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En la casa

Título original: Dans la maison
  • 2012
  • B15
  • 1h 45min
CALIFICACIÓN DE IMDb
7.3/10
35 k
TU CALIFICACIÓN
POPULARIDAD
4,907
1,227
Fabrice Luchini in En la casa (2012)
A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher. Faced with this gifted and unusual pupil, the teacher rediscovers his enthusiasm for his work, but the boy's intrusion will unleash a series of uncontrollable events.
Reproducir trailer2:20
1 video
66 fotos
DramaMysteryThriller

Un profesor de francés de secundaria se ve atraído por la historia cada vez más transgresora de un estudiante precoz, y su relación con la familia de un amigo.Un profesor de francés de secundaria se ve atraído por la historia cada vez más transgresora de un estudiante precoz, y su relación con la familia de un amigo.Un profesor de francés de secundaria se ve atraído por la historia cada vez más transgresora de un estudiante precoz, y su relación con la familia de un amigo.

  • Dirección
    • François Ozon
  • Guionistas
    • Juan Mayorga
    • François Ozon
  • Elenco
    • Fabrice Luchini
    • Vincent Schmitt
    • Ernst Umhauer
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    35 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,907
    1,227
    • Dirección
      • François Ozon
    • Guionistas
      • Juan Mayorga
      • François Ozon
    • Elenco
      • Fabrice Luchini
      • Vincent Schmitt
      • Ernst Umhauer
    • 58Opiniones de los usuarios
    • 206Opiniones de los críticos
    • 72Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 10 premios ganados y 23 nominaciones en total

    Videos1

    Theatrical Version
    Trailer 2:20
    Theatrical Version

    Fotos66

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    Elenco principal40

    Editar
    Fabrice Luchini
    Fabrice Luchini
    • Germain Germain
    Vincent Schmitt
    • Bernard - le prof de maths
    Ernst Umhauer
    • Claude Garcia
    Kristin Scott Thomas
    Kristin Scott Thomas
    • Jeanne Germain
    Emmanuelle Seigner
    Emmanuelle Seigner
    • Esther Artole
    Denis Ménochet
    Denis Ménochet
    • Rapha Artole père
    Bastien Ughetto
    • Rapha Artole fils
    Jean-François Balmer
    Jean-François Balmer
    • Le proviseur du lycée Gustave Flaubert
    Yolande Moreau
    Yolande Moreau
    • Les jumelles Rosalie et Eugénie
    Catherine Davenier
    • Anouk - la secrétaire
    Jacques Bosc
    • Monsieur Garcia - le père de Claude
    Stéphanie Campion
    Stéphanie Campion
    • La première femme au balcon
    Diana Stewart
    Diana Stewart
    • La deuxième femme au balcon
    Ronny Pong
    • Le Chinois
    Jana Bittnerová
    Jana Bittnerová
    • La doublure de la jumelle
    • (as Jana Bittnerova)
    Nadir Azni
    • Un élève du lycée Flaubert
    Bénérice Barbin
    • Une élève du lycée Flaubert
    Marie Brunet
    • Une élève du lycée Flaubert
    • Dirección
      • François Ozon
    • Guionistas
      • Juan Mayorga
      • François Ozon
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios58

    7.335.3K
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    Opiniones destacadas

    8BeneCumb

    Stylish and distinctive, with moments making you giggle

    This awkward and witty film is based on the play The Boy in the Last Row by Juan Mayorga, i.e. the script emanates from a solid creation. The run of the events is smooth, but sometimes it is tricky to follow the line between truth and fantasy, including the ending scenes, and some deeds remained mystery to me. In spite of serious topics touched (e.g. alienation, growing pains, loneliness, generation gaps), there are several funny scenes, particularly gallery-related ones, and strong performances provide additional value to the film (Fabrice Luchini as Germain Germain, Ernst Umhauer (skilfully depicting an 16-year-old while being 22) as Claude Garcia, Kristin Scott Thomas (in fluent French) as Jeanne Germain, Emmanuelle Seigner as Esther Artole - in particular). Hopefully, no remake will be made, as the sound of French and supposition of Frenchmen are just appropriate for such a film.

    Recommended to all those fond of films with twists and not afraid of subtitles.
    akash_sebastian

    Almost Like An Irresistible Novel Which You Never Wanna Put Down!

    Francois Ozon's latest film is almost like an irresistible novel which you never wanna put down. The different ways in which he develops the characters is quite fascinating to watch.

    Germain is a bored French professor who finds most of his students uninteresting or untalented. Then he becomes infatuated with a student's (Claude) essays, which are about a friend's family's life to which Claude has got a way into. Both their infatuations and fascinations make them take interesting actions which lead to almost disastrous consequences.

    The final scene makes you wonder whether you too, like Germain, get the same voyeuristic pleasure watching others' intimate lives unfold in front you.

    Ozon's movies have some some sort of charm which always keep you hooked till the end. I remember enjoying his last movie, Potiche; but unlike his last movie, this one is quite thought-provoking and gives various dimensions to character-development.
    9aequus314

    Fabrics of fiction and reality overlap in this voyeuristic experiment. Captivating!

    For his thirteenth feature film, French New Wave director Francois Ozon has outdone all acclaim given to his 2002 remake of "8 Women" with a mischievous and dysfunctional tale, of what can be perceived as… coming-of-age.

    A black comedy conflated with so much grandeur from literary greats to post-modern poioumena, you cannot help but wave the white flag and just go along in service of jest and sheer curiosity.

    Adapted from a brilliant play written by Juan Mayorgo, this film is a meta-narrative centered on Claude Garcia (Ernst Umhauer) -- a sixteen year old loner who intrudes upon the home life of fellow student Rapha Jr., and writes about it. What begins as a one-off weekend assignment for literature class, escalates with great passion and frequency when Claude's teacher, Germaine (Fabrice Luchini) detects flashes of talent and decides to groom the teenager.

