Amigos por siempre

This was unnecessary remake . Performances by Cranston and Hart were are solid. The film has some touching moments . It is a bit long and does drag on a bit at times .

I virtually never write a review on IMDb but I have to say something... I'm not sure what's up with negative reviews. Even if you liked the original better, don't be stupid and use that as an excuse to pan this movie. I've never seen the original so I'm not biased. This was a good movie!!

I'm so thankful to Kevin Hart, Bryan Cranston, Nicole Kidman, Neil Burger and the rest of those involved in this remake! Movies entertain us but they are even better when they can educate, entertain, and make us laugh at the same time. There have been no movies with big celebrity actors showing that a quadriplegic can actually live a regular life and have happiness. There were 2 big movies that came out and the quadriplegic chose suicide at the end. Instead of being looked at like a regular person, we are looked at with pity. Yes our life is hard! It's not easy being completely dependent on others for everything! It's been 22 years and I don't have millions of dollars or a fully accessible house or a nice "patty wagon" like Bryan's character had in the movie but I have God and family and friends and I live a good life! I still got a bachelors degree and I still found love and I was able to be a mother! We have fun and choose to laugh ALOT despite our circumstances. I hope everybody learns something from this movie! #TheUpside #stillstandingalwayssmiling

"Some people are walking around with full use of their bodies and they're more paralyzed than I am." Christopher Reeve

The Upside is a potentially sappy setup adapted from the highly-successful French film Les Intouchables. Dell (Kevin Hart) is a black ex-con in need of work. Phillip (Bryan Cranston) is a wealthy author and investor become quadriplegic from a foolish paragliding incident who needs help.

In the film's unavoidable cliché, black man becomes white man's assistant, and the two bond through their differences. While sharing with each other Figaro and Aretha, they become happy buds who easily bridge the considerable racial and economic gulfs.

What makes this comedy work is the obvious respect between the leads and a sincerity about the need to appropriate other cultures for the bounty they offer in different perspectives and temperaments. Hart has never been better playing a smart street guy from The Bronx; Cranston is magnetic with the simple use of his face, a great one that deserves all the closeups director Neil Burger can offer.

Although the stereotypical differences between the two characters could have led to outrageous melodrama, as in the recent Green Book, the filmmakers are more interested in the reality of a rich man being moved by an ex-con, and an underprivileged underachiever finding dignity and prosperity in a world never meant to be his.

The lyrical moments like getting high on weed and watching opera for the first time earn our admiration rather than scorn for formula worshiping. As always, the leads take the lead in taking us to realistic challenges that race and wealth usually move us to whether we are ready or not.

Don't be afraid of stereotypes and clichés. The setups are acceptable because the film sees the humanity rolling on the screen in the form of a wheelchair and into our hearts with endearing characters. Be prepared to have a few pleasant tears during 2019's best comedy so far!

Remakes happen, as well as re-imaginings. However they make sense when a director/writer have something more to add to the story, especially as beautiful as this one in a French original. Here we got a back to back copy of a quite recent movie. A movie, that was a huge international hit, and is well known outside of the USA, so a so recent remakwe, ekhm, copy, is the more baffling. This is not the case of The Lion King, which was inspired by an obscure Japanese cartoon, and a wider audience got a chance to known the story. THe original made over 400 millions of dollars worldwide... Are Americans so afraid of subtitles, that they have to make their own versions of movies?