En un mundo donde los dinosaurios y las personas cohabitan, Arlo entabla amistad con un humano.En un mundo donde los dinosaurios y las personas cohabitan, Arlo entabla amistad con un humano.En un mundo donde los dinosaurios y las personas cohabitan, Arlo entabla amistad con un humano.
- Dirección
- Guionistas
- Elenco
- Premios
- 9 premios ganados y 41 nominaciones en total
Jeffrey Wright
- Poppa
- (voz)
Maleah Nipay-Padilla
- Young Libby
- (voz)
- (as Maleah Padilla)
Marcus Scribner
- Buck
- (voz)
Raymond Ochoa
- Arlo
- (voz)
Jack Bright
- Spot
- (voz)
Mandy Freund
- Downpour
- (voz)
A.J. Buckley
- Nash
- (voz)
- (as AJ Buckley)
Anna Paquin
- Ramsey
- (voz)
Sam Elliott
- Butch
- (voz)
David Boat
- Bubbha
- (voz)
- (as Dave Boat)
Carrie Paff
- Lurleane
- (voz)
Calum Grant
- Pervis
- (voz)
- (as Calum Mackenzie Grant)
Opiniones destacadas
... which is the impression I got when I saw the DVD cover art, the title, and the trailers.
It came on one of the pay channels the other day and I sat down to watch. What I found was a whacked out "what if" view of natural history plus a tale on facing your fears and finding friendship where you least expect it.
The movie starts with a bang - literally. Dinosaurs are eating in a field 65 million years ago as an asteroid comes tumbling towards earth. The dinosaurs look up. The asteroid passes harmlessly overhead. The dinosaurs continue eating. So the mass extinction never happens.
Millions of years pass and the dinosaurs evolve. The "vegi-sauruses" become farmers. The "meat-asauruses" become ranchers. One humorous turn introduces us to a timid Styracosaurus who has evolved into a terrified animal that puts small animals all over his horns to protect himself from all kinds of threats that grow out of his neurotic fears.
At the core of it is a family of Apatosaurus farmers with three children. The smallest is Arlo, who is afraid of his own shadow. His nemesis is "Spot" a human child that keeps getting into the family silo and eating the crops. But these two have to team up when a natural disaster sweeps Arlo far from home and he is forced to face his fears.
I thought the idea of evolving dinosaurs living alongside the dawn of man at the point where man is just at "dog level"-a mute primitive creature - was intriguing enough to keep the adults engaged while Arlo's story is enough to keep the children around along with the unique sight gags I've come to expect from Pixar. Highly recommended as an unexpected treat, at least from my perspective.
It came on one of the pay channels the other day and I sat down to watch. What I found was a whacked out "what if" view of natural history plus a tale on facing your fears and finding friendship where you least expect it.
The movie starts with a bang - literally. Dinosaurs are eating in a field 65 million years ago as an asteroid comes tumbling towards earth. The dinosaurs look up. The asteroid passes harmlessly overhead. The dinosaurs continue eating. So the mass extinction never happens.
Millions of years pass and the dinosaurs evolve. The "vegi-sauruses" become farmers. The "meat-asauruses" become ranchers. One humorous turn introduces us to a timid Styracosaurus who has evolved into a terrified animal that puts small animals all over his horns to protect himself from all kinds of threats that grow out of his neurotic fears.
At the core of it is a family of Apatosaurus farmers with three children. The smallest is Arlo, who is afraid of his own shadow. His nemesis is "Spot" a human child that keeps getting into the family silo and eating the crops. But these two have to team up when a natural disaster sweeps Arlo far from home and he is forced to face his fears.
I thought the idea of evolving dinosaurs living alongside the dawn of man at the point where man is just at "dog level"-a mute primitive creature - was intriguing enough to keep the adults engaged while Arlo's story is enough to keep the children around along with the unique sight gags I've come to expect from Pixar. Highly recommended as an unexpected treat, at least from my perspective.
