Un trio de constructores en Florida se ve envuelto en una trama de extorsión y secuestro.Un trio de constructores en Florida se ve envuelto en una trama de extorsión y secuestro.Un trio de constructores en Florida se ve envuelto en una trama de extorsión y secuestro.
- Dirección
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- Premios
- 4 nominaciones en total
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
For years, Michael Bay's career has solely consisted of shoot em up flicks and apocalyptic disaster movies. One after the other, they've always told the same stories, utilized the same clichés and have been brutalized by critics everywhere. Personally, I never had anything against the guy. He does what he loves to do and almost 100% of the time gives his audience what they're there for. But don't mistake him as a one trick pony. Bay has been making a career of blockbusters for the sole purpose of having the luxury to make serious, less expensive movies. Pain & Gain might be proof positive of my point. It was quite a daring move for Bay to commit to such a bold feat as to make a film based on the true events of the Sun Gym gang. Like most of the film's critics (and there are quite an abundance of them), I agree that maybe it wasn't such a good idea to reenact the actual murders and backstabbing actions that these murderers did and play them up for laughs. Because, yes, this is indeed a comedy. Or is it? I can't tell what genre this movie falls under. But I cant deny thats its entertaining. I was very interested in the story of the actual events. What I'm trying to say is, the execution couldn't have been better in telling the story. The performances from Wahlberg, Johnson and Mackie were equally unique and insanely enjoyable. The three of them were able to capture the meat-headed simpletons that these criminals really were. The movie as a whole works. As a thriller, I was thrilled. But as a comedy, I was sort of indifferent. At times, I found myself laughing at some of the film's darker shaded sense of humor, and rolling my eyes at the cringe worthy, Adam Sandler style gross out jokes that the film unwillingly felt obligated to shove down our throats. An identity crisis, this film indeed had. When you get past all these cons, Pain & Gain is a well crafted, violent joy ride. Its one of the most underrated films of the year, and its worth your time in seeing it.
Pain & Gain is a great movie with a very well developed storyline and an outstanding cast that have the ability both serious and funny which made them great casting for a movie I like this.Although it is very hard to believe,this is actually based on a true story,and as the movie continues it becomes more and more unbelievable,but are robed every now and again that it is actually a true story,which was clever because they obviously knew people would be thinking that throughout.This movie has different characters narrating throughout,which is something I have complained about in past reviews,I just think we should only be following one character,and when we learn about a different characters past it should still be the main character telling their story,I think it should have just been Mark Wahlberg's character telling the story instead of switching around to Dwayne Johnson,to Bar Paly and later on Ed Harris,they gave so much characters the chance to narrate which just really irritates me.The movie really is a breath of fresh air considering it is directed by Michael Bay,who's never done a movie like this before,and the characters are nothing like Mark Wahlberg,Dwayne Johnson or Anthony Mackie have played before. Pain & Gain is a very enjoyable movie that I would recommend to anyone looking for a good action or comedy.
Based on a true story about three bodybuilders who get involved in burglary and kidnapping in order to get all the money and wealthy lifestyle they desire,but to fact that none of them are particularity brainy dosen't help them.
Best Performance: Mark Wahlberg
Based on a true story about three bodybuilders who get involved in burglary and kidnapping in order to get all the money and wealthy lifestyle they desire,but to fact that none of them are particularity brainy dosen't help them.
Best Performance: Mark Wahlberg
I wasn't thrilled with the movie, but that doesn't mean it was not good. Actually, I think this film had incredible substance, due particularly in part to the casting. I would have given it 7 stars, but the length of the film took it down a notch (they could have knocked off 14-19 minutes worth of unnecessary, and sometimes boring footage).
The film started off with Wahlberg seeming to be just like Wahlberg. But, long story short, he and the film evolved to a character that fit him (and vice versa). Based upon the plot, I think it was a good match.
