CALIFICACIÓN DE IMDb
7.4/10
30 k
TU CALIFICACIÓN
Un ex asesino que ha decidido no volver a matar nunca más ha puesto a prueba su voto.Un ex asesino que ha decidido no volver a matar nunca más ha puesto a prueba su voto.Un ex asesino que ha decidido no volver a matar nunca más ha puesto a prueba su voto.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
Takeru Satoh
- Kenshin Himura
- (as Satô Takeru)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Lets get this out of the way: Im no kenshin fanboy. I've read the manga and have watched the anime. That's it. So when I heard about a live action movie I thought 'Oh my god'. Uwe Boll-like crap induced horror scenarios crossed my mind. But what a pleasant surprise. They haven't cocked it up. In fact, they did a pretty damn good job of making the manga come to life.
STORY
The story is basically the first 2 arcs of the manga mixed up and slightly changed to fit into a 2 hour movie. It's pretty good. nothing too fancy but it works and doesn't bore.
EFFECTS & CHOREOGRAPHY
No. Bleeding. CG. Like, none. everything you see is done by real humans. thank god there are still directors who know their stuff. a rope helps here and there but nothing as stupid as Crouching Tiger, Hidden Dragon. there was but 1 instant in the entire movie where a move looked slightly 'unnatural'. You'll know what I mean when ya see it.
the fights are simply awesome. real swordfights and at speeds that make your eyes go 0_o. slick moves, smooth as silk with a great pace. and the occasional brawling, courtesy of Sanosuke. the action is top notch. some of the best, if not -the- best sword fight scenes I've ever seen.
ACTING
The characters are all portrayed as they should be. there is no crappy acting. Kanryu is slightly over-acting but I guess it kinda fits his character anyway. solid acting all over. some dayplayers in the background seem to have been given little instructions of what to do at times though, it seems. they sometimes look rather lost or keep repeating the same motions. but no matter. you wont notice unless you re nitpicking.
OVERALL
The entire movie has a slightly 'cartoonish' feel over it. the way people talk, the way they move. but it still all seems very natural and appealing. The music is very nice as well. no tunes from the anime, but some nice original scores that fit the bill.
all in all this movie is what so many game/anime-turned-movies should have been. It's well made, with good actors, good music and it doesn't bore you for a second. Word has it there will be a sequel. if it can rival the quality of this movie, Ill be back for part 2.
STORY
The story is basically the first 2 arcs of the manga mixed up and slightly changed to fit into a 2 hour movie. It's pretty good. nothing too fancy but it works and doesn't bore.
EFFECTS & CHOREOGRAPHY
No. Bleeding. CG. Like, none. everything you see is done by real humans. thank god there are still directors who know their stuff. a rope helps here and there but nothing as stupid as Crouching Tiger, Hidden Dragon. there was but 1 instant in the entire movie where a move looked slightly 'unnatural'. You'll know what I mean when ya see it.
the fights are simply awesome. real swordfights and at speeds that make your eyes go 0_o. slick moves, smooth as silk with a great pace. and the occasional brawling, courtesy of Sanosuke. the action is top notch. some of the best, if not -the- best sword fight scenes I've ever seen.
ACTING
The characters are all portrayed as they should be. there is no crappy acting. Kanryu is slightly over-acting but I guess it kinda fits his character anyway. solid acting all over. some dayplayers in the background seem to have been given little instructions of what to do at times though, it seems. they sometimes look rather lost or keep repeating the same motions. but no matter. you wont notice unless you re nitpicking.
OVERALL
The entire movie has a slightly 'cartoonish' feel over it. the way people talk, the way they move. but it still all seems very natural and appealing. The music is very nice as well. no tunes from the anime, but some nice original scores that fit the bill.
all in all this movie is what so many game/anime-turned-movies should have been. It's well made, with good actors, good music and it doesn't bore you for a second. Word has it there will be a sequel. if it can rival the quality of this movie, Ill be back for part 2.