After being blown away by Pixar's previous film 'Inside Out' (which is one of their best too), while not really deserving of so many 1- star reviews 'The Good Dinosaur' disappointed on many levels.
Not just lesser Pixar but a contender for their worst too, even more so than the often panned 'Cars 2' (which to me while not great was not that bad). It is a long way from an awful film, certainly much better than several reviews have lead you to believe (seeing as 1- star indicates no redeeming qualities, which is not the case here), but considering Pixar's usual incredibly high standard I was expecting so much more.
There are a number of good things here in 'The Good Dinosaur'. Much of the animation is spectacular, including some of Pixar's most gorgeously vivid colours and some of their most stunning and rich- in-detail backgrounds. The music score is both whimsical and energetic, and the film also benefits from some clever casting and very strong voice acting, Sam Elliot in particular stands out. Many have complained of Arlo's voice work, it wasn't a problem personally.
On top of those, 'The Good Dinosaur' does have some genuinely funny moments (mostly visual), parts that are genuinely touching, some thumping, thrilling action, a beautifully realised central friendship, an endearing lead character in Arlo and an inspirational main message (as a matter of fact, all the lessons and messages the film teaches are great). So a lot to admire.
However, 'The Good Dinosaur' does fall short. While there is much to admire in the animation overall, it also contains the least appealing character designs in any of Pixar's film, the photo- realistic look looks cartoony rather than realistic and jars against the vivid backgrounds . While keeping things simple can work in a film's favour, 'The Good Dinosaur' is rather too simple and straight-forward that the storytelling while not completely dull lacks momentum and veers on being too paper-thin and simplistic as well as being too predictable and familiar. Target audience is also an issue.
Adults may find themselves checking their watches, not that it's completely dull but unlike much of Pixar's other films it is not consistently captivating. And with children, while this viewer usually tries to not complain about anything being too dark or unnecessary and has been known to defend films criticised for that 'The Good Dinosaur' is an example of a film where that criticism is valid and understandable, because there is some dark and disturbing content (like a decapitation and a drug reference) that added absolutely nothing and quite frankly had no place in a family film. The violence is similarly gratuitous. The script is inconsistent in the laughs and emotional investment factors and is not as clever, witty, insightful or as intelligently structured as the writing for Pixar's best, coming across as even more paper-thin and simplistic than the storytelling and the dialogue itself is often cheesy and clichéd.
In conclusion, not as bad as most have made out but very much a lesser Pixar. Has enough good merits to make it watchable, but it's the only Pixar film to date to disappoint me. Very hard to decide between a 5 or 6, as it was actually not easy to rate, so it's got a 5.5/10 (somewhere in between). Bethany Cox
Not just lesser Pixar but a contender for their worst too, even more so than the often panned 'Cars 2' (which to me while not great was not that bad). It is a long way from an awful film, certainly much better than several reviews have lead you to believe (seeing as 1- star indicates no redeeming qualities, which is not the case here), but considering Pixar's usual incredibly high standard I was expecting so much more.
There are a number of good things here in 'The Good Dinosaur'. Much of the animation is spectacular, including some of Pixar's most gorgeously vivid colours and some of their most stunning and rich- in-detail backgrounds. The music score is both whimsical and energetic, and the film also benefits from some clever casting and very strong voice acting, Sam Elliot in particular stands out. Many have complained of Arlo's voice work, it wasn't a problem personally.
On top of those, 'The Good Dinosaur' does have some genuinely funny moments (mostly visual), parts that are genuinely touching, some thumping, thrilling action, a beautifully realised central friendship, an endearing lead character in Arlo and an inspirational main message (as a matter of fact, all the lessons and messages the film teaches are great). So a lot to admire.
However, 'The Good Dinosaur' does fall short. While there is much to admire in the animation overall, it also contains the least appealing character designs in any of Pixar's film, the photo- realistic look looks cartoony rather than realistic and jars against the vivid backgrounds . While keeping things simple can work in a film's favour, 'The Good Dinosaur' is rather too simple and straight-forward that the storytelling while not completely dull lacks momentum and veers on being too paper-thin and simplistic as well as being too predictable and familiar. Target audience is also an issue.
