CALIFICACIÓN DE IMDb
5.2/10
11 k
TU CALIFICACIÓN
Cinco amigos son acechados por un grupo de individuos misteriosos y perturbados mientras realizan un viaje por carretera en busca de la atracción de casa encantada definitiva.Cinco amigos son acechados por un grupo de individuos misteriosos y perturbados mientras realizan un viaje por carretera en busca de la atracción de casa encantada definitiva.Cinco amigos son acechados por un grupo de individuos misteriosos y perturbados mientras realizan un viaje por carretera en busca de la atracción de casa encantada definitiva.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados en total
Opiniones destacadas
Set up as a "real footage" amateur documentary, a group of friends set off to find real scares on Halloween. They encounter various run of the mill "haunted" attractions and begin to inquire with the locals if they know of any "really scary" happenings in the area but are pretty much rebuffed. The build up in this movie is slow, but if you stay with it, the atmosphere will seep into you. Once the group gives up their search as fruitless, things begin to change, and the "real scary" things start to find them. I guess I am a sucker for silent, masked, boogeymen because they were effective in my book. May not be for everyone but I was glad I gave it a watch.
Nevermind the actual film, the idea is one of the most potent I've seen in some time.
A group of friends set out in a van in search of horror, haunted house attractions scattered around rural America. It's the days leading up to Halloween so we can have a pervasive atmosphere of masks and monsters roaming the streets. I like that it's a glimpse outside the usual and tied to a larger fabric of make-believe.
The idea is that we'll venture into these houses where horror is supposed to be controlled around us, the work of fiction, only to discover more slippery boundaries of truth. This would touch at the very essence of horror, exploiting the same perturbations that move viewers in both the actual houses and film; see, we know it's not real, but what to do when your body tells you otherwise?
So nevermind that it's actors we see and scripted reactions. Some of the most potent footage here are from within these houses where we go in with a camera and a swirl of monsters lunges at us, staged but it comes alive. I'm guessing these are actual places that partnered with the filmmakers and this is what tantalized me going in; it would be at least in part an actual tour of that America that goes to pilgrimage in actual places.
They manage to bungle this for my taste, the part where fiction blurs and we go to something that comes alive in the moment of watching.
For one, they chose the "found footage" mode (silly name, largely the baggage of Blairwitch - it really means "someone is filming this now"). It's the most apt choice I've seen since Last Exorcism, but no one ever films a sense of place and passing time, a physical sense of journey; they waste it on lots of blathering around a camera so that it ends up feeling like an episode of cable TV. Indicative of the actual makers holding the camera I guess.
And then there's the ending. This is where the staged scenarios in these attractions don't cut it any more as the characters push for more and more "real" stuff. Lo, there's rumor of a secret place that you can only reach by invitation. But once there, it's the most obviously staged part of the film, the complete opposite of where we were meant to be viewing-wise.
So this is a miss, filmmakers with maybe the strongest idea of any of their peers this year but none of the tools of insight to cultivate it. They outline enough for me to imagine it in more intuitive hands so all in all I would have this over the next paranormal film.
Someone has gone out with the urge for horror in mind (and it's our very urge to inhabit illusion that made us build these houses), thinking he knows illusion from real, but it begins to spill outside, perturbing reality. From a certain point on, the apparitions become aware of someone watching, aware inside the fiction, so conspire to stage the real thing as a cosmic prank that shatters lives.
Watch The Funhouse, Hooper's film driven by the same instinct, a funhouse that extends from the actual place to haunt the whole film.
A group of friends set out in a van in search of horror, haunted house attractions scattered around rural America. It's the days leading up to Halloween so we can have a pervasive atmosphere of masks and monsters roaming the streets. I like that it's a glimpse outside the usual and tied to a larger fabric of make-believe.
The idea is that we'll venture into these houses where horror is supposed to be controlled around us, the work of fiction, only to discover more slippery boundaries of truth. This would touch at the very essence of horror, exploiting the same perturbations that move viewers in both the actual houses and film; see, we know it's not real, but what to do when your body tells you otherwise?
