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El futuro del último pub, en un pueblo del noreste de Inglaterra, donde la gente está abandonando la tierra a medida que se cierran las minas. Las casas son baratas y están disponibles, por ... Leer todoEl futuro del último pub, en un pueblo del noreste de Inglaterra, donde la gente está abandonando la tierra a medida que se cierran las minas. Las casas son baratas y están disponibles, por lo que es un lugar ideal para los refugiados.El futuro del último pub, en un pueblo del noreste de Inglaterra, donde la gente está abandonando la tierra a medida que se cierran las minas. Las casas son baratas y están disponibles, por lo que es un lugar ideal para los refugiados.
- Dirección
- Guionista
- Elenco
- Nominada a1 premio BAFTA
- 8 premios ganados y 7 nominaciones en total
Bobby Beldrum
- Union Supporter
- (as Bobby Meldrum)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It's a refugee drama in a declining English village near Durham, England, set in 2016. It follows the experiences of the owner of the last little pub, The Old Oak, in a dying former mining town. T. J. Ballantyne (Dave Turner) is divorced, and his distant son no longer speaks to him. His pub is slowly dying along with the village when some Syrian refugees move into the town. T. J.'s only companion is a dog called Marra (Lola). Some of his regulars, like Vic (Chris McGlade), Charlie (Trevor Fox), and Eddy (Col Tait), are vicious racists, but T. J. provides some assistance to Laura (Claire Rodgerson), the woman heading the local refugee assistance efforts.
One of the refugees, Yara (Ebla Mari), is a skilled photographer who has learned good English in a refugee camp. Her mother, Fatima (Amna Al Ali), and three younger siblings are with her but speak little English. Her father, a tailor, is missing back in Syria is unknown.
The film follows the tension between the locals and newcomers and T. J.'s evolving relationship with both sides. "The Old Oak" contains no highly dramatic events, but relationships and thoughts about hope change as the story unfolds.
"The Old Oak" is a primarily gentle film about human relationships in an economically challenged community. Turner and Mari are outstanding, though Mari's character is a bit too saintly. Occasionally, the script gets a little didactic, slowing the pace. But it's a great story about refugee engagement in a small traditional village.
One of the refugees, Yara (Ebla Mari), is a skilled photographer who has learned good English in a refugee camp. Her mother, Fatima (Amna Al Ali), and three younger siblings are with her but speak little English. Her father, a tailor, is missing back in Syria is unknown.
The film follows the tension between the locals and newcomers and T. J.'s evolving relationship with both sides. "The Old Oak" contains no highly dramatic events, but relationships and thoughts about hope change as the story unfolds.
"The Old Oak" is a primarily gentle film about human relationships in an economically challenged community. Turner and Mari are outstanding, though Mari's character is a bit too saintly. Occasionally, the script gets a little didactic, slowing the pace. But it's a great story about refugee engagement in a small traditional village.
I thought that Yara and TJ were very good characters. In fact, I'm disappointed to have seen an interview with the actor who played TJ who said that's going to be his one and only film. I'd really like to see him again in more movies. I am sure we will see the actress who played Yara again. I like films that are naturalistic. There are so many films in which conversations are so slick and word perfect and that simply does not reflect real life for most people. Both Yara and TJ were like people that I have met in real life and so I could relate to them very easily in the film..
I've seen criticism of this work based on some characters in the film being "wooden ". But again, people can be pretty wooden in real life and so it is not unreasonable to have that depicted in films here and there. We can't all be as smooth as George Clooney or Meryl Streep.
The character, Charlie put me in mind of Mark Kermode (due to his looks, not his conduct). To me, he was very much like Mark Kermode with a grey rinse.
I thought that the actor who played the electrician was very good and very reminiscent of contractors I have met.
I found the film moving and engaging.
I've seen criticism of this work based on some characters in the film being "wooden ". But again, people can be pretty wooden in real life and so it is not unreasonable to have that depicted in films here and there. We can't all be as smooth as George Clooney or Meryl Streep.