    Here, Ozon proposes a three-fold narrative weaving through the surface of three realities -- Germaine's growing obsession with Claude's story imitates the viewers' relationship with Ozon's film (and perhaps soap opera addiction), and Claude as a self-conscious narrator of the events occurring inside Rapha's house.

    When the film begins, Claude is unhappy with a lonely life and clearly needs to distract himself with wholesome family warmth. Having witnessed Rapha's close relationship with parents Rapha Sr. and Esther at the school gate, strikes a friendship with the boy when semester begins. Establishing himself as a math tutor and study mate, Claude quickly wins their affection and trust. Thrilled by this opportunity to experience life with a sense of belonging, yet predisposed to primitive urge, Claude's desire swells into furtive yearning for Esther. And naturally, things get complicated.

    As Germaine's involvement with Claude's writing departs from passive reader, to that of a story-telling coach superimposing rules of dramatic structure, it occurs to the viewer that he may very well be a shaping hand in the outcome of this voyeuristic experiment.

    Of course, the fabrics of fiction and reality overlap but they do not confuse -- the satirical logic unfolds in ways that are thought- provoking, humorous and downright captivating.

    cinemainterruptus.wordpress.com
    8kosmasp

    Wicked

    A wicked little movie that tries to brake boundaries and more than the fourth wall. It raises up a lot of questions and puts up the mirror to a lot of things, while continuously being funny and wicked at the same time. A hilarious attempt at describing what Art means nowadays or how we try to interpret it. Maybe even how we try to create it.

    There is more than one story strand in this movie and they all get at least somewhat explored. And while some of those strands may feel like a cliché, the head on approach make them feel like a fresh take on it. You have to have an open mind about the movie and the way it is shot and told, but if you can do that, you might be able to enjoy this very much. Multiple views can also bring up new and exciting things you might not have seen first time around. Whatever the case, I can recommend this to anyone who wants to be intellectually challenged by watching a movie.
    8secondtake

    Smartly done, tightly woven, fiction bending

    In the House (2012)

    Another curious reality shifting movie in the most subtle and old fashioned of ways—the realism of good fiction. A young writer creates a reality in his essays that is shown as if real on screen. The characters around the writer, and within the fictional story, get intertwined because they are all the same. This game of deception is coy but also witty and warm, and it's a fun, genuine movie.

    I'm not sure how much logic you should try to apply to things here. I assume they have it worked out perfectly, but watching it lightly the layers of reality get necessarily confusing. In a way this doesn't matter, because you get the general drift.

    Which is this: a literature teacher in high school has a talented student, Claude, who writes fictional essays about real people. One is another student, Rapha, and we see events in this other student's house because of the writing (and have to guess whether or not those events are fact or fiction).

    The teacher talks to Claude about the content, wondering if it's fair to lay open Rapha's life, and the student smartly says that it was written for the teacher alone. This brings the teacher into the story in ways he doesn't suspect. It also shows the audience that Claude is outfoxing his teacher and we are going to see a game played as Claude's writings raise reactions in the teacher that affect the fictional plot. Or is it the actual plot? Or both?

    Exactly.

    The director, Francois Ozon, is no stranger to this type of game playing. The famous earlier film of his in the U.S. is "Swimming Pool," a remake of an earlier film that has the same tricks played on the audience. It's never quite enough to have this slippery reality be the basis of a movie, and in "Swimming Pool" the events became quite dramatic and psychologically interesting. The ambitions for "In the House" are smaller and less chilling, and in a way less effective, but also less sensationalist and more believable. We have here more of an ensemble piece, a charmer, a play brought to the screen.

    And it does rise above mere literary cleverness because of the leading man, the teacher, played by Fabrice Luchini, who will be familiar even to American audiences. His wife is the dependable Kristin Scott Thomas (speaking in French). The two of them make a likable intellectual couple (and her own role as an contemporary art dealer plays a small part in the plot). The way they talk about Claude's regular installments is how we get to think about the interweaving of realities.

    And does it ever get interwoven. Keep track of it is you can. Otherwise, just enjoy the show.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      Ernst Umhauer said this about the character he plays in the movie: "He confuses his writing with reality and turns everything in his path upside-down. He has no distance, it takes him a long time to realize his words are stinging and can do damage. He's smart, but not very conscious of his responsibility".
    • Errores
      (at around 1h 35 mins) While Claude is walking through park, his hair is parted on different sides between shots.
    • Citas

      Claude Garcia: But I love you.

      Esther Artole: No. It's not me you love. It's an image. An image in your head.

    • Créditos curiosos
      The opening credits are shown as if they were hand-written on graph paper.
    • Conexiones
      Referenced in La noche de...: La noche de... En la casa (2018)
    • Bandas sonoras
      Dynasty Tching Memories
      Interprete par Wang Shu Imperial Orchestra

      Arrangement de Thierry Woelfel

      ®2002 FGL Productions S.A, © Editions FGL

      Avec l'aimable autorisation de FGL Productions S.A

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    Preguntas Frecuentes19

    • How long is In the House?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de diciembre de 2013 (México)
    • País de origen
      • Francia
    • Sitios oficiales
      • Official Facebook
      • Official site (Japan)
    • Idioma
      • Francés
    • También se conoce como
      • In the House
    • Locaciones de filmación
      • Cinéma Le Lido, 70 avenue de la République, Saint-Maur-des-Fossés, Val-de-Marne, Francia(cinema)
    • Productoras
      • Mandarin Films
      • Mars Films
      • France 2 Cinéma
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 389,757
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 31,441
      • 21 abr 2013
    • Total a nivel mundial
      • USD 16,190,771
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 45 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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