Cuando un nuevo juguete llamado "Forky" se une a un paseo con Woody y la pandilla, se dan cuenta de cuan grande puede ser el mundo para un juguete.Cuando un nuevo juguete llamado "Forky" se une a un paseo con Woody y la pandilla, se dan cuenta de cuan grande puede ser el mundo para un juguete.Cuando un nuevo juguete llamado "Forky" se une a un paseo con Woody y la pandilla, se dan cuenta de cuan grande puede ser el mundo para un juguete.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 61 premios ganados y 66 nominaciones en total
Annie Potts
- Bo Peep
- (voz)
Jordan Peele
- Bunny
- (voz)
Joan Cusack
- Jessie
- (voz)
Bonnie Hunt
- Dolly
- (voz)
Kristen Schaal
- Trixie
- (voz)
Emily Davis
- Billy
- (voz)
- …
Wallace Shawn
- Rex
- (voz)
Opiniones destacadas
I personally think that Toy Story 3 was the perfect finale for this movie series (With shorts such as Toy Story That Time Forgot as the colophon) but this was an okay follow-up.
I guess all those fans who had Bo Peep as their favorite character would be more than happy to see her again after her notorious abscence in Toy Story 3.
Overall, it was a pretty decent movie, fun to watch but without the same emotional impact of the third part.
7.5/10.
I guess all those fans who had Bo Peep as their favorite character would be more than happy to see her again after her notorious abscence in Toy Story 3.
Overall, it was a pretty decent movie, fun to watch but without the same emotional impact of the third part.
7.5/10.
Toy Story 4 takes us back to the beloved universe of Woody, Buzz Lightyear, and their friends, while introducing a fresh perspective on what it means to find one's purpose and identity. Released a decade after its predecessor, this installment captures the charm and emotional depth that fans have come to expect, while carving out its own unique narrative.
The film begins with Woody grappling with his role in a world where his owner, Bonnie, is no longer a child who plays with him as much. This poignant shift raises questions about purpose and self-worth that are relatable to anyone who has experienced change in their life. When Bonnie creates a new toy named Forky, a spork that believes it's trash, Woody takes it upon himself to help Forky understand his value as a toy.
The heart of Toy Story 4 lies in its exploration of identity and belonging. Woody's journey of self-discovery is beautifully juxtaposed with Forky's comedic confusion and existential crisis. The humor is wonderfully balanced with deeper themes, making the film accessible for children while resonating with adult audiences.
In true Pixar fashion, Toy Story 4 shines with stunning animation and meticulous attention to detail. The visuals are breathtaking, from the vibrant carnival scenes to the serene backyard settings, immersing the audience in a richly created world. Each character is brought to life with distinct personalities, and the new characters, especially the loveable vintage doll Gabby Gabby, add depth to the emotional narrative.
The film also explores the theme of letting go, as Woody faces the reality of moving on from being Bonnie's favorite toy. In a powerful climax that emphasizes the importance of choice and selflessness, audiences are reminded that love can sometimes mean making tough decisions.
While Toy Story 4 may not have the same groundbreaking impact as its predecessors, it beautifully serves as a continuation that honors the legacy of the franchise. It leaves us with profound reflections on what it means to find our place in the world and the relationships that shape us.
As the credits roll, we're reminded that although toys may not be real in the traditional sense, the emotions and connections they represent are genuinely impactful. Toy Story 4 is a thoughtful, heartwarming addition to the series that reaffirms the idea that every ending is, in fact, a new beginning. It stands as a testament to the enduring power of friendship and the ever-evolving journey of self-discovery.
The film begins with Woody grappling with his role in a world where his owner, Bonnie, is no longer a child who plays with him as much. This poignant shift raises questions about purpose and self-worth that are relatable to anyone who has experienced change in their life. When Bonnie creates a new toy named Forky, a spork that believes it's trash, Woody takes it upon himself to help Forky understand his value as a toy.
The heart of Toy Story 4 lies in its exploration of identity and belonging. Woody's journey of self-discovery is beautifully juxtaposed with Forky's comedic confusion and existential crisis. The humor is wonderfully balanced with deeper themes, making the film accessible for children while resonating with adult audiences.
In true Pixar fashion, Toy Story 4 shines with stunning animation and meticulous attention to detail. The visuals are breathtaking, from the vibrant carnival scenes to the serene backyard settings, immersing the audience in a richly created world. Each character is brought to life with distinct personalities, and the new characters, especially the loveable vintage doll Gabby Gabby, add depth to the emotional narrative.
The film also explores the theme of letting go, as Woody faces the reality of moving on from being Bonnie's favorite toy. In a powerful climax that emphasizes the importance of choice and selflessness, audiences are reminded that love can sometimes mean making tough decisions.
While Toy Story 4 may not have the same groundbreaking impact as its predecessors, it beautifully serves as a continuation that honors the legacy of the franchise. It leaves us with profound reflections on what it means to find our place in the world and the relationships that shape us.
As the credits roll, we're reminded that although toys may not be real in the traditional sense, the emotions and connections they represent are genuinely impactful. Toy Story 4 is a thoughtful, heartwarming addition to the series that reaffirms the idea that every ending is, in fact, a new beginning. It stands as a testament to the enduring power of friendship and the ever-evolving journey of self-discovery.
Toy story was special because of the bonding between the toys themselves and between them and Andy. Now that they are with Bonnie, you'd expect to get that same feeling. It did not develop. In contrast, she bonded with Forkie and the gang was an excessory.
Toy Story 4 was just shy of a monumental let down. Being of the generation who grew up watching the Toy Story films as they were being created, the first Toy Story movie was as much of a monument to my childhood as it was to Pixar itself, being their first animated feature film. The sequel was a good exploration of Woody's character background (and a nod to all the avid collectors out there) and the third was a beautiful tear jerker that saw our beloved toys both nearly destroyed and wonderfully saved by a new future with a new owner to love and treasure them just like we all do.
Toy Story 4 did NOT fit this beloved story arc much at all. To begin, the marketing for the film was clearly doing their best to scrounge up whatever bits they could from what was believed to be these new and hilarious characters that were now the focus of this final chapter (especially Sporky). Wrong! Sporky, Bunny, and Ducky were hilarious absolutely hilarious, but their shortcomings simply fall to poor writing (and no fault of the actors themselves, I am a big Key and Peele fan). Their minute roles made them out to simply be humorous extras who appear every now and then for a quick one-liner then promptly exit the scene until the next appointed moment of comic relief. What a waste of some great characters that could've potentially brought some fresh new perspectives to the table of what life is like for toys.
The separation of Bo Peep and Woody gave so much heartbreaking life to their simple romance from the previous films that her return was expected to be nothing less of a glorious and romantic reunion. Wrong! Instead Woody's feelings for her slowly fizzle as she chooses a life of strong independence over love. Strong women who can fend for themselves are certainly honorable and deserve great respect, but being in love with someone doesn't make them weak. In fact, love actually strengthens people more often than not. It was simply a shame to see a great love relationship be friend-zoned simply because Bo Peep jumped on the "I don't need no man!" train.
Take those things, throw in some of Buzz listening to his own pre-recorded toy playtime sayings as if they were his conscience, a lot more direct involvement between the living toys and the humans, the fact that 90% of the film takes place in literally two settings (a carnival and an antique store that they return to at least 4 times), and then add a unicorn infatuated with the idea of sending Molly's dad to jail just to top it all off.
Truly, the one good story in this movie is that of the new character Gabby Gabby. Gabby's character arc was indeed one to be enjoyed, from the outwardly evil appearance stemming from her genuinely selfish intent that leads you to believe she is the antagonist, to how her story suddenly takes not one but two unexpected turns and ends up reminding us once again how toys can make such an immense impact on the imagination, emotion, and comfort of children. It's a shame that such a moving chain of events was embodied within one minor character instead of the whole film.
Bottom line, if you're a big fan of the previous three movies and are expecting this to give you that same fun-loving and heartwarming feel, dont, this movie is not for you. The film is certainly entertaining, funny, and interesting, but it by no means feels like a Toy Story movie, and especially not the conclusion of it all. By the end of it, we see our once beloved characters choosing paths that just don't seem to fit who we know and love them to be. It would've been wise for Pixar to leave it at a beautiful trilogy that starts well, ends well, and leaves us feeling like we all miss the days of when our daytime hours were spent with toys and imagination. It's just very sad that such a feature film would come from the team that managed to make a hilarious Toy Story short film about a support group of rejected kids meal toys (It's on Disney Plus, called "Small Fry", check it out). Where was that clever creative genius? Unfortunately, Pixar's current creative team clearly ran out of ideas and decided to try and further milk a story that had already been finished, thus leaving the audience with the taste of old, sour milk in its mouth.
Toy Story 4 did NOT fit this beloved story arc much at all. To begin, the marketing for the film was clearly doing their best to scrounge up whatever bits they could from what was believed to be these new and hilarious characters that were now the focus of this final chapter (especially Sporky). Wrong! Sporky, Bunny, and Ducky were hilarious absolutely hilarious, but their shortcomings simply fall to poor writing (and no fault of the actors themselves, I am a big Key and Peele fan). Their minute roles made them out to simply be humorous extras who appear every now and then for a quick one-liner then promptly exit the scene until the next appointed moment of comic relief. What a waste of some great characters that could've potentially brought some fresh new perspectives to the table of what life is like for toys.
The separation of Bo Peep and Woody gave so much heartbreaking life to their simple romance from the previous films that her return was expected to be nothing less of a glorious and romantic reunion. Wrong! Instead Woody's feelings for her slowly fizzle as she chooses a life of strong independence over love. Strong women who can fend for themselves are certainly honorable and deserve great respect, but being in love with someone doesn't make them weak. In fact, love actually strengthens people more often than not. It was simply a shame to see a great love relationship be friend-zoned simply because Bo Peep jumped on the "I don't need no man!" train.
Take those things, throw in some of Buzz listening to his own pre-recorded toy playtime sayings as if they were his conscience, a lot more direct involvement between the living toys and the humans, the fact that 90% of the film takes place in literally two settings (a carnival and an antique store that they return to at least 4 times), and then add a unicorn infatuated with the idea of sending Molly's dad to jail just to top it all off.
Truly, the one good story in this movie is that of the new character Gabby Gabby. Gabby's character arc was indeed one to be enjoyed, from the outwardly evil appearance stemming from her genuinely selfish intent that leads you to believe she is the antagonist, to how her story suddenly takes not one but two unexpected turns and ends up reminding us once again how toys can make such an immense impact on the imagination, emotion, and comfort of children. It's a shame that such a moving chain of events was embodied within one minor character instead of the whole film.
Bottom line, if you're a big fan of the previous three movies and are expecting this to give you that same fun-loving and heartwarming feel, dont, this movie is not for you. The film is certainly entertaining, funny, and interesting, but it by no means feels like a Toy Story movie, and especially not the conclusion of it all. By the end of it, we see our once beloved characters choosing paths that just don't seem to fit who we know and love them to be. It would've been wise for Pixar to leave it at a beautiful trilogy that starts well, ends well, and leaves us feeling like we all miss the days of when our daytime hours were spent with toys and imagination. It's just very sad that such a feature film would come from the team that managed to make a hilarious Toy Story short film about a support group of rejected kids meal toys (It's on Disney Plus, called "Small Fry", check it out). Where was that clever creative genius? Unfortunately, Pixar's current creative team clearly ran out of ideas and decided to try and further milk a story that had already been finished, thus leaving the audience with the taste of old, sour milk in its mouth.
The movie is well put together but the feeling is just gone in my opinion 4 was simply one too many
And forky was a bad character in my opinion
And forky was a bad character in my opinion
Tom Hanks & Tim Allen Talk Their Animated Friendship
Tom Hanks & Tim Allen Talk Their Animated Friendship
Toy Story 4 stars Tom Hanks and Tim Allen explain the enduring appeal of Woody and Buzz's friendship and discuss their real-life bond that's developed since the franchise debuted.
¿Sabías que…?
- TriviaWhen Bo Peep gets taken away, the car driven by the new owner has the license plate RMRF97. it's a sort of meta-Toy Story 2 (1999) reference. It's an often repeated story that the second Toy Story film was nearly entirely lost when the main file was accidentally deleted from the main Pixar servers. This license plate references the computer command which nearly erased the movie. the Unix command "rm", with "rm -rf" standing for removing all files recursively in a given directory and without confirmation. Thankfully, a pregnant employee had a backup copy of the film on her home computer, which had to be gently driven to Pixar HQ in order to save the movie.
- ErroresAt the beginning, when Andy gives Woody to Bonnie, she reacts differently from when the same event was depicted in Toy Story 3 (2010).
- Citas
[after Buzz Lightyear and his friends leave Woody and Bo Peep]
Rex: Does this mean... Woody's a lost toy?
Buzz Lightyear: He's not lost. Not anymore. To infinity...
Woody: ...and beyond.
- Créditos curiososScenes over first part of credits further the story of Woody and Bo's new carnival gang followed by a scene showing what Bonnie made after her first day of first grade.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Why I Quit Mr. Coat (2018)
- Bandas sonorasI Can't Let You Throw Yourself Away
Written & Performed by Randy Newman
Produced by Mitchell Froom
Recorded and Mixed by David Boucher
Group Vocals Contracted & Conducted by Jasper Randall
Horn Arrangements by Dan Higgins
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Câu Chuyện Đồ Chơi 4
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 434,038,008
- Fin de semana de estreno en EE. UU. y Canadá
- USD 120,908,065
- 23 jun 2019
- Total a nivel mundial
- USD 1,073,841,394
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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