Llamen a la partera

It's hard to believe that anyone could be as compassionate and tender as the midwives in Call the Midwife, compassion and tenderness being rare qualities in the increasingly disconnected world of the 21st century. I suspect those qualities are a real incentive for even the casual viewer of this series, which depicts the lives of midwives toiling in the east London of the late 50s- early 1960s. The world of almost 60 years ago was a very different one from today, both from a social and technological standpoint. I'm impressed by the attention to detail in the series, which allows viewers to immerse themselves in the stories, which touch upon issues such as abortion and incest, as well as the then real threats of polio and tuberculosis. More recent stories have even addressed the thalidomide tragedy. The acting is, without exception, top notch, especially that of Judy Parfitt as Sister Monica Joan. I tend to be especially critical of shows that rely on lachrymose sentimentality to further the story. Call the Midwife is at times tender, sweet tempered and, well, nice, but never false as it displays the panorama of the human condition.

As I was a student nurse in the East End of London during the mid fifties,(now an ex-pat living in Mexico) this series brings back many memories. I'm glad that some episodes include general nursing and even male patients as well as midwifery. Perhaps doctors were not always as good as the nurses in those days.I even remember an anaesthetist who sat doing his crossword puzzles during operations and no one dared utter a word of reproach.

Now that the East End is suddenly fashionable, even Shoreditch and Brick Lane, what has happened to Wapping where I trained and which used to be so scruffy?

One thing has changed for the better. In those far off days when a woman was admitted with an attempted abortion, euphemistically called "incomplete abortion", the police had to be notified and a policewoman would sit by the bed (drinking tea with the night nurse) until the unfortunate patient (who probably already had half a dozen children at least) was well enough to be arrested.

I would have scored 10 for this series, except for the fact that it doesn't truly follow the accounts written in the book from which it is taken.

Some of the diversions from the book are to allow the characters other than Jenny Lee to have stronger story lines, which I can accept to an extent. But some of the story lines have been expanded for dramatic effect, so they are not relying upon the original author's memoirs, but rather the imagination of the scriptwriters, which I think is somewhat regrettable.

Having said that I am finding the series entirely watchable, and enjoyable. All the cast seem to be good, but I must say I am most impressed with Miranda Hart as Chummy, what a brick she is.

I recently found this series on Netflix and instantly fell in love with it. I have never read the books, so I have nothing else to go by. The characters are fabulous. The actors/actresses are amazing. I think every episode has made me both laugh and cry, and I'm looking forward to more!

Some of the episodes can be hard to watch, especially since I am pregnant, and I think that anyone feeling overly anxious about their pregnancy may want to hold off watching this series, because it really shows the good, the bad, and the ugly sides of pregnancy and child birth.

I found one major goof that had me laughing: In one episode they mention knitting blanket squares, and people are shown knitting them. When assembling the squares to make a blanket what they actually have are crocheted granny squares.

**UPDATE AFTER SEASON 6: If I could mark 11 stars, that would be it. The episodes about the Thalidomide children were hard but very well focused and treated. I am intrigued at how they film the scenes with just born babies in the very hands of the actors, with wide shots, not just close-ups. Call the Midwife is a most humanistic show indeed, focused on believable, realistic positive values. In a time when humanism seems to be disgraced and devalued everywhere, it is most welcome in my screen.***

This show is extraordinary.

It portrays so vividly the changes of an era in Great Britain, when the latter half of the 20th century blasted into people's daily lives at poor East End London, with all its hopes, marvels, progress, and shifts from a traditional to a modern lifestyle.

The performances are brilliant; the characters are as lovable as well-written; the atmosphere is perfectly recreated, and though quite serious health and social issues are crudely shown along the episodes, the tone is always permeated with hope, love and joy of living.

We do not come from a Christian upbringing, and I am not a Catholic, but I strongly sympathize with the humanistic and sensible approach of Nonnatus House's team of nuns and midwives, where tolerance, acceptance and care for life ranks higher than dogma or empty beliefs.

It is very hard to write a really deep, philosophical and poetic show while maintaining a light-hearted spirit and lots of humour, and Call the Midwife really makes it in a masterly way.

I have to say it gets better and better as the seasons pass, always intertwining the main characters' personal stories and individual cases with relevant and updated issues of public health and bioethics.

By the way, the admirable British public health system, which made wonders in the 50s and 60s and promoted equal access to safety, well-being and human development, also becomes a magnificent political statement in our own age, all the more appreciated in a retrospective look.

There is nothing to complain about of this show, which exerts an honest, compelling, deeply satisfying magnetism on viewers.

For those of us who love motherhood, babies and pregnancies, there is the unique plus of rejoicing at the sight of so many just born babies at the moment of delivery, in a remarkably natural and non-sensationalist feat of cinematography. You can feel the unmistakable miracle of life in each episode, with its sufferings and joys, which is so unusual among a current TV grid full of violence, special effects, overt sex, glorified evil and frenzied action.

Kudos to BBC! Yes, they have made it again, once more!