Dwayne Johnson is not brand new to drama, but this was a different kind of role nonetheless. I don't feel he was 100% there, but his likable character makes you just ignore it. I think with a few more roles like this, he'll be better.
I'm not that familiar with Mackie, but he did a great job in his role. Apart from Shalhoub, he was probably one of the most believable characters. He made me think of a subdued and more serious version of Mike Epps.
Shalhoub....well, what can you say about this guy? He was awesome in Monk, and his style is always great. He is a talented actor and the casting of him was a solid choice. He has that goof look to him, yet his face can show some noteworthy seriousness. This was no Giamatti being cast as a thug...Shalhoub can pull off a "tough guy" pretty well.
I've always been fond of Ed Harris, but his role was insignificant. Same for Corddry.
All in all, this was a well-made film deserving to be watched. I doubt I would ever watch it again due to it's slow development at times, but I'm glad I did see it. The casting was unexpected and unique.
The film started off with Wahlberg seeming to be just like Wahlberg. But, long story short, he and the film evolved to a character that fit him (and vice versa). Based upon the plot, I think it was a good match.
Dwayne Johnson is not brand new to drama, but this was a different kind of role nonetheless. I don't feel he was 100% there, but his likable character makes you just ignore it. I think with a few more roles like this, he'll be better.
I'm not that familiar with Mackie, but he did a great job in his role. Apart from Shalhoub, he was probably one of the most believable characters. He made me think of a subdued and more serious version of Mike Epps.
Shalhoub....well, what can you say about this guy? He was awesome in Monk, and his style is always great. He is a talented actor and the casting of him was a solid choice. He has that goof look to him, yet his face can show some noteworthy seriousness. This was no Giamatti being cast as a thug...Shalhoub can pull off a "tough guy" pretty well.
I've always been fond of Ed Harris, but his role was insignificant. Same for Corddry.
All in all, this was a well-made film deserving to be watched. I doubt I would ever watch it again due to it's slow development at times, but I'm glad I did see it. The casting was unexpected and unique.
Michael Bay's "Pain and Gain" is a very bleak, very dark comedy about three knucklehead bodybuilders in pursuit of their own American dream, even if the road there is paved with sex, drugs, torture, humiliation, and even murder.
Bay is shamelessly reputed for huge explosions, choppy editing, excessively flashy/glitzy cinematography, sexy women, fancy cars and (recently) giant robots. With "Pain and Gain" he returns to low-budget territory since his debut "Bad Boys" in 1995. The result - the film is a debauchery in style - it's all over the film. Although Bay cuts back on the explosions and robots (mercifully), everything else has Bay written all over it, and considering how morbidly ridiculous the film's subject matter is, Bay tackles it in such a head-on and energetic manner that the audience is whisked off for the insane ride ahead.
For this movie, he has assembled together Mark Wahlberg, Dwayne Johnson and Anthony Mackie as the three bumble-heads who have their hearts set in the right goal but clearly lack the intellect to do so. All three men look jacked up, and play their parts as ridiculous as the part goes for it, especially Johnson, who clearly is having a blast showing off a completely different side of him as opposed to what we've been seeing him of late. Wahlberg plays a character so dangerously goofy and dumb one will wonder whether such a person exists in real life. Tony Shalhoub's unfortunate but still jerk-ish character sets the tone for most of the movie as his predicament grows from one spectrum of ridiculousness to another. By the time we've reached sexy Bar Paly's and hilarious Rebel Wilson's love interest characters, the audience have probably seen enough.
Then in comes Ed Harris as Detective Du Bois. Just when I thought the film was about to careen off the rails into insanity. He's the only sane person in the whole movie, and his presence helps bring balance and clarity to what was a ludicrous first half.
Comic relief is key in Bay's action films, but here he's going all out at comedy, and he sure does pull of the stops. The film is simply put, hysterical. The fact that it was indeed a true story makes it all the more hilarious to watch, who honestly can think of some story like this and pull if off straight?
