Nimona es la única persona que puede ayudar a Knight Ballister Boldheart a probar su inocencia, fué acusado de un crimen que no cometió.Nimona es la única persona que puede ayudar a Knight Ballister Boldheart a probar su inocencia, fué acusado de un crimen que no cometió.Nimona es la única persona que puede ayudar a Knight Ballister Boldheart a probar su inocencia, fué acusado de un crimen que no cometió.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 4 premios ganados y 43 nominaciones en total
RuPaul
- Nate Knight
- (voz)
- (as RuPaul Charles)
Nate Stevenson
- Kwispy Dwagon
- (voz)
- (as ND Stevenson)
Opiniones destacadas
There is no doubt that Nimona is a movie aimed at a younger audience. That being said, I, as a 32 year old man, and enjoyed it thoroughly. Aside from the usual action packed high jinks you would expect from a fast paced story such as this, there are a number of twists in the story that I didn't see coming, as well as a few humorous moments that caught me off guard. Usually, movies like this fall under the banner of "fun, but predictable". That label does not apply to Nimona. The story feels refreshing. It takes things that feel familiar and gives them a new twist. Kudos to the writers.
Speaking of Nimona, the titular character of this movie, she is definitely the big draw of this movie. Watching Nimona, it's clear that a lot, if not most of the animation budget went into animating her character specifically. Add to this the voice acting of the very talented and experienced Chloë Grace Moretz and you have quite a gem on your hands. Her voice is like bubblegum. It feels like she can do just about anything with it. Her character is tragic in a way, and you really empathise with her sense of loneliness. All the other characters are well voiced and animated as well, with the character of Ballister functioning as the "straight man" (ironic term I know) to her wacky antics. This balance, though it's definitely been done before, works well.
As for the visual style and the animation. It's all computer work (no motion capture on the faces far as I could tell), and at times it does look a little "video gamey" to me. This seems to have become a standard in the industry, especially when it comes to platforms like Netflix, so I won't complain about it for too long. The animation itself is definitely very well done. It's always lively and never feels stilted. I read that Nimona faced some production issues, so I suppose we should all be glad it even got made. I must say I really enjoyed the soundtrack as well. It really hit during some of those more somber beats in the story especially.
I would recommend this movie to just about anyone.
Speaking of Nimona, the titular character of this movie, she is definitely the big draw of this movie. Watching Nimona, it's clear that a lot, if not most of the animation budget went into animating her character specifically. Add to this the voice acting of the very talented and experienced Chloë Grace Moretz and you have quite a gem on your hands. Her voice is like bubblegum. It feels like she can do just about anything with it. Her character is tragic in a way, and you really empathise with her sense of loneliness. All the other characters are well voiced and animated as well, with the character of Ballister functioning as the "straight man" (ironic term I know) to her wacky antics. This balance, though it's definitely been done before, works well.
As for the visual style and the animation. It's all computer work (no motion capture on the faces far as I could tell), and at times it does look a little "video gamey" to me. This seems to have become a standard in the industry, especially when it comes to platforms like Netflix, so I won't complain about it for too long. The animation itself is definitely very well done. It's always lively and never feels stilted. I read that Nimona faced some production issues, so I suppose we should all be glad it even got made. I must say I really enjoyed the soundtrack as well. It really hit during some of those more somber beats in the story especially.
I would recommend this movie to just about anyone.
It's funny how I initially read about Nimona (2023) as an upcoming animated film on Netflix, which inspired me to read the graphic novel, which itself made me watch the animated film when it came out. And while the movie was good, it was missing some of what made the graphic novel great. But that's always going to be the challenge of adapting a book into a movie. Using the source material as inspiration helped make this film a tight story that works for the medium.
Sure, I would have liked to have seen an animated film in the distinctive style of the graphic novel. The emotions and climax didn't have enough time to get deep enough-like they did on the printed page. Still, I can accept that movies like The Shining (1980), Ready Player One (2018), and Nimona are distinct and different, but just as good as the books they're based on. An exact adaptation is pointless when the source material already performed this service. Nimona hit the right amount of frenetic action and visual gags that could only work in the animated format.
