La venganza del jinete

Jill Henessey is looking old, as is Sutherland, because he is. Slaters constant drinking, smoking and quotes got old fast. Henessey as an Annie Oakley wanna be, finally gets a chance to use the gun she keeps displaying to shoot her worthless criminal brother and doesn't. Why in the world didn't any of the fools who saw the masked marauders during the day put two and two together on their clothes and hats? They looked the same in town except no masks. Even in those days, you didn't just pull the badge off a dead man and become his replacement. A bounty hunter who is also a US Marshal is tracking a man who cheated at cards in a Mexico prison resulting in the death of one prisoner and the release of another for a family that wants revenge. Wow, talk about a reach. The only thing I find mildly good about this is the ending. Everything from opening credits to that point was a waste of time.

What can you say, this movie is what it is. I think the movie's budget went to paying all of the top 4 actors their salary. I must say Jill Hennessy still looks great and she was the best thing about this movie. What's up with the town they live in though? There's only like 10 people that live in this town. They couldn't hire 20 more extras? Gee whiz lol. I mean, Mason couldn't figure out out of the 10 people that lived in the town who the bad guy/guys were from the beginning? Again, I think the budget went to the salaries of the actors.

I loved Christian Slater's early work with True Romance, and Pump up the Volume, but he hasn't been able to play adult roles very well. He never was able to make that transition convincingly. If you want a good laugh though, check this film out.

I'm a big fan of westerns and have been since my childhood in the 60's. This is perhaps the worst western i've ever seen. It had such promise, Christian Slater and Donald Southerland are two actors I've always enjoyed. I sought this film out because they're in it, what a walloping disappointment! Stupid plot, flat acting, ridiculous inconsistencies, modern dialogue far removed from period correct, empty characters, the list of bad qualities goes on. The entire production is really lousy. There are giant holes in the story line that get filled with the kind of convenience elements a high school level writer would utilize. i tried really hard to care about any of the characters but they were so thin that there wasn't anything to care about. Phoned in performances from Southerland and Slater were a huge disappointment.

In this day and age when the genera of the true Western movie is becoming a rarity, it's difficult to see any which are memorable. Some good examples are 'High Plains Drifter, The Wild Bunch and Unforgiven' where a gunman is remorseful of his past. To that group is this new addition called " Dawn Rider." Growing up I remember the same title on another movie, but nothing as memorable as this offering. Director Terry Miles who also co-wrote the story relates the western tale of a man (Christian Slater) who returns home to his father who unfortunately is killed in a hold-up. His son, being a former Pinkerton detective, silently ponders who might have been responsible. At the same time the son is tracked by a shadowy, but persistent lawman (Donald Sutherland) and his posse who have an outstanding though dubious arrest warrant for him. In addition, the rider has set his eyes on a woman (Jill Hennenssy) who becomes a nurse and friend to him, unaware she is set to marry another man. The rider has a persistent problem in that a group of cowboys in white masks is making themselves known as a ruthless band of killer robbers who are planning for their final confrontation with the law, while the rider remains vaguely unaware how close the danger really is. The movie appears to have been hewn from an authentic western photograph. Indeed, the rustic town is rough-cut, thread bear with all the black and white images of early Americanna, complete with colorful names for the citizens and multiple uses of buildings. The movie itself is believable in mannerism, costumes and even dialog. Slater does well to carry the film to it's inevitable conclusion with Donald Suttherland giving a convincing performance with a surprise ending. Excellent Film. Recommended. ****

Using most of the character names as was used in the original Tom Tyler film (Monogram) and the remakes starring John Wayne (Lone Star-Monogram) and Bob Baker (Uinversal), it would appear that such an outright theft should have also been noted when the writing credits appear on this film...but try as I may I fail to find one line on any frame of this film that mention this film was base on an original story and screenplay by Wellyn Totman, and also on subsequent screenplays by Robert N. Bradbury and George Waggner. Evidently, the use of previously-written copyrighted material, without crediting any of the original story or screenplay writers is no problem in Canada. A simple based-upon-by nod would have been honest, at least.