First off - many of the reviewers thus far seem to be comparing this movie adaptation to "Samurai X" instead of its source material which is the manga. What they must realize is that "Samurai X" was an OVA created for western audiences done by people who had no connection with the manga or the original anime and thus was a departure from the original intent and feel of what the creator of the manga had in mind. He even disagreed with how "Samurai X" ended regarding the fate of Kaoru and Kenshin, so much so that he insisted on having the proper ending he envisioned for his own characters put into a collector's box edition of the original anime released in Japan. Even though it was gorgeously rendered, it was overly depressing and moody. Whether you want to believe it or not, Kenshin really wasn't that way. The whole point of his redemption was that, in spite of the pain of his past, he was still able to appreciate the simple joys in life and even laugh at things. The Kenshin in "Samurai X" was a somber, overly-wrought, super-tortured fellow who was awash with his own suffering. As a fan of RK, seeing him portrayed that way in "Samurai X" really broke my heart because a huge chunk of his personality went missing and all that was left was this emo dude. Onto the review:
PLOT/STORY: Understandably, this movie had a hard time trying to capture everything in the first volume of the manga in just over two hours. Because the manga was continuous, there was no way for the movie to be cut and dry in terms of villains and side characters. The director had to draw the line somewhere so the movie could have an ending. So, many fan favorite scenes were cut or changed in order to accommodate a more fluid movie. Time constraints didn't allow for a deep fleshing out of all the characters but, since this the first installment of other movies to come (it has been greenlit as a continuing series) I suspect that the audience is going to be exposed to that over time. I was taken aback at just how many things were changed (Sano's intro, Jin'e's concocted connection to Kanryu, Hanya's choice of weapons, the Oniwabanshu but no Aoshi?!) but I felt they did their best to stay true to the spirit of the story by trying to streamline events. There is even a flashback scene of Kenshin's past included in this movie but it gave you a hint (just a hint) of his tortured past and leaves you wondering.
ACTORS: The casting was very well done for this movie. Kenshin is supposed to be relatively diminutive and almost feminine in his looks and stature (the creator based him on an actual historical figure who could carry out assassinations in broad daylight, he was that good), which is why people always underestimated him in a fight or commented on his slight figure. He was a Jekyll and Hyde that way. He could go from unassuming, humble Rurouni to out-and-out killer who's eyes would change into a murderous gaze when the "hitokiri" side was provoked (straight outta the manga). You could say Kenshin can "hulk-out" lol. Sato, with his pretty looks and physicality, really did well in portraying the conflicted character of Kenshin. Emy was cute as a button, perhaps too cute, since Kaoru is supposed to be a bit more plain and a tomboy but it was satisfying to see her bickering with Yahiko. The kid playing Yahiko was spot-on with the brashness and stubborn pride. Sanosuke's portrayal was a little goofy. There is no allusion to what drives Sano into being a fighter for hire but read the manga for clarification and you will see why he and Kenshin create such a strong bond of friendship. In the movie, there was no time to do so, I guess and Sano's a lot tougher than he is portrayed. Megumi's actress did her justice, I think. Again, not too deep in fleshing out her past either but still, you can see her intelligence and intensity underneath her manipulations. Lastly, Saitou's actor was awesome. He captured the cold, brutal carriage of the Wolf of Mibu very well with his stoic face and the constant badgering of Kenshin. I will stop at the main characters or else this will be too long. All in all, the casting was superb.
MUSIC AND CINEMATOGRAPHY: The music ranges from fairly modern (techno beats with tribal vocals) to standard orchestral. I don't remember hearing any traditional Japanese instruments being played over scenes but I could be mistaken. Sometimes the music seemed to be out of place or over-used. For example, dramatic fight scenes seemed to bring out that techno song again and again). A part of me wishes they had somehow incorporated Kenshin's theme from the original anime series; just s simple wooden flute part or something as a nod since it's so recognizable. Otherwise it was fine. The look of the movie is fantastic. Whether it's a war-torn forest or just a village scene or a shot of Kaoru's dojo, it looks thick and substantial. I remember seeing shots of the creator of the manga (Nobuhiro Watsuki) on the set of the movie and watching over the set building. It gave me great comfort that he was there to see it through.
