Un amigo para Frank

I could find no error in the story and that is unbelievable when I remember those top latest movies that I have watched in recent days of which they had at least a few.

What impresses me at most is that we can trace those warm family ties which we used to have once and now deteriorating.

The movie is easily watched; can assume the camera is well used and Frank Langella is acting marvelously.

I wonder if the reason I liked the movie too much is that I am 63 years old.

One more comment: It shows that you can make also make a good movie without a big budget and too many walking man.

Robot and Frank has a lot of rich themes to it that only really came to me while i was thinking about it after-wards...the film is a lot deeper and layered with meaning and symbolism then it initially appears to be--but enough about that--is the robot awesome??? He's more cute then awesome--but he is one charming robot! In fact he kind of reminded me of the one Kevin Spacey voiced in the Sam Rockwell movie "Moon" In fact this whole movie itself--from its low key tone, to its homey set design, to its somewhat enigmatic ending reminded of that 2009 film.

Frank Langella does a great job here--he really grounds the film in reality--which is a great thing because the longer the film goes on, the more incredible and outlandish it becomes---there are some reveals that happen way too quickly throughout and aren't seemingly set up so well but thanks to the amazing chemistry that Langella and the robot develop with one another (thanks to excellent voice work by Peter Sarsgaard)--you kind of shrug your shoulders and go with it...or at least i did. (its really only later that you realize why the film's reveals had to be so quickly shoe-horned in there and that is all i will say about that.) Langella is a man showing early signs of memory loss and is clearly in the beginning of what might end up ultimately being the loss of his mental faculties, he of course doesn't think this is true--and why should he? He's keeping himself busy, his mind active, he reads a lot, he goes to the library and flirts with Susan Surandon's kinda hot Liberian a lot, he seems like he'd be a lot sharper then he does whenever he finds himself around his rather angry son. It doesn't help that he keeps stealing these carved bars of soap from a bath and body-works shop that he insists is supposed to be his favorite diner Harry's ("but dad-harry's closed down years ago" is the constant refrain from whomever langella tells that he's gonna eat at harry's..or that fact that he keeps asking his son how things are at Princeton. "dad i haven't been to Princeton in years." uh-oh) His son (played with a nice mixture of intense worry, frustration, and some good deadpan humor by James Marsden) having had enough of having to drive out to check up on his father over and over again gets him a live in robot health care professional/servant! (why its all the rage among the elderly and infirm these days!) Langella is predictably agitated by this (who wouldn't be?) but in some rather quick and amusing scenes manages to be won over by the robot---it helps that the robot helper has some awesome advantages hidden up its sleeve--such as a very tasty lasagna recipe, a memory that can be screened on a TV screen, and a nice ability to zing frank back for starters.

The film then makes a very quick--almost whip-lash inducing reveal that Frank was in fact a jewel thief/cat burglar as a young man. It then again almost too quickly gives him a perfect caper to try and pull. Susan Surandon's job is in danger of being replaced by--robot librarians...in fact the whole library's inventory of books is in danger of being replaced by kindles and technology. (goodbye book jackets and musty pages, hello sleek shiny neon colored plastic) Its the library's most valuable book (an old hardbound copy of Don Quixote) and his want to impress the librarian that finally kicks the plot into gear---Frank's gonna return to his cat burglarizing ways with the help of his trusty robot sidekick. Only problem--the robot's too good at it--the thievery causes Frank to feel young again and this leads to him wanting to go on an even bigger score. You can pretty much guess where the film goes from there--except there are many many jagged pieces here and there that don't quite fit as Frank later says while examining the loot.