As a PG-rated movie, they replaced the edgy bits of the graphic novel with some childish jokes to appeal to a younger audience. Even so, Nimona (Chloë Grace Moretz) was wonderfully sadistic and her "evil" expressions made me laugh out loud. Overall, the voice acting was superb, and the animation was clean-or at least as clean as the recent trend of "stylized" animation can be. Is it as game-changing as the book? Not really, but it's a fun film to watch. And, as I said in my review of the book, the more science fantasy stories we have like this in the world, the better.
A fun animated film inspired by the graphic novel of the same name, I give Nimona 4.0 stars out of 5.
Sure, I would have liked to have seen an animated film in the distinctive style of the graphic novel. The emotions and climax didn't have enough time to get deep enough-like they did on the printed page. Still, I can accept that movies like The Shining (1980), Ready Player One (2018), and Nimona are distinct and different, but just as good as the books they're based on. An exact adaptation is pointless when the source material already performed this service. Nimona hit the right amount of frenetic action and visual gags that could only work in the animated format.
As a PG-rated movie, they replaced the edgy bits of the graphic novel with some childish jokes to appeal to a younger audience. Even so, Nimona (Chloë Grace Moretz) was wonderfully sadistic and her "evil" expressions made me laugh out loud. Overall, the voice acting was superb, and the animation was clean-or at least as clean as the recent trend of "stylized" animation can be. Is it as game-changing as the book? Not really, but it's a fun film to watch. And, as I said in my review of the book, the more science fantasy stories we have like this in the world, the better.
A fun animated film inspired by the graphic novel of the same name, I give Nimona 4.0 stars out of 5.
This animated movie is an adventure. The design of the world blends high-tech with mediaeval while mixing in a pop punk soundtrack that propels the on-screen action to a break-neck pace at times.
This leaves us with a fantasy show suitable for kids but with a deeper message regarding tolerance, propaganda and control that adults will find themselves reflecting on after the mayhem has stopped.
The tone can vary from Saturday morning cartoon silliness to the heartbreaking effects of isolation and loneliness, without inducing whiplash due to the carefully built characters on all sides of the story.
Highly recommended. I just hope they release the complete soundtrack soon.
This leaves us with a fantasy show suitable for kids but with a deeper message regarding tolerance, propaganda and control that adults will find themselves reflecting on after the mayhem has stopped.
The tone can vary from Saturday morning cartoon silliness to the heartbreaking effects of isolation and loneliness, without inducing whiplash due to the carefully built characters on all sides of the story.
Highly recommended. I just hope they release the complete soundtrack soon.
In a technologically advanced kingdom, the kingdom and its citizens are protected by an institute of knights who carry on the traditions set forth by their heroine Gloreth who as legend held slayed a monster to protect a village. Ballister Blackheart (Riz Ahmend) has trained to be such a knight despite his lack of noble heritage but has been given the opportunity with the support of the Queen (Lorrain Toussaint) and his fellow knight and lover Ambrosius Goldenloin (Eugene Lee Yang). When Ballister is framed for the Queen's assassination he finds himself a wanted fugitive and loses his arm at Ambrosius' hand. As Ballister starts making plans to unravel who framed him, he attracts the attention of shapeshifter Nimona (Chloe Grace Moretz) who wishes to be a sidekick to a "supervillain" and believes Ballister fits the bill, despite Ballister's assertions that he's not one. With Nimona's help, Ballister unravels revelations about what truly happened.
Nimona is the long awaited adaptation of the 2015 graphic novel of the same name by ND Stevenson that was originally published in a series of chapters on Tumblr. Nimona was acquired by 20th Century Fox's animation division shortly after publication of its graphic novel form and actually made it through a significant part of development until of course Disney bought Fox and shut down Blue Sky Studios and many in development projects with Nimona being among them despite being about 75% complete at the time. According to former staffers Disney pushed back on the film's LGBTQ themes and the same sex kiss which may have been a factor in cancelling it. Thankfully like other cancelled animated Fox projects like The Magician's Elephant the forthcoming Escape from Hat, and the in development adaptation of Eric Powell's The Goon, Nimona found itself revived as a collaboration between Annpurna Pictures and Netflix and after an 8 year journey and I'm happy to say it was well worth the wait.