So nevermind that it's actors we see and scripted reactions. Some of the most potent footage here are from within these houses where we go in with a camera and a swirl of monsters lunges at us, staged but it comes alive. I'm guessing these are actual places that partnered with the filmmakers and this is what tantalized me going in; it would be at least in part an actual tour of that America that goes to pilgrimage in actual places.
They manage to bungle this for my taste, the part where fiction blurs and we go to something that comes alive in the moment of watching.
For one, they chose the "found footage" mode (silly name, largely the baggage of Blairwitch - it really means "someone is filming this now"). It's the most apt choice I've seen since Last Exorcism, but no one ever films a sense of place and passing time, a physical sense of journey; they waste it on lots of blathering around a camera so that it ends up feeling like an episode of cable TV. Indicative of the actual makers holding the camera I guess.
And then there's the ending. This is where the staged scenarios in these attractions don't cut it any more as the characters push for more and more "real" stuff. Lo, there's rumor of a secret place that you can only reach by invitation. But once there, it's the most obviously staged part of the film, the complete opposite of where we were meant to be viewing-wise.
So this is a miss, filmmakers with maybe the strongest idea of any of their peers this year but none of the tools of insight to cultivate it. They outline enough for me to imagine it in more intuitive hands so all in all I would have this over the next paranormal film.
Someone has gone out with the urge for horror in mind (and it's our very urge to inhabit illusion that made us build these houses), thinking he knows illusion from real, but it begins to spill outside, perturbing reality. From a certain point on, the apparitions become aware of someone watching, aware inside the fiction, so conspire to stage the real thing as a cosmic prank that shatters lives.
Watch The Funhouse, Hooper's film driven by the same instinct, a funhouse that extends from the actual place to haunt the whole film.
Five hard drinking friends go on a booze-fuelled roadtrip looking for the most extreme haunted house experience America's backcountry has to offer. It's actually a fantastic premise as the film-makers are able to play with loads of creepy imagery, ratcheting up the tension without shooting their bolt too soon. The assumption is that none of it is real, but underlying these visits is the tension that... what if they aren't? For a low-budget film the acting and the script is really good. Found footage always benefits from believable characters exchanging natural dialogue, which is what you get here without a doubt. Some of the back and forth is actually pretty funny and at times I found myself chuckling along; which I think is a good thing in a horror film as it builds a rapport between the viewer and characters, which draws you into their world. It's a pretty slow film all told and the last act spoiled the build up for me, leaving me rather unsatisfied.
Was I sad I watched it though? Hell no! This film is all about the tension and the imagery. The uncertainty, the questioning of what's real and what isn't. It isn't perfect, but with a few simple tweaks and a better ending, it could have been. If you like horror and you like found footage, this film will totally entertain you. If you liked the trailer and you're sitting on the fence, get off that fence and stick it on. It gets more right than wrong, some of the scenes are so downright creepy they'll be knocking around in my psyche for some time to come.
Was I sad I watched it though? Hell no! This film is all about the tension and the imagery. The uncertainty, the questioning of what's real and what isn't. It isn't perfect, but with a few simple tweaks and a better ending, it could have been. If you like horror and you like found footage, this film will totally entertain you. If you liked the trailer and you're sitting on the fence, get off that fence and stick it on. It gets more right than wrong, some of the scenes are so downright creepy they'll be knocking around in my psyche for some time to come.
This movie is about 5 friends - 4 guys, 1 girl - who go on a roadtrip to various Halloween haunted houses. Along the way, they discover some rather weird people. Still, they're not satisfied with the "Mickey Mouse" halloween houses, so they opt for those of a darker, more realistic nature, which they soon find. Some of them chase the group of out the houses with chainsaws. That leads the group to wonder just how far some people will go not just to scare the guests, but to also a thrill for themselves, which is the message of the movie: How far will people go for a thrill.
The acting was good enough for what this was. Brandy Schaefer - the lead actress - is hot She reminded me a lot of Danielle Harris :D It's filmed through camcorders, which is an overused and rather annoying leftover gimmick from The Blair Witchcraft days. The movie finally starts moving along about 20 minutes before it ends; it's running time is 91 minutes, so yeah it's a bit boring up until then. I've heard there was an underworld of drugs, sex, and other dark vises, but I guess this movie is trying to say there's an underworld of Halloween houses, too. lol There is some nudity in this. The group goes to a strip club, and there are topless dancers with some of the fakest breasts I've ever seen.
