Amor, Mentiras Y Sangre

The acting is really good. The chemistry between Kristen and Katy (beefy chick) felt very natural. Say what you will about Kristen in the Twilight movies, but she's got some serious acting chops. She did a banger job in this movie. Ed Harris's hair is crazy evil and his performance is up there with Kristen's. Dave Franco was funny, but I also hated his character. The movie has some unexpected dark humor at times, which was surprising given its dark and gritty look. There's some good use of sound design, there's a lot of squishy noises throughout the movie. The soundtrack is solid as well. The movie's got its own distinct style. Cinematography was pretty impressive. They made some really nice creative decisions with certain shots and the way they filmed certain scenes.

This movie is equal parts intense, violent, unsettling and funny at times. I don't know what it is about A24 but they always seem to do weird things in the movies they release. Overall, the movie was fine with the exception of two moments where it turned really weird and of course both of those moments could be seen as metaphorical. This movie takes a downward spiral where things get pretty dark and out of control. In essence, this movie is about love, obsession, addiction, past trauma, toxic relationships and extremely flawed characters. Unfortunately there's not a single character with a redeeming quality by the end of the movie that you can cheer for or relate to, and this makes it hard to truly get invested in. The beginning part of the movie was the best. But once things start to spiral out of control, it becomes unsettling, intense and not the most pleasant of rides. Although I was glued to the screen while watching and it was entertaining, I don't think I'd watch this one again. I can recommend it though.

Sadly the film isn't as amazing as I hoped it would be.

The two main characters have great chemistry and the style of the movie is pretty cool but the script is kinda lame. I don't mind a simple story but in this case it felt like there was missed potential somehow. I really expected to love this movie but even though it had some very nice moments and the direction was superb, it was a bit of a letdown.

I feel like there was nothing I could take away from the story - nothing I learned...

And at the same time, even though the style is cool, this type of look and music for a film of this genre is pretty standard these days when it comes to independent films. It's the old "Drive" Nicolas Winding Refn thing from the perspective of a female director. I feel like this type of movie is starting to get a bit old maybe.

This is definitely not a must-see, but you will probably have a good time in the cinema if you are into the trailer.

Love Lies Bleeding tells the story of Lou(Kristen Stewart), who works in a gym. Lou falls in love with Jackie(Katy O'Brian), an aspiring bodybuilder who is passing through town, before competing in a bodybuilding competition in Las Vegas.

Love Lies Bleeding is a good film. Director Rose Glass has given us a movie that is unique, gripping, has plenty of shock value & keeps the audience on the edge of their seats, throughout. However, one major flaw is that it tries to mix too many genres & themes. The ending of the film is quite bad & is unintentionally funny, too. The performances are the highlight of the movie. Kristen Stewart is spectacular as Lou. Katy O'Brian is awe-inspiring as Jackie. Stewart & O'Brian share electrifying chemistry, in all their scenes together. Anna Baryshnikov is outstanding as Daisy. Dave Franco is unforgettable as JJ. Jenna Malone is brilliant as Beth. Ed Harris is outstanding as Lou Sr. The supporting cast is excellent. Love Lies Bleeding is worth a watch if you want to watch an original story. Just be prepared for a rollercoaster of a ride!

