See Girl Run

Emmie (Robin Tunney) is in her thirties and is a typical adult--she has left her small hometown in Maine to go to college, marry, and settle in New York.

Jason (Adam Scott) was Emmie's high school boyfriend and has done even worse since he and Emmie separated for college. He's broke, pursuing a dead end career as a painter of frogs and moonlighting as a server in Portland, Maine, where he's dating his co-worker.

The movie opens with Emmie, asking herself whether she made the wrong choice in her marriage with Graham and trying out for a reality show that connects people with their old lovers. The show contacts Jason, who now thinks Emmie wants to get back together and sends her flowers and hand written notes (oh how romantic life can be in the absence of facebook). Emmie has an argument with her husband and decides to flee her marriage to meet up with Jason, who is completely adorable and endearing when it comes to Emmie (much less so with his current girlfriend). Will Emmie abandon her marriage or go back to her husband Graham?

This is a coming-of-age movie for adults. The main characters in the movie (Emmie, Jason, Graham, and Emmie's brother Brandon) are in their thirties and, with the exception of Graham, are still deciding if they're ready to grow up. The movie centers on the dilemma the characters face to remain young (have passionate affairs, work minimum wage jobs, and mooch off their parents) or become stereotypical responsible adults (pay bills, stick it out in a less than idyllic marriage). If you've never had to face this choice in your own life, this movie might not make sense. For the rest of us growing older in the hipster culture of America, it's sure to hit a chord.

I enjoyed the fact that this movie shows the reality of marriage. Typical movies glamorize every aspect of love, but in real life and in marriage, it's not always like that. In this movie, the couple argues when Emmie takes a poo and Graham insists she shower before they have sex. Gross, but real. I also loved the side story revolving around Emmie's grandmother getting a new boyfriend 15 years after the death of her husband. It reinforces the theme that it's never too late to rediscover romance and find love.

There's no interesting story here. It's boring and predictable. The acting is boring. The dialogue is full of clichés.

Avoid.

"See Girl Run" sees Emmie (Robin Tunney) missing her old high school boyfriend. She's married now but decides she's not happy and wants to revisit her life with Jason (Adam Scott). Jason still lives in their hometown, is the local star of a seafood restaurant and is in a dead-end relationship. And the whole movie is reinforcing those same concepts over and over again.

The theme of a woman trying to figure out what went wrong in her life is played out entirely dramatically. Don't expect any comedy and only minimal romance. The characters were given their own quirky characteristics (Jason really likes frogs), and quirky friends. It's possible they were supposed to provide the comedy, but the friends weren't fleshed out, and the film really struggled connecting Jason to the main plot even though he is of course the point of Emmie's trip home.

The film moves very slowly. Emmie doesn't act rashly, she also doesn't emote much emotion. She meets up with her brother when she returns home, and he's depressed. Her parents are unhappy with each other. And did I mention that Jason and his current girlfriend aren't happy with each other either? It's a whole lot of depression which makes it seem like the film is moving even slower.

Shot on location in Portland, Maine, the film has a very washed-out, wet and grey look which negatively adds to the depressed feel. Those who personally relate to Emmie's mid-life crisis will probably actively watch her come to some sort of romantic resolution, but for the rest of us, there is nothing to connect us to Emmie or the rest of the sullen characters. "See Girl Run" just moves too slowly and despondently.

Who might like this: Women who relate to Emmie's story; Portland, Maine residents who want to see their hometown in film; and people who like depressed, indie, romantic dramas.

See Girl Run (2012)

Robin Tunney is pretty terrific in this small budget big impact story of a young married woman still obsessed with her high school boyfriend. Everything depends on Tunney's ability to make her character, Emmie, believable and complex, and she pulls it off.

Around her are her husband (a boring Jeremy Strong) and her ex-boyfriend (a charming Adam Scott). Right there you have the set-up because you really kind of want Emmie to go with the charming dream she left behind instead of the routine life with her routine (but nice) hubby.

There is a slow easy plainness to this movie that may not appeal to some. It has to make sure the ordinary doesn't tip into the dull, and generally it does that. Partly it depends on some strong secondary characters, including her mother and father and comically depressed brother in Maine, where she visits. And partly it depends on the romantic high stakes of the plot.

For me the final emotional turning point is too pushed on us, too sudden, too clever by half. For others it will seem beautiful and appropriate. (You'll have to see it to see.) But when it all gets to where it's going it feels about right.

Tunney has done a lot of lesser movies and some better t.v. over the years (including over a hundred episodes of "The Mentalist") and she really deserves a big break into some kind of serious movie role. Scott, likewise, has a mixed career (I liked him a lot in "The Vicious Kind" which has a similar production level as this one) and he, too, will likely have a big breakthrough one of these years. The two don't, however, have much time together on screen here, which would have been interesting.

If there are limitations to the whole enterprise they might belong to the writer/director, Nate Meyers, who does a credible but predictable job, revealing (I guess) his short resume (this is his second film, with one more in the works). But it is partly the simplicity of the plot an editing that lets the genuine warmth of the actors come through. For that it's worth a look.

If you like movies about crying-baby adults, you may find yourself crying after watching this movie. Run away from this.