Cuenta de manera cómica la relación entre un hombre cuadripléjico de mucho dinero y un hombre desempleado con antecedentes penales que es contratado para ayudarle.Cuenta de manera cómica la relación entre un hombre cuadripléjico de mucho dinero y un hombre desempleado con antecedentes penales que es contratado para ayudarle.Cuenta de manera cómica la relación entre un hombre cuadripléjico de mucho dinero y un hombre desempleado con antecedentes penales que es contratado para ayudarle.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 3 nominaciones en total
Kimberly S. Fairbanks
- Parole Officer
- (as Kimberly Fairbanks)
Rachel Alana Handler
- Data Processing Supervisor
- (as Rachel Handler)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
As someone who has seen and loved the original French film, this US remake feels rather pointless. Although both Kevin Hart and Bryan Cranston are good in their roles, they never reach the heights nor have the chemistry François Cluzet and Omar Sy.
Based on the French film Intouchables, The Upside follows the relationship between a man with quadriplegia, played by Cranston and his ex-con carer, played by Hart.
While the film itself is solid, it feels redundant after watching the original. It sticks very closely to the events of the French movie, bringing nothing new to the table. The opening scene made me groan, as it is essentially a shot-for-shot remake of the opening of Intouchables. And while there are differences in the backstory of Hart's character, it is not enough to warrant a new incarnation of this story.
That said, I was impressed by Kevin Hart's performance in this film and would go so far as to say that this is his best performance to date. While he is still funny, he is more reigned in here, more grounded than his usual loud and broadly comedic turns.
In the end, I'd struggle to recommend this to anyone who has already seen the French film, although Hart's more low-key performance is worth a watch for fans of his.
Based on the French film Intouchables, The Upside follows the relationship between a man with quadriplegia, played by Cranston and his ex-con carer, played by Hart.
While the film itself is solid, it feels redundant after watching the original. It sticks very closely to the events of the French movie, bringing nothing new to the table. The opening scene made me groan, as it is essentially a shot-for-shot remake of the opening of Intouchables. And while there are differences in the backstory of Hart's character, it is not enough to warrant a new incarnation of this story.
That said, I was impressed by Kevin Hart's performance in this film and would go so far as to say that this is his best performance to date. While he is still funny, he is more reigned in here, more grounded than his usual loud and broadly comedic turns.
In the end, I'd struggle to recommend this to anyone who has already seen the French film, although Hart's more low-key performance is worth a watch for fans of his.
"Some people are walking around with full use of their bodies and they're more paralyzed than I am." Christopher Reeve
The Upside is a potentially sappy setup adapted from the highly-successful French film Les Intouchables. Dell (Kevin Hart) is a black ex-con in need of work. Phillip (Bryan Cranston) is a wealthy author and investor become quadriplegic from a foolish paragliding incident who needs help.
In the film's unavoidable cliché, black man becomes white man's assistant, and the two bond through their differences. While sharing with each other Figaro and Aretha, they become happy buds who easily bridge the considerable racial and economic gulfs.
What makes this comedy work is the obvious respect between the leads and a sincerity about the need to appropriate other cultures for the bounty they offer in different perspectives and temperaments. Hart has never been better playing a smart street guy from The Bronx; Cranston is magnetic with the simple use of his face, a great one that deserves all the closeups director Neil Burger can offer.
Although the stereotypical differences between the two characters could have led to outrageous melodrama, as in the recent Green Book, the filmmakers are more interested in the reality of a rich man being moved by an ex-con, and an underprivileged underachiever finding dignity and prosperity in a world never meant to be his.
The lyrical moments like getting high on weed and watching opera for the first time earn our admiration rather than scorn for formula worshiping. As always, the leads take the lead in taking us to realistic challenges that race and wealth usually move us to whether we are ready or not.
Don't be afraid of stereotypes and clichés. The setups are acceptable because the film sees the humanity rolling on the screen in the form of a wheelchair and into our hearts with endearing characters. Be prepared to have a few pleasant tears during 2019's best comedy so far!
The Upside is a potentially sappy setup adapted from the highly-successful French film Les Intouchables. Dell (Kevin Hart) is a black ex-con in need of work. Phillip (Bryan Cranston) is a wealthy author and investor become quadriplegic from a foolish paragliding incident who needs help.