Overall, this is one of the best, if not THE best, live-action adaptations of a manga I've yet seen. For those of you who are going to see it, if you haven't read the manga yet it certainly isn't required in order to enjoy the movie but it was thoroughly more enjoyable to see these beloved characters come to life on screen. In any case, I am greatly looking forward to the next installment and will relish in trying to figure out what storyline is going to be featured next!!
PLOT/STORY: Understandably, this movie had a hard time trying to capture everything in the first volume of the manga in just over two hours. Because the manga was continuous, there was no way for the movie to be cut and dry in terms of villains and side characters. The director had to draw the line somewhere so the movie could have an ending. So, many fan favorite scenes were cut or changed in order to accommodate a more fluid movie. Time constraints didn't allow for a deep fleshing out of all the characters but, since this the first installment of other movies to come (it has been greenlit as a continuing series) I suspect that the audience is going to be exposed to that over time. I was taken aback at just how many things were changed (Sano's intro, Jin'e's concocted connection to Kanryu, Hanya's choice of weapons, the Oniwabanshu but no Aoshi?!) but I felt they did their best to stay true to the spirit of the story by trying to streamline events. There is even a flashback scene of Kenshin's past included in this movie but it gave you a hint (just a hint) of his tortured past and leaves you wondering.
ACTORS: The casting was very well done for this movie. Kenshin is supposed to be relatively diminutive and almost feminine in his looks and stature (the creator based him on an actual historical figure who could carry out assassinations in broad daylight, he was that good), which is why people always underestimated him in a fight or commented on his slight figure. He was a Jekyll and Hyde that way. He could go from unassuming, humble Rurouni to out-and-out killer who's eyes would change into a murderous gaze when the "hitokiri" side was provoked (straight outta the manga). You could say Kenshin can "hulk-out" lol. Sato, with his pretty looks and physicality, really did well in portraying the conflicted character of Kenshin. Emy was cute as a button, perhaps too cute, since Kaoru is supposed to be a bit more plain and a tomboy but it was satisfying to see her bickering with Yahiko. The kid playing Yahiko was spot-on with the brashness and stubborn pride. Sanosuke's portrayal was a little goofy. There is no allusion to what drives Sano into being a fighter for hire but read the manga for clarification and you will see why he and Kenshin create such a strong bond of friendship. In the movie, there was no time to do so, I guess and Sano's a lot tougher than he is portrayed. Megumi's actress did her justice, I think. Again, not too deep in fleshing out her past either but still, you can see her intelligence and intensity underneath her manipulations. Lastly, Saitou's actor was awesome. He captured the cold, brutal carriage of the Wolf of Mibu very well with his stoic face and the constant badgering of Kenshin. I will stop at the main characters or else this will be too long. All in all, the casting was superb.
MUSIC AND CINEMATOGRAPHY: The music ranges from fairly modern (techno beats with tribal vocals) to standard orchestral. I don't remember hearing any traditional Japanese instruments being played over scenes but I could be mistaken. Sometimes the music seemed to be out of place or over-used. For example, dramatic fight scenes seemed to bring out that techno song again and again). A part of me wishes they had somehow incorporated Kenshin's theme from the original anime series; just s simple wooden flute part or something as a nod since it's so recognizable. Otherwise it was fine. The look of the movie is fantastic. Whether it's a war-torn forest or just a village scene or a shot of Kaoru's dojo, it looks thick and substantial. I remember seeing shots of the creator of the manga (Nobuhiro Watsuki) on the set of the movie and watching over the set building. It gave me great comfort that he was there to see it through.
Overall, this is one of the best, if not THE best, live-action adaptations of a manga I've yet seen. For those of you who are going to see it, if you haven't read the manga yet it certainly isn't required in order to enjoy the movie but it was thoroughly more enjoyable to see these beloved characters come to life on screen. In any case, I am greatly looking forward to the next installment and will relish in trying to figure out what storyline is going to be featured next!!
When I was a teenager, I used to love watching the highly-popular anime series called Samurai X (an international title otherwise known as Rurouni Kenshin in its native Japan) back in the late 1990s. Now, over ten years later, writer-director Keishi Otomo finally brings RUROUNI KENSHIN to life. At first, I was doubtful whether a live-action adaptation from such a popular manga can live up to its high expectation since most like-minded movie like this always ends up as a rip-off. But thankfully, fans of the anime/manga series will be (mostly) satisfied the way this first live-action adaptation of RUROUNI KENSHIN has turned out admirably.
The movie opens briefly on a gritty battlefield in 1869 during the battle of Toba-Fushima, where a young samurai named Hitokiri Battosai (Takeru Sato) almost single-handedly defeated a score of enemies. He walks away from the battlefield as the Empire is finally declared victory and thus a new era has born.
Ten years later, Battosai becomes a wanderer and now calls himself as Himura Kenshin. He vows himself not to kill people anymore and even carries a reverse-edged sword. He arrives in a countryside of Japan and subsequently meets Kamiya Kaoru (Emi Takei), the owner of a fencing school used to run by her late father. After Kenshin manages to save her from getting killed by a fake Battosai named Jin-e (Koji Kikkawa) and also helps her to stop a group of thugs trying to take over her dojo, he moves in with her. Apart from them, Kaoru also has an orphaned boy named Myojin Yahiko (Taketo Tanaka) who happened to be her only student.
Meanwhile, Jin-e is actually a hired ex-samurai who works for a wealthy businessman named Kanryu Takeda (Teruyuki Kagawa). Takeda is also a notorious criminal who runs a huge opium operation. Megumi (Yu Aoi), who is being forced to make opium, manages to escape from his mansion and subsequently seeks shelter at Kaoru's dojo. Things get worse when a number of innocent people around the countryside are suffering from rat poison in the community wells, but luckily Megumi, who used to be a healer, manages to cure them with sufficient medication. She knows that this is the work of Takeda, and prompts her to return to his mansion so she can kills him. However, she fails to do so and ends up being a hostage. To save Megumi, Kenshin and his newfound friend, Sagara Sanosuke (Munetaka Aoki), who was a street brawler, make their way to Takeda's mansion and settle the matter once and for all.
Most of the cast are spot-on excellent. Takeru Sato is excellent as the titular character and he certainly looks the part fans have to use to see him in the anime series -- his trademark red-haired and long ponytail, curvaceous lips, wide eyes, his outfit and even the way he runs, jumps and draws his sword. Not only that, fans will also be delighted with Sato's signature delivery, "oro?" as well. As the street brawler Sagara Sanosuke, Munetaka Aoki carries that familiar rough-and-tumble attitude effectively, while Teruyuki Kagawa is gleefully over-the-top as the villainous Kanryu Takeda. The rest of the supporting cast are equally captivating -- ranging from Yu Aoi, Koji Kikkawa and even Taketo Tanaka. The only (slight) disappointment is Emi Takei as Kaoru. Her character is supposed to be a tomboy-ish type, but yet she is too pretty to pull off the part convincingly. Most of the time you'll see her more of a damsel-in-distress than a so-called tough vixen she meant to be.
RUROUNI KENSHIN is particularly noted for its impeccable technical values here. It is clear that Keishi Otomo has poured his heart to make this live-action adaptation as stunning as possible. The art direction and costume design are perfectly detailed, while Takuro Ishizaka's lush cinematography is right on target. The action sequence is also top-notch. The sword-fights choreography is fast and furious, yet it's well-staged with an adequate help of elegant slow-motion. The particularly final 30 minutes is downright entertaining -- Kenshin vs. Gein (Gou Ayano), the masked ex-samurai; Sanosuke vs. Banjin Inui (Genki Sudo) in a brutal fisticuffs; and of course the final sword-fight between Kenshin and Jin-e in a forest. Added to the excitement is Naoki Sato's energetic score which often gives the already well-choreographed action scenes a much-needed kinetic boost.
The movie has its flaw, though. Clocking at over two hours long, the story feels laborious at times, especially in the middle section. At the same time, the movie is a bit overlong as well. But such flaw is forgivable because RUROUNI KENSHIN manages to accomplish a rare feat for being a highly-satisfying, Japanese live-action adaptation I've ever seen so far.
The movie opens briefly on a gritty battlefield in 1869 during the battle of Toba-Fushima, where a young samurai named Hitokiri Battosai (Takeru Sato) almost single-handedly defeated a score of enemies. He walks away from the battlefield as the Empire is finally declared victory and thus a new era has born.
Ten years later, Battosai becomes a wanderer and now calls himself as Himura Kenshin. He vows himself not to kill people anymore and even carries a reverse-edged sword. He arrives in a countryside of Japan and subsequently meets Kamiya Kaoru (Emi Takei), the owner of a fencing school used to run by her late father. After Kenshin manages to save her from getting killed by a fake Battosai named Jin-e (Koji Kikkawa) and also helps her to stop a group of thugs trying to take over her dojo, he moves in with her. Apart from them, Kaoru also has an orphaned boy named Myojin Yahiko (Taketo Tanaka) who happened to be her only student.
Meanwhile, Jin-e is actually a hired ex-samurai who works for a wealthy businessman named Kanryu Takeda (Teruyuki Kagawa). Takeda is also a notorious criminal who runs a huge opium operation. Megumi (Yu Aoi), who is being forced to make opium, manages to escape from his mansion and subsequently seeks shelter at Kaoru's dojo. Things get worse when a number of innocent people around the countryside are suffering from rat poison in the community wells, but luckily Megumi, who used to be a healer, manages to cure them with sufficient medication. She knows that this is the work of Takeda, and prompts her to return to his mansion so she can kills him. However, she fails to do so and ends up being a hostage. To save Megumi, Kenshin and his newfound friend, Sagara Sanosuke (Munetaka Aoki), who was a street brawler, make their way to Takeda's mansion and settle the matter once and for all.
Most of the cast are spot-on excellent. Takeru Sato is excellent as the titular character and he certainly looks the part fans have to use to see him in the anime series -- his trademark red-haired and long ponytail, curvaceous lips, wide eyes, his outfit and even the way he runs, jumps and draws his sword. Not only that, fans will also be delighted with Sato's signature delivery, "oro?" as well. As the street brawler Sagara Sanosuke, Munetaka Aoki carries that familiar rough-and-tumble attitude effectively, while Teruyuki Kagawa is gleefully over-the-top as the villainous Kanryu Takeda. The rest of the supporting cast are equally captivating -- ranging from Yu Aoi, Koji Kikkawa and even Taketo Tanaka. The only (slight) disappointment is Emi Takei as Kaoru. Her character is supposed to be a tomboy-ish type, but yet she is too pretty to pull off the part convincingly. Most of the time you'll see her more of a damsel-in-distress than a so-called tough vixen she meant to be.
RUROUNI KENSHIN is particularly noted for its impeccable technical values here. It is clear that Keishi Otomo has poured his heart to make this live-action adaptation as stunning as possible. The art direction and costume design are perfectly detailed, while Takuro Ishizaka's lush cinematography is right on target. The action sequence is also top-notch. The sword-fights choreography is fast and furious, yet it's well-staged with an adequate help of elegant slow-motion. The particularly final 30 minutes is downright entertaining -- Kenshin vs. Gein (Gou Ayano), the masked ex-samurai; Sanosuke vs. Banjin Inui (Genki Sudo) in a brutal fisticuffs; and of course the final sword-fight between Kenshin and Jin-e in a forest. Added to the excitement is Naoki Sato's energetic score which often gives the already well-choreographed action scenes a much-needed kinetic boost.
