The Turkish Detective

Having failed to settle in The Met, Detective Mehmet Suleyman heads to Turkey, waiting for him, his new boss, inspector Ikmen, and his partner Ayse.

The last time I felt the same way about a series, probably Vienna Blood, it's that same kind of quirky, energetic and intriguing drama, that's just a little left field.

I loved it, I loved the first story, I struggled a little with the second, but the third was great, the fourth was even better, it's a terrific series finale.

Ikmen is the most wonderful Detective, he reminds me a little of Baptiste, that same sort of give. Ikmen is funny, hard working, tough but fair.

Wonderful location work, Turkey looks phenomenal, and as you'd expect you get to see some of the many cats that live wild.

I only hope it returns for a second series, there's plenty of mileage left in this one.

9/10.

"The Turkish Detective" (2023) is a gripping series that not only delves into intriguing mysteries but also offers a vivid portrayal of Istanbul. With its well-chosen cast and impressive visuals, the series stands out in its genre.

Without giving too much away, the story revolves around Mehmet (Ethan Kai), a detective transferred from the UK, who navigates the complex and often challenging landscape of crime in Istanbul. The series does an excellent job of intertwining the city's unique cultural aspects with its crime-solving narrative.

The acting in "The Turkish Detective" is commendable, with each character bringing depth and authenticity to their roles. The visual storytelling is another high point, capturing the essence of Istanbul beautifully. The soundtrack, carefully selected, enhances the overall mood and tone of the series, complementing the storyline perfectly.

A memorable moment is when the Detective Ikmen (Haluk Bilginer) says, "Welcome to Istanbul," effectively summarizing the intricate workings of Turkey's system and setting the stage for the narrative.

While I overall enjoyed the series, there was a notable concern regarding the language used. In scenes involving Mehmet, almost every character speaks fluent English, which seems unrealistic and detracts from the authenticity of the setting. This aspect could be improved to maintain the series' realistic vibe.

Despite this, the portrayal of Istanbul, with its stunning views and cultural depth, is exceptionally well done. It adds a layer of authenticity and charm to the series.

"The Turkish Detective" is fun for those who enjoy crime dramas with a strong sense of place and culture. The series requires a bit of patience, so I recommend giving it a chance for a couple of episodes. The journey through Istanbul's mysteries is well worth it.

I stumbled on this new show on BBC iPlayer having heard nothing about it whatsoever.

It's well written, has good pacing and the first episode (despite a few issues) has given me enough to continue further into the series.

I'm enjoying the character of (the older) old school Turkish detective Cetin Ikmen. He is very competent and knows his patch and culture well in an almost Gene Hunt kind of amplified way and yet I still like him as a person. In parts he's a bit too good - some of his deductions and hunches are too accurate to be credible in my opinion

Towards the second half of the episode 1 I felt Cetin was almost making Sherlock Holmes level deduction's but in the style of Peter Faulk in Columbo and this extended itself to the way in which he behaved and questioned suspects in their world away from the Police Station.

However these generalisations and narratives may be a diversion away from the truth or a deliberate ploy to stop the viewer from seeing something else or whatever we miss that is hidden in plain sight.

I think it's beautifully filmed and I hope my faith in this show is rewarded as the series goes on.

I really don't understand the great reviews for this series which revolves around a young detective from the UK obviously of Turkish origins - name is Mehmet and looks Turkish (no racism just observation) being paired with a retirement age detective in Istanbul.

It is clichéd and although the lead character Çetin Ikmanhas a certain rough scruffy charm and is likeable and I like his approach and understanding of people, his sidekick Mehmet is wooden and not convincing at all, likewise the female detective seems a token addition. It lacks credibility, and as a frequent visitor to Istanbul and Turkey some of it makes me cringe. I don't mind the mixing of Turkish and English language. The plots are weak but they are based on a novel so perhaps the novel is not good. I am critical because I love the genre of detective crime mysteries and thrillers so I hold this up against the many superb ones I have watched. I am only up to episode 4 so I will continue to finish the series and maybe my opinion will change. It is watchable but as light entertainment. I don't understand the comment about Arabic by another reviewer, I have heard very few Arabic words, Turkish and English are mainly spoken and likewise the subtitles.

Surprised at some of the negative reviews, but this should change as this wonderful production progresses I'm sure. I love a crime mystery with twists and turns, especially one with a great sense of place and this has that in spades. But not only do you get a sense of this beautiful, ancient, complex city, but right from the beginning we are beguiled by the subtleties of culture and how the police, led cleverly by Haluk Bilginer's character, Cetin Ikmen have to navigate that for best result. Just enough humour, just enough pathos, and Ikmen's character gives us back our faith in human nature and understanding. Young protagonist Mehmet, used only to 'the British way' in London realises quickly he's going to have to adapt. Ikmen is quick to realise this may take time and so keeps him at distance for interviewing local suspects, but lets him rip at crime scenes - Ikmen recognises his strengths and how to use that. Interesting ongoing sub-plot with Mehmet's ex-girlfriend/reporter who has been devastatingly affected by a suspicious hit and run and Mehmet's need to investigate the reasons. Of course this is all conducted in English with aside, subtitled conversations in local dialect, because this is made to introduce westerners to Istanbul and its people in way that's easier for them, but this was made by a Turkish production company financed by Paramount and so that was their decision for wider distribution I guess. I'd guess the Turkish authorities will be happy that lots of westerners like me will be avidly waiting for the next episode and dreaming of visiting this amazing place, its great for tourism no doubt. Crime/murder mystery fans like me always wait for something a bit different, perhaps an authentic-feeling touch of the exotic and this is it. Congratulations to Ay Yapim on a fantastic quality production, hopefully we'll be seeing more.