In the film's unavoidable cliché, black man becomes white man's assistant, and the two bond through their differences. While sharing with each other Figaro and Aretha, they become happy buds who easily bridge the considerable racial and economic gulfs.
What makes this comedy work is the obvious respect between the leads and a sincerity about the need to appropriate other cultures for the bounty they offer in different perspectives and temperaments. Hart has never been better playing a smart street guy from The Bronx; Cranston is magnetic with the simple use of his face, a great one that deserves all the closeups director Neil Burger can offer.
Although the stereotypical differences between the two characters could have led to outrageous melodrama, as in the recent Green Book, the filmmakers are more interested in the reality of a rich man being moved by an ex-con, and an underprivileged underachiever finding dignity and prosperity in a world never meant to be his.
The lyrical moments like getting high on weed and watching opera for the first time earn our admiration rather than scorn for formula worshiping. As always, the leads take the lead in taking us to realistic challenges that race and wealth usually move us to whether we are ready or not.
Don't be afraid of stereotypes and clichés. The setups are acceptable because the film sees the humanity rolling on the screen in the form of a wheelchair and into our hearts with endearing characters. Be prepared to have a few pleasant tears during 2019's best comedy so far!
Remakes happen, as well as re-imaginings. However they make sense when a director/writer have something more to add to the story, especially as beautiful as this one in a French original. Here we got a back to back copy of a quite recent movie. A movie, that was a huge international hit, and is well known outside of the USA, so a so recent remakwe, ekhm, copy, is the more baffling. This is not the case of The Lion King, which was inspired by an obscure Japanese cartoon, and a wider audience got a chance to known the story. THe original made over 400 millions of dollars worldwide...
Are Americans so afraid of subtitles, that they have to make their own versions of movies?
This was unnecessary remake . Performances by Cranston and Hart were are solid. The film has some touching moments . It is a bit long and does drag on a bit at times .
This is a remake of the 2011 French film, "The Intouchables". Being a remake it is bound to not be exactly the same as the original and there will be changes, add ons or takeaways but the story remains almost the same.
With that in mind I watched this movie pretending it was a film all on it's own. I enjoyed it and liked the performances. This is first time I (personally) see Kevin Hart act more serious in a role and he did a good job. Bryan Cranston was superb as always.
Many people dislike this movie because they viewed the original and in my opinion, the original is way better. But let's be fair, that doesn't mean this movie is garbage. I think everyone did a great job, the movie was good and it delivered the same message the original did. It's just up to you whether you want to watch the original or this one instead.
With that in mind I watched this movie pretending it was a film all on it's own. I enjoyed it and liked the performances. This is first time I (personally) see Kevin Hart act more serious in a role and he did a good job. Bryan Cranston was superb as always.
Many people dislike this movie because they viewed the original and in my opinion, the original is way better. But let's be fair, that doesn't mean this movie is garbage. I think everyone did a great job, the movie was good and it delivered the same message the original did. It's just up to you whether you want to watch the original or this one instead.
¿Sabías que…?
- TriviaThis is a remake of the French film Amigos (2011). In Germany and The Netherlands, it was the most successful French film in history. The same story has also been filmed as the Argentinian film Inseparables (2016).
- ErroresWhen Dell attempts to insert the catheter into Philip, he is shown holding a large rubber tube. The tube is too large and floppy to be inserted. A real catheter is much smaller and more rigid.
- Citas
Dell Scott: You can have any girl you want, man. You rich and you available. What about this lady right here with all the botox? Y'all be perfect for each other. You can't move your body, she can't move her face.
- Créditos curiososIn the disclaimer at the end, where it reads, "Names Used Herein Are Fictitious," the word "Fictitious" is misspelled "Fictitcious."
- ConexionesFeatured in WatchMojo: Top 10 Worst Movies of 2019 (So Far) (2019)
- Bandas sonorasDon Giovanni K. 527 Scena Ultima: Qual Strepito è Questo... (Lanterna, Maturina, Donna Elvira, Donna Ximena, Duca Ottavio, Pasquariello)
Written by Giuseppe Gazzaniga
Performed by Tafelmusik Baroque Orchestra (as Tafelmusik); Bruno Weil, conductor
Courtesy of Sony Classical
By arrangement with Sony Music Licensing
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- How long is The Upside?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Upside
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 37,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 108,252,517
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,355,000
- 13 ene 2019
- Total a nivel mundial
- USD 125,856,180
- Tiempo de ejecución2 horas 6 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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