'Love Lies Bleeding (2024)' is a sweaty, grimy, bloody romantic crime thriller about a disillusioned woman who falls in love with a bodybuilding hitchhiker whose steroid-infused rage soon lands both of them in big trouble. It unashamedly - proudly, even - takes the often explicitly cishet, masculine revenge/crime-gone-wrong genre and tells it from a distinctly LGBT+, feminine angle that doesn't feel exploitative despite its graphic nature. It also doesn't box itself in with that 'feminine' label, allowing its female characters to exist with all the complexities and imperfections usually afforded to their male counterparts. It's refreshing to see a story like this be told from a creative team of primarily women, and director Rose Glass continues to impress with her sophomore feature. Filled with palpable texture and peppered with moments of stark surrealism, the feature typically avoids convention despite telling a fairly conventional tale. It's the kind of film you can almost smell, a dirty and down-to-earth representation of small-town America that's the opposite of 'Hollywood' (whatever that term is typically associated with). Its moments of shocking violence punctuate the interpersonal drama at its core and inherently raise its stakes. Kristen Stewart is really good a Lou, with a non-showy performance that feels tactile and real. She's able to hide a real darkness just beneath her shy yet brash exterior, and her initially meek interactions with Katy O'Brian believably bubble into the full-blown immersion associated with head-over-heels love. O'Brian turns in similarly impressive work, portraying a dangerous but vulnerable person whose inner life is layered and messy and likely not all that much more stable prior to her experiments with steroids. She's so ripped she could easily play She-Hulk without the aid of CGI (which, incidentally, I'd love to see), but it isn't her stunning physique that leaves the strongest impression and that's no easy feat. The supporting cast do a good job at making the world feel palpable, with Ed Harris' hair extensions always threatening to outact everyone they share a frame with (Harris himself is good too, of course) and Dave Franco channeling his brother to convincingly play a real creep (and somehow garner a hint of sympathy with a single word in his most memorable scene). Although it's not always as exciting or intense as I'd like, the piece has a strong atmosphere throughout and its world really does feel tangible. Its complex characters constantly reveal darker and darker aspects of themselves, all while its heroes fall deeper and deeper into an all consuming romance that might just doom them both. Its infrequent violence is as shocking as it is affecting, and its confident surrealism gives it a slightly ambiguous air that adds to its overall effect. It's a strong example of female and LGBT+ representation, too. It's not as good as Glass' previous picture, 'Saint Maude (2019)', but it's a really solid follow-up that's effective pretty much across the board.

Rose Glass, the visionary director behind Saint Maud, throws another punch with Love Lies Bleeding, a neo-noir crime thriller that's both stylish and unsettling. Lou, a cautious gym manager, has her world turned upside down when she develops feelings for Jackie, a dedicated bodybuilder in Las Vegas training for a competition (Katie O'Brian). Sparks fly, but their budding romance gets entangled with Lou's dark family secrets, propelling them down a violent path.

Love Lies Bleeding isn't afraid to push boundaries. It evokes memories of classic thrillers like Body Double, with its neon-drenched aesthetic and underlying themes of obsession and desire. However, Glass injects a contemporary dose of female empowerment, subverting the stereotypical femme fatale trope. Jackie isn't just a damsel in distress; she's a complex character with her own agency, which adds a layer of intrigue to the narrative.

The film's greatest strength lies in its central performances. Stewart delivers a raw and intense portrayal of Lou, a woman yearning for connection but burdened by her past. O'Brian matches her intensity, embodying the steely determination and vulnerability of Jackie with remarkable nuance. Their chemistry is undeniable, making us invested in their tumultuous relationship, even as things spiral out of control.

While the plot takes some wild turns, it's the film's thematic exploration that lingers. Glass dissects the destructive nature of desire, and the lengths people go to in the name of love-or perhaps, obsession. The violence, though brutal, feels purposeful, serving as a metaphor for the emotional turmoil the characters endure.

Admittedly, the pacing can be uneven at times. The first act establishes the characters and their connection beautifully, but the middle section drags a bit as the focus shifts towards the criminal underbelly. However, the film regains its momentum in the final act, culminating in a climax that's both shocking and strangely cathartic.

Technically, Love Lies Bleeding is a knockout. The cinematography is sharp, using bold colours and contrasting lighting to create a visually arresting world. The pounding score complements the film's intensity, while the editing keeps the narrative taut without sacrificing character development.

Love Lies Bleeding isn't for the faint of heart. It's a film that revels in its own darkness, challenging us with its graphic violence and unconventional love story. But for those seeking a neo-noir experience that's both thrilling and thought-provoking, this is a film that will stay with you long after the credits roll.

Love Lies Bleeding is a film with flaws, but its bold direction, phenomenal performances, and exploration of complex themes make it a worthwhile watch, especially for fans of unconventional thrillers. Just be prepared for a wild ride.