The character, Charlie put me in mind of Mark Kermode (due to his looks, not his conduct). To me, he was very much like Mark Kermode with a grey rinse.
I thought that the actor who played the electrician was very good and very reminiscent of contractors I have met.
I found the film moving and engaging.
No one can deny that our world is deeply divided. On a global scale, the plight of refugees fleeing conflict zones provokes strong emotions, which in turn breed prejudice, drive a wedge between communities, question long-held traditions, and make it harder for those who have lost loved ones, are uprooted, and are trying to find their place in the world.
Ken Loach tackles these profound issues in his movie, The Old Oak. Loach has made a name for himself with politically charged films. This one is no different, and he tackles these difficult and sensitive issues with empathy and nuance. The performances of Dave Turner and Ebla Mari (who plays Yara, one of the Syrian refugees) are outstanding, and they convey the soul and the pain of the characters. The performances from the non-professional cast are uneven, but I didn't feel this ever detracted from the film, which, at times, can feel like a blunt weapon. This film contains a few scenes that are absolutely blazing with intensity.
The Old Oak brings up some important questions for us, such as how to encourage kindness and unity in our neighbourhoods. How do social media platforms affect local communities? And how can our communities' cultural divides be closed? They are all handled in a compelling, dramatic, and powerful way.
If you are interested in watching films that are socially relevant, making a trip to the cinema to watch The Old Oak is something you should absolutely do. In a world that is becoming more and more torn apart, this is a powerful call for compassion and solidarity.
Ken Loach tackles these profound issues in his movie, The Old Oak. Loach has made a name for himself with politically charged films. This one is no different, and he tackles these difficult and sensitive issues with empathy and nuance. The performances of Dave Turner and Ebla Mari (who plays Yara, one of the Syrian refugees) are outstanding, and they convey the soul and the pain of the characters. The performances from the non-professional cast are uneven, but I didn't feel this ever detracted from the film, which, at times, can feel like a blunt weapon. This film contains a few scenes that are absolutely blazing with intensity.
The Old Oak brings up some important questions for us, such as how to encourage kindness and unity in our neighbourhoods. How do social media platforms affect local communities? And how can our communities' cultural divides be closed? They are all handled in a compelling, dramatic, and powerful way.
If you are interested in watching films that are socially relevant, making a trip to the cinema to watch The Old Oak is something you should absolutely do. In a world that is becoming more and more torn apart, this is a powerful call for compassion and solidarity.
According to himself "The old oak" is his last film. Not very strange if you consider that Ken Loach is already 87 years of age. He already made films when I was hardly born and in the meantime I am nearly sixty now.
"The old oak" (2023) is the last episode of the "austerity trilogy" (all films situated in or around Newcastle upon Tyne). In the first episode "I, Daniel Blake" (2016) a poor man struggles against government bureaucracy. In the second episode "Sorry we missed you" (2019) the main character is misled to become a fake entrepeneur but in reality is a worker without the usual rights.
"The old oak" is about poor people (workers in a region that economically has never recovered from the closing of coal mines) that are obliged to live together with other poor people (Syrian refugees).
Loach treats this theme with much more idealism (and sentimentality) than the raw reality and unhappy endings of the previous two episodes of the "austerity trilogy". The main character, pub owner T. J. Ballantyne (Dave Turner), is almost too good to be true and to a great extent he succeeds in bringing the local and Syrian communities together. Of course there are a few old men in the cast that turn out to be incurable racists, but they seem to have lost their feeling with society.
Keeping hope is important, but nevertheless is "The old oak" in my opinion the weakest film of the austerity trilogy". Not only contrasts the idealism of the film with the raw reality of the two other episodes, it also contrasts with the political reality of the moment. I am not only thinking of the results of the recent elections in the Netherlands (victory for a populist party that is fiercly anti immagration) but also about the immagration policy in the Netherlands (and Europe wide) in which immigrants are treated as dangerous people that ought to be minimized instead of as people in need that ought to be helped.