Adults may find themselves checking their watches, not that it's completely dull but unlike much of Pixar's other films it is not consistently captivating. And with children, while this viewer usually tries to not complain about anything being too dark or unnecessary and has been known to defend films criticised for that 'The Good Dinosaur' is an example of a film where that criticism is valid and understandable, because there is some dark and disturbing content (like a decapitation and a drug reference) that added absolutely nothing and quite frankly had no place in a family film. The violence is similarly gratuitous. The script is inconsistent in the laughs and emotional investment factors and is not as clever, witty, insightful or as intelligently structured as the writing for Pixar's best, coming across as even more paper-thin and simplistic than the storytelling and the dialogue itself is often cheesy and clichéd.
In conclusion, not as bad as most have made out but very much a lesser Pixar. Has enough good merits to make it watchable, but it's the only Pixar film to date to disappoint me. Very hard to decide between a 5 or 6, as it was actually not easy to rate, so it's got a 5.5/10 (somewhere in between). Bethany Cox
This film tells the story of a cowardly young dinosaur, who lost his way home after a storm. He befriends a young human being in prehistoric times. They navigate the treacherous lands in search of their respective homes.
The visuals in the film are quite stunning. The colours are vivid and bright, while the backdrop is always beautiful and at times even breathtaking. It's interesting to see a talking dinosaur, while the young human being behaves more like a dog, which is further reinforced by the name spot. I enjoyed the exciting and on occasion dangerous adventure they share together. It's an inspiring story to help children and adults find courage to conquer difficult times.
The visuals in the film are quite stunning. The colours are vivid and bright, while the backdrop is always beautiful and at times even breathtaking. It's interesting to see a talking dinosaur, while the young human being behaves more like a dog, which is further reinforced by the name spot. I enjoyed the exciting and on occasion dangerous adventure they share together. It's an inspiring story to help children and adults find courage to conquer difficult times.
If you can make it through the tedious first third, it's not a bad little movie. The interplay between Arlo and Spot is generally enjoyable (the first really good scene is Spot trying to feed Arlo). The movie can be quite funny, somewhat thrilling, and occasionally touching.
So basically, if this was some kids cartoon from some lesser studio, this would be pretty good. For Pixar though, it's a big disappointment.
One of the film's biggest flaws is also one of its greatest strengths; the animation. On the one hand, the landscapes - forests, rivers, fields - have an amazing photo-realism that mark them as an incredible achievement in animation. But this hyper-realism makes the main dinosaur breed look terrible; they are about as realistic as the cars in Cars, and it's like someone filmed a sock puppet show in the Grand Canyon. It's the thing most reviewers seem to talk about, so it's rather amazing that Pixar didn't see the problem themselves.
It's not that the dinosaurs needed to look real, but the insistence on those giant, soulful eyes made the heads misshapen, and the colors are too clean and shiny to meld with the environments. Other breeds of dinosaurs and insects have an acceptable cartooniness, but Arlo is just annoying in design, creating a constant de-immersion signal.
The story is conventional and predictable, the emotional moments feel manipulative, but still, it's not bad as kid's cartoons go. But it sure isn't what we expect from Pixar.
So basically, if this was some kids cartoon from some lesser studio, this would be pretty good. For Pixar though, it's a big disappointment.
One of the film's biggest flaws is also one of its greatest strengths; the animation. On the one hand, the landscapes - forests, rivers, fields - have an amazing photo-realism that mark them as an incredible achievement in animation. But this hyper-realism makes the main dinosaur breed look terrible; they are about as realistic as the cars in Cars, and it's like someone filmed a sock puppet show in the Grand Canyon. It's the thing most reviewers seem to talk about, so it's rather amazing that Pixar didn't see the problem themselves.
It's not that the dinosaurs needed to look real, but the insistence on those giant, soulful eyes made the heads misshapen, and the colors are too clean and shiny to meld with the environments. Other breeds of dinosaurs and insects have an acceptable cartooniness, but Arlo is just annoying in design, creating a constant de-immersion signal.