I gave this a 4-star rating. The storyline about visiting haunted houses was original, and as I said, the acting was pretty good for a low-budget indie. I love Halloween; it's probably my favorite holiday, but this movie did very little to keep me interested. Most of it had the group traveling from one haunted house to another. It wasn't very enthralling. But if you're a fan of found-footage films, you might enjoy this more than I did. I would not watch this again because of the bore-factor.
The acting was good enough for what this was. Brandy Schaefer - the lead actress - is hot She reminded me a lot of Danielle Harris :D It's filmed through camcorders, which is an overused and rather annoying leftover gimmick from The Blair Witchcraft days. The movie finally starts moving along about 20 minutes before it ends; it's running time is 91 minutes, so yeah it's a bit boring up until then. I've heard there was an underworld of drugs, sex, and other dark vises, but I guess this movie is trying to say there's an underworld of Halloween houses, too. lol There is some nudity in this. The group goes to a strip club, and there are topless dancers with some of the fakest breasts I've ever seen.
I gave this a 4-star rating. The storyline about visiting haunted houses was original, and as I said, the acting was pretty good for a low-budget indie. I love Halloween; it's probably my favorite holiday, but this movie did very little to keep me interested. Most of it had the group traveling from one haunted house to another. It wasn't very enthralling. But if you're a fan of found-footage films, you might enjoy this more than I did. I would not watch this again because of the bore-factor.
I give this movie a four out of ten overall on IMDb's scale out of ten points.
For writing I give it a four out of ten. It is not terrible but also nothing special. It is a pretty easy story line that you can see the plot developments coming in. There are twists but they are the typical kind of horror and thriller movie twists that you can see coming a mile away. The dialogue is not bad but nothing really stands out as great and most of all there is nothing about the story or script that sticks with you.
For acting I give it a four out of ten as well. There are some good actors and some bad and even terrible actors but most of them are decent to average.
For production value I give it a five out of ten. The picture looks great and the shots they show are pretty interesting and keep you interested until the end. The horror movie shots are typical but well done. Again nothing special that stands out or is very memorable but definitely nothing too awful either. The sets etc are all decent. The sound is also good though at times I thought the music or score were too loud.
For writing I give it a four out of ten. It is not terrible but also nothing special. It is a pretty easy story line that you can see the plot developments coming in. There are twists but they are the typical kind of horror and thriller movie twists that you can see coming a mile away. The dialogue is not bad but nothing really stands out as great and most of all there is nothing about the story or script that sticks with you.
For acting I give it a four out of ten as well. There are some good actors and some bad and even terrible actors but most of them are decent to average.
For production value I give it a five out of ten. The picture looks great and the shots they show are pretty interesting and keep you interested until the end. The horror movie shots are typical but well done. Again nothing special that stands out or is very memorable but definitely nothing too awful either. The sets etc are all decent. The sound is also good though at times I thought the music or score were too loud.
¿Sabías que…?
- TriviaAt one point on the road someone asks: 'has a zombie ever fired a gun in the history of cinema?'. Mike replies "no", but the truth is George Romero incorporated at least two instances of gun-toting zombies in his films: The first was 'Day of the Dead' (1985) where the now-famous zombie Bub is the first zombie to ever hold and fire a gun. The second instance was 'Land of the Dead' (2005), where there are multiple zombies using an assortment of firearms.
- ErroresThe characters state that in no point in film history has a zombie fired a gun. In George Romero's Land of the Dead, a zombie does indeed fire a gun. Also, there is an entire film dedicated to this - Fast Zombies with Guns (2009). If the characters were the horror fans they claim to be, they would have known that.
- ConexionesFeatured in 31 Horror Movies in 31 Days: The Houses October Built 1 & 2 (2019)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Houses October Built
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 31min(91 min)
- Color
- Relación de aspecto
- 1.78 : 1
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