The four racists in the film have unfortunately not lost their feeling with society but are perfectly in sync with it. The "Oppressed people of all nations unite" of "The old oak" sounds very much like the Socialist slogan "Workers of all countries unite" from before the First World War. It didn't work then, and I am afraid it won't work now.
The film reminded me very much of "Le Havre" (2011, Aki Kaurismâki). Did the excess of idealism of this film irritate me also? I don't remember exactly, it is a long time ago, but I don't think so. The films of Aki Kaurisämik have more of a fairy-tale nature than those of Ken Loach.
"The old oak" (2023) is the last episode of the "austerity trilogy" (all films situated in or around Newcastle upon Tyne). In the first episode "I, Daniel Blake" (2016) a poor man struggles against government bureaucracy. In the second episode "Sorry we missed you" (2019) the main character is misled to become a fake entrepeneur but in reality is a worker without the usual rights.
"The old oak" is about poor people (workers in a region that economically has never recovered from the closing of coal mines) that are obliged to live together with other poor people (Syrian refugees).
Loach treats this theme with much more idealism (and sentimentality) than the raw reality and unhappy endings of the previous two episodes of the "austerity trilogy". The main character, pub owner T. J. Ballantyne (Dave Turner), is almost too good to be true and to a great extent he succeeds in bringing the local and Syrian communities together. Of course there are a few old men in the cast that turn out to be incurable racists, but they seem to have lost their feeling with society.
Keeping hope is important, but nevertheless is "The old oak" in my opinion the weakest film of the austerity trilogy". Not only contrasts the idealism of the film with the raw reality of the two other episodes, it also contrasts with the political reality of the moment. I am not only thinking of the results of the recent elections in the Netherlands (victory for a populist party that is fiercly anti immagration) but also about the immagration policy in the Netherlands (and Europe wide) in which immigrants are treated as dangerous people that ought to be minimized instead of as people in need that ought to be helped.
The four racists in the film have unfortunately not lost their feeling with society but are perfectly in sync with it. The "Oppressed people of all nations unite" of "The old oak" sounds very much like the Socialist slogan "Workers of all countries unite" from before the First World War. It didn't work then, and I am afraid it won't work now.
The film reminded me very much of "Le Havre" (2011, Aki Kaurismâki). Did the excess of idealism of this film irritate me also? I don't remember exactly, it is a long time ago, but I don't think so. The films of Aki Kaurisämik have more of a fairy-tale nature than those of Ken Loach.
These times they are a changing far too quick, after decades of the same worn politics, with mind-sets mired in hate, they just want to close the gate, and ignore those who need help, from their conflict; but there are those who have an empathetic heart, who can remove the barriers from their ramparts, some have travelled far and wide, some more permanent reside, both camps realise the need for a new start; so they build a bridge and start to make a deal, by renovating rooms to share their meals, a community is born, amid the contempt and the scorn, all for one, and one for all, is how they feel.
Wonderful performances all round.
Wonderful performances all round.
¿Sabías que…?
- TriviaDave Turner is a former firefighter and Fire Brigades Union Executive Council officer. This is the reason the FBU attends the pub in one scene dropping off supplies for the kitchen.
- ErroresWhen Yara and TJ are discussing the character who damaged her camera, Yara describes him as 'wearing a black and white striped shirt' when trying to identify him. TJ explains that those are the colours of the local football team, presumably describing Newcastle United.
However, since the film is set in an East Durham pit village, the local football team would actually be Sunderland AFC, and not Newcastle United.
- ConexionesFeatured in 2024 EE BAFTA Film Awards (2024)
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- How long is The Old Oak?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The Old Oak
- Locaciones de filmación
- Tees Street, Horden, County Durham, Inglaterra, Reino Unido(house where Yara's family moves in)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 229,763
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,439
- 7 abr 2024
- Total a nivel mundial
- USD 7,729,788
- Tiempo de ejecución1 hora 53 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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