The story is conventional and predictable, the emotional moments feel manipulative, but still, it's not bad as kid's cartoons go. But it sure isn't what we expect from Pixar.
Although The Good Dinosaur features a simple storyline that wont blow you away, it remains endearing and heartfelt, with messages that will surely resonate with its target audience. As we follow Arlo's self discovery through grit and grind adventures with his new pal, Spot, there is a lot of excitement in every rough and tumble. There is also a great deal of laughter in each new character they cross paths with, with a trippy moment to boot ;).
This film, has as well, the most beautiful landscapes ever seen from a Pixar film, hands down. From lush forests, flowing rivers & serene sunsets, each was photorealistic and each was a visual attraction. Pixar kept its characters cartoonish however, and that contrast was a wise move which absolutely worked.
Sure, naysayers used to Pixar's imaginative storylines will have negatives to say for TGD, however, I find the family friendly plot has its charms and is well told. With likable characters (Spot, you are brilliant!) and fantastic backgrounds for an adventure-fueled film, there is definitely enough good here.
This film, has as well, the most beautiful landscapes ever seen from a Pixar film, hands down. From lush forests, flowing rivers & serene sunsets, each was photorealistic and each was a visual attraction. Pixar kept its characters cartoonish however, and that contrast was a wise move which absolutely worked.
Sure, naysayers used to Pixar's imaginative storylines will have negatives to say for TGD, however, I find the family friendly plot has its charms and is well told. With likable characters (Spot, you are brilliant!) and fantastic backgrounds for an adventure-fueled film, there is definitely enough good here.
¿Sabías que…?
- TriviaUn gran dinosaurio (2015) experienced multiple production issues. The film was in production for six years and it suffered from creative differences, story problems, Pixar multitasking between film productions, and a quality slump the studio suffered from Cars 2: Una nueva aventura sobre ruedas (2011) to Monsters University (2013). Director Bob Peterson was removed from the project in the summer of 2013, just under a year before the film's original release date in May 2014. Peterson moved on to another project, while John Lasseter, Lee Unkrich, Mark Andrews, and Peter Sohn stepped in temporarily to work on various sections of the film. In November 2013, due to further delays, Pixar laid off sixty-seven employees of its twelve hundred-person workforce, following the closure of its satellite studio in Canada a month before, when about eighty employees had been laid off, officially to refocus Pixar's efforts at its main headquarters. "For Pixar, it was a dramatic event", said Jim Morris, the studio's General Manager and Executive Vice President of Production. "It was tough on the company. Most studios would have said, 'The movie's fine. It's not bad.' And it wasn't bad; it just wasn't great. We wanted to have a great movie." On October 21, 2014, Peter Sohn was officially named the new director. The story was then re-worked, and some major changes included lowering the age of the protagonist and adding the concept of nature itself being the main antagonist. While John Lithgow still remained cast as Poppa in the film (he would later be replaced), he acknowledged the fantastic changes in the script and said that "(The film's) gonna be better than I ever imagined."
- ErroresIn the film, the T-Rexes gallop although in real life they would have run more like birds. However, the T-Rexes are cast in the film as cowboys riding herd on their longhorns. The animators clearly used galloping to fit this trope. Humor is added by the straight posture of the T-Rexes and their short arms which mimics the role of riders holding reins while atop horses (and how many children act while playing 'cowboy').
- Créditos curiososThis sentence appears towards the end and is then encircled in a ring, like the human family towards the end of the movie: "We are grateful to the family and friends of The Good Dinosaur crew your love and support made this film possible."
- ConexionesFeatured in Annoying Orange: Trailer Trashed: The Good Dinosaur (2015)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is The Good Dinosaur?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Good Dinosaur
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 123,087,120
- Fin de semana de estreno en EE. UU. y Canadá
- USD 39,155,217
- 29 nov 2015
- Total a nivel mundial
- USD 332,207,671
- Tiempo de ejecución1 hora 33 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta