Adele y su hijo Henry montan en su coche a un hombre herido y temible. Mientras la policía busca en la ciudad al convicto fugitivo, la madre y el hijo gradualmente descubren a quien verdader... Leer todoAdele y su hijo Henry montan en su coche a un hombre herido y temible. Mientras la policía busca en la ciudad al convicto fugitivo, la madre y el hijo gradualmente descubren a quien verdaderamente han subido al auto.Adele y su hijo Henry montan en su coche a un hombre herido y temible. Mientras la policía busca en la ciudad al convicto fugitivo, la madre y el hijo gradualmente descubren a quien verdaderamente han subido al auto.
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- 6 nominaciones en total
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Opiniones destacadas
This word say nothing. Because the beauty of this film is bitter and hard and melancholic and high delicate. The life of a single mother and her son is changed in profound sense by the presence of a stranger. A love story. And more. A story about chance and a sort of profound America, so familiar to not Americans, a sort of peach pie in the veil of cinnamon. And magnificent performances. Not surprising but a precious gift.
The story was good and I felt myself
like watching one of 80i movies, Kate Winslet performance was extraordinary you don't even feel she is acting she is living her role and being so nature in that.
I attended the premiere of Labor Day at the Toronto International Film Festival. Most people walked in expecting a Juno/Up in the Air style comedy and if that's what you expect you'll be mildly surprised. The film is darker that Reitman's usual works though you still recognize the director's touch.
The movie tells the story of Adele (Kate Winslet), a woman who slowly shut herself off from the world, relying heavily on her young son Henry (Gattlin Griffith), whose father abandoned them to another wife and other children. Enters a menacing escaped convict (Josh Brolin) who finds refuge with Adele and her son as he tries to remain hidden from the police.
The summary will have you believe that 'the mother and son gradually learn his true story as their options become increasingly limited.' or that the family realizes they're now prisoners in their own home which makes it sound like the movie is going to be some sort of Panic Room 2 but the story is nothing like that. As Adele and her son get to know the prisoner, they both find the family they've been longing for.
It's a beautiful story despite being somewhat implausible but I found what mattered wasn't the story we see, so much as witnessing the characters finally having a shot at happiness and how the remainder of their days is shaped by this weekend they spent together. This film isn't driven by dialogue as much as Reitman's other films were. The director has said in interviews that he found it challenging to do a movie where there was little dialogue (he actually said without music or dialogue and I walked in half expecting to see a silent film.) He worked around it by having Tobey Maguire narrate the film as an older Henry. The narration works though I think the film could have done without it as well. Don't let the whole 'silent' thing keep you from seeing this film, I found there was enough dialogue, and there is music as well though unlike Juno it doesn't play as a whole hipster soundtrack.
The movie is more subtle yet more raw, slower than his usual films and it lets the actors take us through every emotion. Kate Winslet is a terrific actress and she gave a beautiful performance as Adele, very convincingly portraying a woman who's given up on living. Josh Brolin was great as well, giving us both a tough convict and a soft hearted man at times. Gattlin Griffith was great at a kid who grew up faster than he should. I'm always very iffy when it comes to child actors but he pulled it off very well.
In conclusion, Labor Day is a different, more adult and more mature film from Jason Reitman. It's a nice transitions from his previous comedies and goes a bit deeper than his other films, bringing tension, tears and some laughs. Whether you're already a Reitman fan or not, I recommend this film, you'll be pleasantly surprised.
The movie tells the story of Adele (Kate Winslet), a woman who slowly shut herself off from the world, relying heavily on her young son Henry (Gattlin Griffith), whose father abandoned them to another wife and other children. Enters a menacing escaped convict (Josh Brolin) who finds refuge with Adele and her son as he tries to remain hidden from the police.
The summary will have you believe that 'the mother and son gradually learn his true story as their options become increasingly limited.' or that the family realizes they're now prisoners in their own home which makes it sound like the movie is going to be some sort of Panic Room 2 but the story is nothing like that. As Adele and her son get to know the prisoner, they both find the family they've been longing for.
It's a beautiful story despite being somewhat implausible but I found what mattered wasn't the story we see, so much as witnessing the characters finally having a shot at happiness and how the remainder of their days is shaped by this weekend they spent together. This film isn't driven by dialogue as much as Reitman's other films were. The director has said in interviews that he found it challenging to do a movie where there was little dialogue (he actually said without music or dialogue and I walked in half expecting to see a silent film.) He worked around it by having Tobey Maguire narrate the film as an older Henry. The narration works though I think the film could have done without it as well. Don't let the whole 'silent' thing keep you from seeing this film, I found there was enough dialogue, and there is music as well though unlike Juno it doesn't play as a whole hipster soundtrack.
The movie is more subtle yet more raw, slower than his usual films and it lets the actors take us through every emotion. Kate Winslet is a terrific actress and she gave a beautiful performance as Adele, very convincingly portraying a woman who's given up on living. Josh Brolin was great as well, giving us both a tough convict and a soft hearted man at times. Gattlin Griffith was great at a kid who grew up faster than he should. I'm always very iffy when it comes to child actors but he pulled it off very well.
In conclusion, Labor Day is a different, more adult and more mature film from Jason Reitman. It's a nice transitions from his previous comedies and goes a bit deeper than his other films, bringing tension, tears and some laughs. Whether you're already a Reitman fan or not, I recommend this film, you'll be pleasantly surprised.
"I'm a lot stronger than you think." "I don't doubt that." Adele and Frank.
Director Jason Reitman is no stranger to unusual family stories (Juno) or character drama (Up in the Air), so his enjoyable Labor Day is a bit of both without the humor. Because this is January, a dead-zone time for releases, it's even more impressive as an audience-pleasing drama about an escaped convict Frank (Josh Brolin) and a mother he kidnaps, Adele (Kate Winslet), along with her 7th grade son, Henry (Gattlin Griffith).
Let's get the formula out now: she falls in love with her captor and the son willingly learns about life and baseball. The real life, however, is hounding them as the law closes in on their 5 days of "family" bliss. However, the authorities are too slow to stop the best family pie making scene ever, domestic stuff just one of charming murderer Frank's gifts and a Reitman specialty.
Recently Mud is similarly about the coming of age and criminal motif and Revolutionary Road with Winslet about a disintegrating family. Yet Reitman and novelist Joyce Maynard have crafted a story that slowly makes believable the growing love between captive and captor, a relationship helped by the classy acting chops of Winslet and Brolin. Although everyone knows helping an escaped criminal leads to serious jail time, this case actually cuts Adele a great deal of slack in the guilty category. As Reitman slowly reveals their mutually grim backgrounds, we are aware that her needs for the touch of a lover are so acute that even this gamble could be worth the risk.
Although Labor Day comes close to Nicholas Sparks' sentimental claptrap, Reitman preserves everyone's dignity, lets love grow, and ushers a kid into a complicated world of love and danger—a labor of love, so to speak, on the film's titular weekend, typically American and hard work: "I sensed my inadequacy," says the adult Henry in voice over. In matters of the heart, we're all inadequate and need films like Labor Day to help us move on.
Director Jason Reitman is no stranger to unusual family stories (Juno) or character drama (Up in the Air), so his enjoyable Labor Day is a bit of both without the humor. Because this is January, a dead-zone time for releases, it's even more impressive as an audience-pleasing drama about an escaped convict Frank (Josh Brolin) and a mother he kidnaps, Adele (Kate Winslet), along with her 7th grade son, Henry (Gattlin Griffith).
Let's get the formula out now: she falls in love with her captor and the son willingly learns about life and baseball. The real life, however, is hounding them as the law closes in on their 5 days of "family" bliss. However, the authorities are too slow to stop the best family pie making scene ever, domestic stuff just one of charming murderer Frank's gifts and a Reitman specialty.
Recently Mud is similarly about the coming of age and criminal motif and Revolutionary Road with Winslet about a disintegrating family. Yet Reitman and novelist Joyce Maynard have crafted a story that slowly makes believable the growing love between captive and captor, a relationship helped by the classy acting chops of Winslet and Brolin. Although everyone knows helping an escaped criminal leads to serious jail time, this case actually cuts Adele a great deal of slack in the guilty category. As Reitman slowly reveals their mutually grim backgrounds, we are aware that her needs for the touch of a lover are so acute that even this gamble could be worth the risk.
Although Labor Day comes close to Nicholas Sparks' sentimental claptrap, Reitman preserves everyone's dignity, lets love grow, and ushers a kid into a complicated world of love and danger—a labor of love, so to speak, on the film's titular weekend, typically American and hard work: "I sensed my inadequacy," says the adult Henry in voice over. In matters of the heart, we're all inadequate and need films like Labor Day to help us move on.
If you're interested in a good adult romantic drama, look no further than the movie "Labor Day."
Superior acting by Kate Winslet, Josh Brolin and young Gattlin Griffith, this is a story with multi- layered depth and haunting flashbacks through dreams ... some viewers might become impatient as the various dream scenes flicker across the movie screen. Just wait, it's all done with amazing dramatic effect, and when the dream scape finally reveals itself, you'll be impressed with the final story.
More importantly, "Labor Day" displays the under utilized message of the impact of relationships, even though the positive results are revealed many years later.
The soundtrack is unusual and haunting, providing a surreal effect on the entire production.
Superior acting by Kate Winslet, Josh Brolin and young Gattlin Griffith, this is a story with multi- layered depth and haunting flashbacks through dreams ... some viewers might become impatient as the various dream scenes flicker across the movie screen. Just wait, it's all done with amazing dramatic effect, and when the dream scape finally reveals itself, you'll be impressed with the final story.
More importantly, "Labor Day" displays the under utilized message of the impact of relationships, even though the positive results are revealed many years later.
The soundtrack is unusual and haunting, providing a surreal effect on the entire production.
¿Sabías que…?
- TriviaKate Winslet and Josh Brolin agreed to do the movie, but Jason Reitman and Brolin had to wait for Winslet for over a year to begin shooting.
- ErroresThe Panasonic VHS VCR on the top of the TV did not exist in 1987 - it has a center deck style that was common in the late 1990s (e.g. it looks similar to Panasonic's PV-V4020 model that was made in 1999). VCRs of the time had a deck on the left-hand side and display on the right.
- Créditos curiososThe copyright statement at the end of the credits reads, in all caps: "Frank's Pie Company Is The Author Of This Film (Motion Picture) For The Purpose Of Copyright And Other Laws."
- ConexionesFeatured in Film '72: Episode dated 30 January 2014 (2014)
- Bandas sonorasI'm Going Home
Written by Arlo Guthrie
Performed by Arlo Guthrie
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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Detalles
Taquilla
- Presupuesto
- USD 18,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 13,371,528
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,175,282
- 2 feb 2014
- Total a nivel mundial
- USD 20,275,812
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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