First on a purely technical level, Nimona looks fantastic. The creative team have done a fantastic job adapting the simple but charming art style of Stevenson's comic and with the film's mixture of cel shading and shadows it really does feel like a graphic novel come to life with some dynamic movements and designs that are truly breathtaking to look at. The animation on Nimona is especially to be commended because the way she moves and shifts from one form to another is near pitch perfect in its execution which is further complimented by the expressive faces each of the characters has that offers a wide range of emotions. Artistically speaking, the Kingdom in Nimona is a really unique take which I can only describe as "Medieval Futuristic" and its very much a mixture of Princess Bride by way of Blade Runner in terms of its mixture of fairy tale iconography mixed with holographic billboards and hover cars that creates a world that's got some many amazing details intermixed to make this feel like a living breathing world.
But Nimona doesn't rest on its visuals alone and they're in service of a great story with compelling characters. While needless to say the creative team have made some changes adapting the episodic graphic novel to fit in a feature film narrative, the story's core remains very much in tact even in spite of little details and side characters having been excised for the sake of a more focused narrative. Riz Ahmed is quite good as Ballister and his relationship with Ambrosius equally well played by Eugene Lee Yang is an endearing one that you do get invested in and it's probably been slightly strengthened in translation as the film starts off more tonally consistent as opposed to Nimona which started off more anarchic and silly while gradually getting darker (not a criticism of the book, they're both good in their own way). But at the center is undeniably Chloe Grace Moretz as Nimona who is pitch perfect in her casting and delivery. Moretz does incredibly well in the role as her rapid fire and hard edged delivery is well complimented by the animation team in a manner that reminded me of the perfect marriage of animation and performance that went into Robin Williams' Genie from Aladdin. Moretz gets some solid laughs out of her appetite for destruction, but she also gives us a heartbreaking undercurrent to her performance that we see more of as it's revealed her abrasive edge is a shroud for her inner pain. All these characters and threads culminate in a really satisfying way and I won't dare spoil it for you.
Nimona is a great animated film in a year where solid animation hasn't exactly been in short supply. I really can't say enough good about this film other than you owe it to yourselves to see it. Funny, exciting, heartbreaking, visually interesting. At this point I'm just repeating myself.
Nimona is the long awaited adaptation of the 2015 graphic novel of the same name by ND Stevenson that was originally published in a series of chapters on Tumblr. Nimona was acquired by 20th Century Fox's animation division shortly after publication of its graphic novel form and actually made it through a significant part of development until of course Disney bought Fox and shut down Blue Sky Studios and many in development projects with Nimona being among them despite being about 75% complete at the time. According to former staffers Disney pushed back on the film's LGBTQ themes and the same sex kiss which may have been a factor in cancelling it. Thankfully like other cancelled animated Fox projects like The Magician's Elephant the forthcoming Escape from Hat, and the in development adaptation of Eric Powell's The Goon, Nimona found itself revived as a collaboration between Annpurna Pictures and Netflix and after an 8 year journey and I'm happy to say it was well worth the wait.
First on a purely technical level, Nimona looks fantastic. The creative team have done a fantastic job adapting the simple but charming art style of Stevenson's comic and with the film's mixture of cel shading and shadows it really does feel like a graphic novel come to life with some dynamic movements and designs that are truly breathtaking to look at. The animation on Nimona is especially to be commended because the way she moves and shifts from one form to another is near pitch perfect in its execution which is further complimented by the expressive faces each of the characters has that offers a wide range of emotions. Artistically speaking, the Kingdom in Nimona is a really unique take which I can only describe as "Medieval Futuristic" and its very much a mixture of Princess Bride by way of Blade Runner in terms of its mixture of fairy tale iconography mixed with holographic billboards and hover cars that creates a world that's got some many amazing details intermixed to make this feel like a living breathing world.
But Nimona doesn't rest on its visuals alone and they're in service of a great story with compelling characters. While needless to say the creative team have made some changes adapting the episodic graphic novel to fit in a feature film narrative, the story's core remains very much in tact even in spite of little details and side characters having been excised for the sake of a more focused narrative. Riz Ahmed is quite good as Ballister and his relationship with Ambrosius equally well played by Eugene Lee Yang is an endearing one that you do get invested in and it's probably been slightly strengthened in translation as the film starts off more tonally consistent as opposed to Nimona which started off more anarchic and silly while gradually getting darker (not a criticism of the book, they're both good in their own way). But at the center is undeniably Chloe Grace Moretz as Nimona who is pitch perfect in her casting and delivery. Moretz does incredibly well in the role as her rapid fire and hard edged delivery is well complimented by the animation team in a manner that reminded me of the perfect marriage of animation and performance that went into Robin Williams' Genie from Aladdin. Moretz gets some solid laughs out of her appetite for destruction, but she also gives us a heartbreaking undercurrent to her performance that we see more of as it's revealed her abrasive edge is a shroud for her inner pain. All these characters and threads culminate in a really satisfying way and I won't dare spoil it for you.