The movie has its flaw, though. Clocking at over two hours long, the story feels laborious at times, especially in the middle section. At the same time, the movie is a bit overlong as well. But such flaw is forgivable because RUROUNI KENSHIN manages to accomplish a rare feat for being a highly-satisfying, Japanese live-action adaptation I've ever seen so far.
In 1868, after the end of the Bakumatsu war, the former assassin Kenshin Himura (Takeru Sato) promises to defend those who needs without killing and wanders through Japan with a sword with inverted blade during the transition of the samurai age to the New Age.
When Kenshin helps the idealistic Kaoru Kamiya (Emi Takei) from the gangsters of the powerful opium drug lord Kanryuu Takeda (Teruyuki Kagawa) that wants her school for his production of opium, Kaoru invites Kenshin to stay in the school. But the drug chemist Megumi Takani (Yû Aoi) escapes from Kanryuu and seeks shelter in the school. Meanwhile the killer Battosai is murdering police officers and leaving messages attached to their bodies. When the cruel Kanryuu poisons the population to get the school, and Kenshin and the street fighter Sanosuke Sagara (Munetaka Aoki) join forces to attack their common enemy.
"Rurôni Kenshin: Meiji kenkaku roman tan" is an excellent samurai movie with spectacular choreography of the fights and a good story. I have just learned that it is based on a manga and I really liked a lot. I saw this movie in the airplane and unfortunately my flight arrived and I did not see the conclusion of the story. The worst thing is that I will have to wait since this movie has not been released in my country yet. My vote is nine.
Title (Brazil): Not Available
Note: Fortunately Internet does exist and today (30 December 2012) I have just finished watching this awesome movie again, this time until the very end.
On 13 August 2016, I saw this film again on DVD.
When Kenshin helps the idealistic Kaoru Kamiya (Emi Takei) from the gangsters of the powerful opium drug lord Kanryuu Takeda (Teruyuki Kagawa) that wants her school for his production of opium, Kaoru invites Kenshin to stay in the school. But the drug chemist Megumi Takani (Yû Aoi) escapes from Kanryuu and seeks shelter in the school. Meanwhile the killer Battosai is murdering police officers and leaving messages attached to their bodies. When the cruel Kanryuu poisons the population to get the school, and Kenshin and the street fighter Sanosuke Sagara (Munetaka Aoki) join forces to attack their common enemy.
"Rurôni Kenshin: Meiji kenkaku roman tan" is an excellent samurai movie with spectacular choreography of the fights and a good story. I have just learned that it is based on a manga and I really liked a lot. I saw this movie in the airplane and unfortunately my flight arrived and I did not see the conclusion of the story. The worst thing is that I will have to wait since this movie has not been released in my country yet. My vote is nine.
Title (Brazil): Not Available
Note: Fortunately Internet does exist and today (30 December 2012) I have just finished watching this awesome movie again, this time until the very end.
On 13 August 2016, I saw this film again on DVD.
I have heard of "Samurai X" but I have not really read the manga or seen any of anime about this character named Himura Kenshin. This live action movie had come with very high recommendations or else I may have just given this a pass. I am glad I made time for this movie.
Himura Kenshin is an assassin of the highest skill during that transition between the Imperial/Samurai Age and the New Age adapting Western practices. After a particular assignment plants in him a massive guilt-trip, he decided to "disappear" and become a wanderer, using his fighting skills to defend the helpless WITHOUT KILLING.
