Ha-shoter

The thankless job of the Policeman. Dealing with the multiple types of terrorists in the world. Here, kids who hate the fathers and let their anti-authoritarian views lead them to tragic violence. Good showing of selfish and deranged view of leftist revolutionaries.

First at all, I can't believe that so many people gave this movie so high score. Some good actors,like Menashe Noy or Mushonov Junior, but many bad interpretations. The Police main role its not credible.

This movie is a waste of time. The direction is terrible; no direction. No clear message, confuse and that don't reflect the reality of Israel. The figures are not representatives and the script seems that was written by a teenager that wanna be a writer; common places, disconnection of the situations and no poetry at all. Don't find nor an aesthetic line.

After watching the very good film "footnotes", this movie is a deception.

Simply: a movie that did not make any sense. Poorly written.

What does it mean to live in modern Israel? When you are raised in a country full of violence, conflicted and still fighting, how does it affect you? Main character is a policeman from anti-terroristic unit of Jerusalem Force. His wife can get birth to their daughter any minute now, his friend's fighting with cancer and he's been under investigation for wounding and killing four civilians during the hunt after no.2 terrorist from Most Wanted List. But in this critical situations he stays calm and firm, because that is exactly what he, the fighter and warrior, should be in times of crisis. Young revolutionists, naive and romantic, with mouths full of cries for social justice, and with XIXth century vision of society, are standing in the opposite corner of this story. They're Israeli bourgeois, raised in middle or upper class, from good schools and universities. Intellectuals lost in reality, dreaming of beautiful utopias, with admiration towards violence. Especially young poet, Shira - delicate blond girl with such incredible hunger for reasons and taking actions. She talks in slogans and poems - e.g. to a young, beautiful bride, daughter of true capitalist: "You are not a woman, but a bride. You have no face- you've got make up. You have no breasts, but perfectly fitted bra. You have no body - you have this dress. And this dress is exactly in the size of your personality."

Violence is the key to understand this film - it is everywhere, even in greetings between policemen or in kisses from Shira. It is in almost every word coming from characters' lips. We are watching Shira with a gun that is almost as big as her forearm and Yoran carrying a baby right after a cruel wrestling with his friends. Even when he's carrying his pregnant wife upstairs to his mother's place. But when those two characters meet, suddenly something will blow, some walls will crush and there will be an understanding. Maybe it will not be conscious, but a change is coming.

My wife and I are Americans who are very keen on Israeli movies and tv series. You might even accuse us of having a positive bias. We watched with subtitles, so please consider. This one was a dog. It consisted of two essentially parallel or even separate stories that came together only at the end, and mechanically at that. The film was compromised by loose ends, cliches, very weak writing and weak dialogue. Of all the characters/actors, one was interesting, but not likeable. A minor plus - you will get to see actors who later had larger, better roles in Shtisel and Fauda. But you'd better not blink for one of them!