I am aware that since this is a film, some liberties had to be made to the story and characters. Some scenes were undoubtedly exaggerated, but which one? Every scene looked and felt so surreal, every major character ridiculous, every line of dialogue inducing a chortle from the audience. But it was a dementedly fun ride, and Bay, after making two bloated sequels about giant robots, finally returns to his stride.
Bay is shamelessly reputed for huge explosions, choppy editing, excessively flashy/glitzy cinematography, sexy women, fancy cars and (recently) giant robots. With "Pain and Gain" he returns to low-budget territory since his debut "Bad Boys" in 1995. The result - the film is a debauchery in style - it's all over the film. Although Bay cuts back on the explosions and robots (mercifully), everything else has Bay written all over it, and considering how morbidly ridiculous the film's subject matter is, Bay tackles it in such a head-on and energetic manner that the audience is whisked off for the insane ride ahead.
For this movie, he has assembled together Mark Wahlberg, Dwayne Johnson and Anthony Mackie as the three bumble-heads who have their hearts set in the right goal but clearly lack the intellect to do so. All three men look jacked up, and play their parts as ridiculous as the part goes for it, especially Johnson, who clearly is having a blast showing off a completely different side of him as opposed to what we've been seeing him of late. Wahlberg plays a character so dangerously goofy and dumb one will wonder whether such a person exists in real life. Tony Shalhoub's unfortunate but still jerk-ish character sets the tone for most of the movie as his predicament grows from one spectrum of ridiculousness to another. By the time we've reached sexy Bar Paly's and hilarious Rebel Wilson's love interest characters, the audience have probably seen enough.
Then in comes Ed Harris as Detective Du Bois. Just when I thought the film was about to careen off the rails into insanity. He's the only sane person in the whole movie, and his presence helps bring balance and clarity to what was a ludicrous first half.
Comic relief is key in Bay's action films, but here he's going all out at comedy, and he sure does pull of the stops. The film is simply put, hysterical. The fact that it was indeed a true story makes it all the more hilarious to watch, who honestly can think of some story like this and pull if off straight?
I am aware that since this is a film, some liberties had to be made to the story and characters. Some scenes were undoubtedly exaggerated, but which one? Every scene looked and felt so surreal, every major character ridiculous, every line of dialogue inducing a chortle from the audience. But it was a dementedly fun ride, and Bay, after making two bloated sequels about giant robots, finally returns to his stride.
I remember reading about this years ago. These idiots kidnapped and tortured this man until he gave up everything he owned. The actual account is significantly more chilling than depicted in the movie. The only embellishment seemed to be the stupidity of the villains. In actuality, it was their arrogance and hubris that got them caught.
Rock On: The Life and Times of Dwayne Johnson
Rock On: The Life and Times of Dwayne Johnson
Take a look back at The Rock's career in photos.
¿Sabías que…?
- TriviaAt just over $20 million, this movie is Michael Bay's lowest-budgeted film since his feature film debut, Dos policías rebeldes (1995). Bay, Mark Wahlberg, and Dwayne Johnson took pay cuts to keep the budget down.
- ErroresWhen the crew propose an investment scheme to Frank Griga and Krisztina Furton at Doorbal's home, a Nintendo Gamecube controller can be seen. This device was not available until 2001.
- Citas
[from trailer]
Daniel Lugo: [to a little boy] Don't eyeball me! I've seen your mother driving up and down these streets looking at me! I'll be your stepfather in about a week!
- Créditos curiososThe end credits are interspersed with photos of the real people the story is based on, as well as the sentences they received; crime scene photos; mugshots; evidence; coroner's findings; newspaper articles; and court photos.
- ConexionesEdited from Dos policías rebeldes 2: Vuelven más rebeldes (2003)
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Detalles
Taquilla
- Presupuesto
- USD 26,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 49,875,291
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,244,505
- 28 abr 2013
- Total a nivel mundial
- USD 87,305,549
- Tiempo de ejecución2 horas 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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