actors just how he expects them to act in every scene, and in the case of Zhang Wen, we are sure Chow must have showed Zhang the way he would have played the role himself. You can almost see Chow through Zhang's rubber-faced mannerisms - and the same goes for Huang Bo, who plays the mischievous Sun Wukong with more than a hint of Stephen Chow.

Chow also fashions the love story between Zhang and Shu Qi the way he and co-star Athena Chu used to in the 'A Chinese Odyssey' films, and there are certain recognizable shades of similarities in the relationship between Xuan Zhang/ Miss Duan and Monkey King/ Zixia in the latter. Nonetheless, Shu Qi isn't simply a stand-in for Athena Chu – fearsome when fighting demons like an oriental Tomb Raider and yet amorous when it comes to romancing Xuan Zhang, she is thoroughly alluring from start to end in the very sexy and sassy manner we would expect from her.

So really, there's little to worry even though you won't see Stephen Chow in the movie – every bit of it is quintessentially Chow. Like his 'A Chinese Odyssey' movies, this "Journey" has action, comedy, romance and the additional ingredient of CGI to ensure an alternately amusing and suspenseful and thrilling ride from start to finish.

I enjoyed this thoroughly. It is well acted, scripted and the costuming is great. All the settings were visually engaging and the action scenes were well thought out and wonderful to watch. I love movies that are vibrant, giving the viewer a reason to keep watching the screen.

Check this out it was amazing.

Fortunately, the movie packs Stephen Chow's comedic style, or I would call it contains his soul. There's Chow's usual style of comedy, action, love story, and some meaning behind life. Well, what more is needed in a blockbuster movie? Unfortunately, nothing is perfect. I went into the cinema without any expectation, and I didn't read any reviews so I could enjoy the whole movie as if I was the first to do so. I understand that Chow directed this movie, and even demonstrated to retain the "feel" of his usual style. Still, I find the first 15 minutes of the movie to be a little dry in terms of humor. As the protagonist enters the scene it was a bit difficult for me to laugh. However, as the story unfolds, and as the mainstream humor pours in, laughter floods the cinema wave after another. To add, the protagonist's wacky hair style, does resemble Chow in some ways.

The CGI is of top quality, I can see the movie spending a lot of money on CGI. Many of the scenes contain a lot of visual detail and picturesque grounds. The music is familiar and lovely, I shall not reveal too much.

Show Luo's appearance in this movie was like his usual funny-self in his TV entertainment news. I would appreciate it more if he would have neglected his usual style and adopted a new one. It's not a bad thing, but it's not a good thing too, it lies somewhere on the neutral side. I guess on the good side, his fans will love to see him.

Trying my best not to disclose too much. This movie is a prequel to his previous 2 part movie, "A Chinese Odyssey Part One: Pandora's Box, and A Chinese Odyssey Part Two: Cinderella." The essence of this movie is how it somehow relates to "A Chinese Odyssey" in terms of how life is, in its cycle. The feelings the protagonist experienced in this movie is similar to what his disciple experienced in "A Chinese Odyssey". The good news for those who haven't seen "A Chinese Odyssey", is that you can watch this movie on its own.

Lastly, there are some tear-jerking scenes. My eyes welled up at some parts, but I stayed a man. I would give this a 9.5 out of 10 because of its imperfection, but the scores only allow whole numbers. So.... enjoy the movie.

Journey to the West: Conquering the Demons marks the very first Stephen Chow directed movie without him acting in it. So, what can I properly expect from this movie? The idea of a Stephen Chow movie is always exciting. However, I was concerned that it might be the start of an new era in which Stephen Chow will only direct movies and not act in them anymore. For that, I was both excited and scared to see this film. But finally, I decided there probably wasn't anything to expect and just walked in without expectations.

Fortunately, that ended up being the best way to seeing this movie. I ended up being really surprised and taken away by it.

It's clear that Stephen Chow's passions are now set into directing. He has improved a lot as a director; his films have become more cinematic experiences. There's less reliance on comedic dialogue, more emphasis on telling a story with stronger imagery, and has an improved sense of setup and payoff. He's much more interested in storytelling mechanics and more invested in where he can take an audience emotionally besides just laughs. With the way he structures some of his story, there's a symbiotic relationship between comedy and tragedy that he's very interested in exploring.

Wen Zhang delivers that exact balance between tragedy and comedy in his performance as Xuanzang. He is a charismatic leading man and he shoulders the film with both its funny and heartbreaking moments. When he was playing for humor, I laughed. When he was crying, I found it moving. I am buying him at every moment and he was playing me like a squeeze toy. The story gives a genuine pathos as he becomes the Xuanzang we know from the story.

Shu Qi is very affable in this role and it's nice to see her play a character with more cartoonish sensibilities. I especially liked her psychotic expressions when she was killing off demons. And yes, I can see how hard it is to reject Shu Qi if she threw herself at you like she did in this movie.

Huang Bo is a fun Monkey King and makes a very engaging antagonist. This version of Monkey King is richly complex. It's an interesting take on the character because it highlights a key point about Sun Wukong that's often glossed over: He never had a choice to join Xuanzang on his journey to the west. The Monkey King goes only because he is tamed by the magical torture crown that's he is forced to wear on his head. In this interpretation, he's not completely good or evil. Huang Bo does not play it too over-the-top by enhancing the animalistic sensibilities. Instead, what really stuck with me was how he convincingly played the desperate pain of being trapped under a mountain for five centuries.

The film's gags are executed with much discipline. The gags are zany but not random. They are all building character and moving the story forward each step of the way to it's final conclusion. It's masterful how Chow is able to use comedic moments to build towards moments of sadness and loss.

The thought of no more Stephen Chow roles anymore aches me a bit but his presence is felt here. He has delivered a well-made film. Fortunately the film is done well enough to help me get over my aching and accept him now as only a film director. I look forward to seeing him continually improve as a storyteller and to the next installment in this series.

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