Los misteriosos asesinatos de Miss Fisher

The story lines, charcters, writing, acting, sets, period ambiance... whatever else... are all superb. While there is enough compelling mystery to keep you interested there is enough good humor to make you smile. The relationships between all the characters are mostly heartwarming. Maybe that's what draws me to Australian shows more than the hardarse bitterness and violence of American tv. Gees, there's enough gritty reality in the real world... give me a break... and a little escape. Too bad it had to end. I look forward to the movie. The 60s MOD version is fun and similar in nature so, if you like this, try that.

Addendum: The way I rate shows... I don't usually review anything less than a 7 because 6 would be a failing grade and I won't waste my time watching it. I'm old; I don't know how much time I've got left. Since I probably turned it off before getting even halfway through, it wouldn't be fair to rate or review it. 7 is watchable but I may go a while between episodes since, though somewhat entertaining, there are other shows more interesting or compelling. 8 would be a regular in my lineup. 9 is a must see and probably bingeable. 10 is just the epitome of superbity and headed for my all-time favorites list. I'm adding this to my reviews because it seems there are a lot of binary reactions to pretty much everything these days. I am not a like/unlike kind of guy. I see a lot of grays so if I give something a 10 it doesn't mean the only alternative is a 1.

She is...the spice. Her Miss Fisher is provocative, and modern and fancy and...cool. And this is the most important fact because, in many episodes, she is...the story. Short, a serie reminding many others in large lines. More British than Australian. But seductive. For smart performance of Essie Davis, first.

Call me nerdy, I love this show and so looking forward to season 2. Thank the tech nerds for the internet that allows me to see shows from all the world. They are who have given me access to great shows such as The Killing (Danish), Downton Abbey, Miss Fisher and so many more.

If you can appreciate amazing costume design and construction within a universe that is also beautifully shot and written. Yes, the murder mystery formula may be derivative, but as a woman, I appreciate the strength of Miss Fisher and those she assembles around her. Her mischievous, but lovable antics are endearing. And, the writing is just good enough to make this a 9 in my book. I think this is a step above Downton Abbey or any of the other Edwardian and/or 20s period television soapies.

It may be reconstructed history...but it is fun. It's great for the whole family. There are adult themes, but if you are forward thinking parents, this is completely within the parameters of what your kids should be aware of and take as reality. If only the 1920s Australia were this "contemporary".

I am so glad to see a local author recognised during their working life in this way! Fantastic to see the series made. Yes, they have changed a few of the "facts" but it has to tie together within a restricted framework of a TV series.

I also thought Essie Davis was older than the character was meant to be (about 27) but I could not think of anyone better for the role. I don't think she plays it as too experienced a person; you must remember that people grew up a lot faster in wartime than they do in the comfortable lazy days we live in now.

As for the review entitled "Ho Hum", if the roles were reversed, and the important characters male, with the females filling the vacuous or stupid roles, it would be NORMAL TELEVISION FARE! For once, we have a story that represents women in a strong light, and having some fun, instead of being a backdrop to a male tale.

ABC, you rock!

As someone who hasn't read Kerry Greenwood's novels, I found this entertaining, light- hearted and aesthetically pleasing. Perhaps a little formulaic and not particularly creative in its plot devices, but altogether an enjoyable way to while away an hour on a Friday night. In fact, I may now read the novels after all.

However, as I haven't read them I can't really comment on the criticisms of other reviewers that the storyline was changed and that the main character suffered in her translation from print to screen. Obviously it's often difficult to leave a story unchanged because it just doesn't work in film the way it does in a book; and who knows what other (budgetary) restrictions the production was working within.

The sometimes ponderous camera work and precise, deliberate acting reminded me pleasantly of the Poirot series- although Phryne Fisher is rather racier than the little Belgian. I enjoyed the recreation of late-20s Melbourne, including the bright, interesting wardrobe of the leading lady. I got a little annoyed in some of the middle episodes that the storyline concerning Phryne's sister appeared to be dropped as it was the most intriguing thing about the early episodes, but I was satisfied by the end of the series. I also liked the development of the friendship between Phryne and Jack Robinson, and Hugh & Dot were quite cute too.

Don't sit down to this expecting something mind-altering or deeply intellectual. This is quality b-grade and proud of it; it does its thing very well indeed.