Nimona is a great animated film in a year where solid animation hasn't exactly been in short supply. I really can't say enough good about this film other than you owe it to yourselves to see it. Funny, exciting, heartbreaking, visually interesting. At this point I'm just repeating myself.
This was a huge surprise. Nimona won my heart with its spirited story and well thought out characters. I loved how it sneakily introduced so much humour into the story while maintaining a heartfelt plot that asked its characters questions regarding trust, belief and justice.
One might argue that the story is predictable. But honestly, why even predict this storyline? The entire movie is so well executed - the characters are great, the chemistry between them is great, the direction is great, the soundtrack is great, the animation is artful, I honestly don't have the time to predict what's going to happen. All of it was easily enough for me to stay in the moment. If the execution was mediocre or bad, then yes, my mind would've started predicting and nitpicking the movie. This is the exact reason why a movie like Avatar works perfectly for me. That's the importance of executing a story perfectly.
In fact, I actually didn't think the movie would take the direction that it did. And the emotionally-heavy final act of this movie, just tugged at my heartstrings.
Nimona's character is actually brilliantly written. Her body language, mannerisms, touchy opinions about specific topics are the little things that are always really important to make a great character. This script did that very well. And some humour, I thought, was actually very innovative and that made it more hilarious. The fast pace, and the gutsy plot just elevated the thrill and entertainment. The chemistry between the 2 main characters is brilliantly done.
This movie was a very surprising, entertaining and heartfelt experience and I'd highly recommend watching it. It's a Netflix original so it's available there.
One might argue that the story is predictable. But honestly, why even predict this storyline? The entire movie is so well executed - the characters are great, the chemistry between them is great, the direction is great, the soundtrack is great, the animation is artful, I honestly don't have the time to predict what's going to happen. All of it was easily enough for me to stay in the moment. If the execution was mediocre or bad, then yes, my mind would've started predicting and nitpicking the movie. This is the exact reason why a movie like Avatar works perfectly for me. That's the importance of executing a story perfectly.
In fact, I actually didn't think the movie would take the direction that it did. And the emotionally-heavy final act of this movie, just tugged at my heartstrings.
Nimona's character is actually brilliantly written. Her body language, mannerisms, touchy opinions about specific topics are the little things that are always really important to make a great character. This script did that very well. And some humour, I thought, was actually very innovative and that made it more hilarious. The fast pace, and the gutsy plot just elevated the thrill and entertainment. The chemistry between the 2 main characters is brilliantly done.
This movie was a very surprising, entertaining and heartfelt experience and I'd highly recommend watching it. It's a Netflix original so it's available there.
¿Sabías que…?
- TriviaOriginally a production of Blue Sky Studios, the film was cancelled following Disney's shutdown of the studio in early 2021. At the time of its cancellation, the film was reportedly 70% finished in Layout. The film was revived by Annapurna and Netflix the following year. DNEG Animation completed all visuals for the finished film, including the titles, animation, and End Credits.
- ErroresAfter the Director stabs Ambrosius through the abdomen with a sword, he falls down on the back with a sword still sticking up, seemingly clipping through the floor.
- Citas
Nimona: Kids. Little kids. They grow up believing that they can be a hero if they drive a sword into the heart of anything different. And I'm the monster? I don't know what's scarier. The fact that everyone in this kingdom wants to run a sword through my heart... or that sometimes, I just wanna let 'em.
- Créditos curiososAt the end of the credits, Nimona "tags" the screen with a graffiti-like Annapura logo
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Disney Cannot Catch A Break (2022)
- Bandas sonorasThe Tra La La Song (One Banana, Two Banana)
Written by Mark Barkan and Ritchie Adams
Performed by The Banana Splits
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- How long is Nimona?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Німона
- Locaciones de filmación
- Greenwich, Connecticut, Estados Unidos(Blue Sky Studios pre-production)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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