The film has a great sense of tone--its perfectly deadpan and nicely low-key the whole time, never giving certain scenes more weight then they need to be. The film has some really quick but also really funny moments here and there throughout--some of which almost make the whole thing worth sitting through itself. However the film also has some almost too neat coincidences, a much too enigmatic ending that wants the viewer to decide for him/her self what it all means, and a not particularly interesting go nowhere subplot involving Liv Tyler as Frank's robot helper hating daughter (she wants to liberate the robot servers and stop making them slaves--etc, etc. she mostly exists i think to humanize frank, and make him someone who actually means a lot to someone flesh and blood so that his growing relationship to robot will be more believable--but liv tyler has so little to do in this movie, i kept wondering why she was there to begin with--i'm still wondering quite honestly...her character doesn't quite make a lot of sense but whatever) Film is very amusing, and i feel very much worth watching on the whole despite its somewhat maddening flaws--however if you're paying close attention to what's actually on screen--i think the film will either grow on you as you think about it after-wards, or will frustrate you madly--i thought it was pretty clever--but then again i also thought the robot was cute.

This film is about an old man with dementia who forms an unlikely attachment to his robot caretaker.

"Robot And Frank" has a really good plot. It tells how a man has to bear with a robot caretaker in order not to be admitted to a nursing home. From his ability to plot big projects, it seems that his functional ability is not impaired. However, we see later on that in fact he does not remember even the most fundamental stuff. This shock is quite a surprise. In addition, I really like the parallels and opposites in the plot. We see Frank's attitude to the robot change, his attitude to his daughter change, and how Frank and the robot both lose their memories. Apart from the plot, the sets are nice as well; simplistic, bright and modern settings make the visuals appealing. Acting by Frank Langella is impressive as well, he really conveys the feelings and thoughts of his character very well. I enjoyed watching "Robot And Frank".

Robot & Frank opens nationally this week only at a limited number of select art-house theaters across the country, and most likely won't get the larger release it deserves…which frankly is too bad. The film uniquely crosses across so many genre borders and can best be described as a dramedy meets a heist thriller. Robot & Frank is incredibly charming, funny and moving.

Writer Christopher D. Ford pens his rare tale set sometime in the ambiguous near future. He doesn't worry about flying cars or futuristic fashion, and keeps this tale grounded in a plausible future that is easily believable. First time director Jake Schreier reveals a mature ability to find the perfect pacing that develops the characters with ease and exact timing that turns the comedy bits into gold.

Frank Langella (Frost/Nixon, Good Night, and Good Luck) is nothing short of exceptional as the title character of Frank. He is hilarious and poignant as the surly ex-con who is starting to lose his mind, and radiates a million emotions across his face without saying a word. If this film could possibly find a larger audience, Langella would have a good shot at punching his Oscar card again.

The smaller supporting cast plays in perfect to establish Frank's present and his past. Susan Sarandon (Thelma & Louise, Dead Man Walking) radiates a beautiful sadness playing a lonely librarian and one of Frank's only connections to the real world. Liv Tyler (Lord of the Rings, Armageddon) and James Marsden (X-Men, 27 Dresses) are solid as Frank's grown-up kids who don't have the time to care for their father and his worsening condition. Best of all is Peter Sarsgaard (Jarhead, Garden State) who brings a perfect sense of comedy and real life validation as the voice of the robot. His dry wit steals the scene on numerous occasions.

Robot & Frank is one of the best films of the year. It's a mystery why bigger studio distributors are so afraid to fully get behind a film like this and push it out the mass audience, especially when you think about the $80 million that was spent on advertising costs for a film like Battleship alone. Robot & Frank is funny, exciting and touching. What else does a movie need?

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I enjoyed "Robot & Frank", though I am not quite sure why I've seen it referred to as a comedy or a 'buddy comedy'. It's actually a rather serious and ultimately depressing film--but one that is highly original.

Frank Langella stars as an aging man who is slipping mentally and physically. Exasperated, his son decides to do something to free him from having to worry about his father--buy him a helper robot that will keep an eye on him and care for him. However, Langella's memory is spotty--and the very larcenous part of his past is still alive and kicking. And, he's hoping that the robot might help him on his next caper.

The film is a bit hard to rate. I was stuck between a 7 and an 8. It is super-original and fresh but also a bit of a downer--particularly towards the end. It's nice to see some very good acting but I wish the film was a bit more fulfilling. What did you think? Did you also find it a tad unsatisfying when all was said and done. Good--very good. But also not exactly an enjoyable film.