In this story, Kenshin meets and helps a young lady named Kaoru, whose fencing school was vandalized. They then get entangled in the affairs of a notorious ruthless drug dealer Kanryu Tanaka, when his drug chemist Megumi escapes and seeks shelter in Kaoru's school. On top of all this, there is a mad killer on the loose with mad sword skills calling himself the Battosai, a title bestowed on Kenshin in his murderous past which he would rather disown.
With all of these stories and more that the movie tries to tell, the running time is about two hours. However you will not feel the time at all as you get enthralled by the fantastic look of the movie and its spectacular fighting scenes. Either with sword, bare hands or firearms, the fights were choreographed with excitement. The cinematography, color palette and visual effects were impeccably executed.
I did not know how the anime drawings of each character before I watched, so I could not comment on that. It is sort of odd looking that with lead actor Takeru Sato, a highly skilled sword fighter looks so androgynous. Afterwards we see that he really does look like that in the anime series. So did the cute Emi Takei (as the feisty Kaoru), Munetaka Aoki (as the rash and brash street fighter Sanosuke)or even Yosuke Eguchi, the samurai turned police chief Hajime Saito.
As someone who had no prior knowledge about Samurai X, I was completely taken by this very good-looking film, enough that I may even seek out the animated TV series. This is highly recommended for fans of historical fiction and Japanese culture. Catch it only in SM Cinemas, as this is being locally shown exclusively there.
Himura Kenshin is an assassin of the highest skill during that transition between the Imperial/Samurai Age and the New Age adapting Western practices. After a particular assignment plants in him a massive guilt-trip, he decided to "disappear" and become a wanderer, using his fighting skills to defend the helpless WITHOUT KILLING.
In this story, Kenshin meets and helps a young lady named Kaoru, whose fencing school was vandalized. They then get entangled in the affairs of a notorious ruthless drug dealer Kanryu Tanaka, when his drug chemist Megumi escapes and seeks shelter in Kaoru's school. On top of all this, there is a mad killer on the loose with mad sword skills calling himself the Battosai, a title bestowed on Kenshin in his murderous past which he would rather disown.
With all of these stories and more that the movie tries to tell, the running time is about two hours. However you will not feel the time at all as you get enthralled by the fantastic look of the movie and its spectacular fighting scenes. Either with sword, bare hands or firearms, the fights were choreographed with excitement. The cinematography, color palette and visual effects were impeccably executed.
I did not know how the anime drawings of each character before I watched, so I could not comment on that. It is sort of odd looking that with lead actor Takeru Sato, a highly skilled sword fighter looks so androgynous. Afterwards we see that he really does look like that in the anime series. So did the cute Emi Takei (as the feisty Kaoru), Munetaka Aoki (as the rash and brash street fighter Sanosuke)or even Yosuke Eguchi, the samurai turned police chief Hajime Saito.
As someone who had no prior knowledge about Samurai X, I was completely taken by this very good-looking film, enough that I may even seek out the animated TV series. This is highly recommended for fans of historical fiction and Japanese culture. Catch it only in SM Cinemas, as this is being locally shown exclusively there.
¿Sabías que…?
- TriviaThough Gein, the masked henchman of Kanryu, is based off the character of the same name from the manga, he has much more in common with Han'nya from the manga. Gein is heavily scarred and works as Kanryu's messenger, like Han'nya, while his outfit, personality, and wire-work is more inline with Gein from the manga. His mask is a combination of both Gein and Han'nya's masks. Neither of them use guns or a wakizashi in the manga, however.
- ErroresDuring Saito's final conversation with Kenshin on the steps, one can see clearly that the policemen's cigarette has a filter. Cigarettes with filter tips were not invented until the 1950s.
- Citas
Kenshin Himura: [to Kanryu] you know what money can't buy? What you're begging for right now: your life.
- ConexionesFollowed by Samurai X - El Infierno de Kyoto (2014)
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- How long is Rurouni Kenshin Part I: Origins?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Rurouni Kenshin Part I: Origins
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 32,445
- Total a nivel mundial
- USD 37,687,024
- Tiempo de ejecución2 horas 14 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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