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Singham

  • 2011
  • TV-14
  • 2h 23min
CALIFICACIÓN DE IMDb
6.8/10
21 k
TU CALIFICACIÓN
Ajay Devgn in Singham (2011)
From 'Singham' and 'Chennai Express' to 'Golmaal Again' and 'Sooryavanshi,' we break down the over-the-top cinematic stylings of director Rohit Shetty.
Reproducir clip5:03
Ver A Guide to the Films of Rohit Shetty
1 video
69 fotos
AcciónAcción de ejército de una personaCrimenDramaDrama de policía

Un oficial de policía verdaderamente honesto es trasladado a un pueblo controlado por un gángster al que ha humillado.Un oficial de policía verdaderamente honesto es trasladado a un pueblo controlado por un gángster al que ha humillado.Un oficial de policía verdaderamente honesto es trasladado a un pueblo controlado por un gángster al que ha humillado.

  • Dirección
    • Rohit Shetty
  • Guionistas
    • Hari
    • Yunus Sajawal
    • Sajid
  • Elenco
    • Ajay Devgn
    • Kajal Aggarwal
    • Prakash Raj
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    21 k
    TU CALIFICACIÓN
    • Dirección
      • Rohit Shetty
    • Guionistas
      • Hari
      • Yunus Sajawal
      • Sajid
    • Elenco
      • Ajay Devgn
      • Kajal Aggarwal
      • Prakash Raj
    • 72Opiniones de los usuarios
    • 27Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 11 premios ganados y 21 nominaciones en total

    Videos1

    A Guide to the Films of Rohit Shetty
    Clip 5:03
    A Guide to the Films of Rohit Shetty

    Fotos69

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    + 63
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    Elenco principal33

    Editar
    Ajay Devgn
    Ajay Devgn
    • Inspector Bajirao Singham
    Kajal Aggarwal
    Kajal Aggarwal
    • Kavya Bhosle
    Prakash Raj
    Prakash Raj
    • Jaikant Shikre
    Sudhanshu Pandey
    Sudhanshu Pandey
    • Inspector Rakesh Kadam
    Sonali Kulkarni
    Sonali Kulkarni
    • Megha Kadam
    Sachin Khedekar
    Sachin Khedekar
    • Gautam Bhosle a.k.a 'Gotya'
    Suchitra Bandekar
    Suchitra Bandekar
    • Suchitra Bhosle
    Govind Namdeo
    Govind Namdeo
    • Manikrao Singham
    • (as Govind Namdev)
    Meghna Vaidya
    Meghna Vaidya
    • Lata Singham
    Ashok Saraf
    Ashok Saraf
    • Head-Constable Prabhu Sawalkar
    Ankur Nayyar
    Ankur Nayyar
    • Sub-Inspector Abbas Malik
    Vineet Sharma
    Vineet Sharma
    • Sub-Inspector Dev Phadnis
    Murli Sharma
    Murli Sharma
    • DSP Satyam Patkar
    • (as Murali Sharma)
    Pradeep Velankar
    Pradeep Velankar
    • DGP Vikram Pawar
    • (as Pradeep Welankar)
    Anant Jog
    Anant Jog
    • Minister Anant Narvekar
    Sana Amin Sheikh
    Sana Amin Sheikh
    • Anjali Bhosle
    Agasthya Dhanorkar
    • Nitin Kadam
    Vijay Patkar
    Vijay Patkar
    • Havaldar Ramesh Kelkar
    • Dirección
      • Rohit Shetty
    • Guionistas
      • Hari
      • Yunus Sajawal
      • Sajid
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios72

    6.820.9K
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    Opiniones destacadas

    phadvijayanand

    Way better than Dabangg/Wanted/Ghajini

    Singham is way better than Dabangg/Wanted/Ghajini

    Best: This movie has some really good story (Unlike Dabangg - IT was all about Salman's attitude which took movie to that level & Munni, Ghajini -> Music +Hype of Amir, Wanted is a real competitor)

    Superb screen play -> at least it won't make u bore in any part.

    Marathi atmosphere -> Its really nice to here Marathi in Hindi films (Remember old Hindi movies with at least few dialogues in Marathi) ... Feel's great !

    Prakash Raj -> villainous role is superb, Got a nice role & dialogues, even better than Wanted.

    Ajay -> Reminds me of Phool aur Kaante

    Bad: Songs (Except title song - Singham) are not so good. Which was the plus point for other 3 movies.

    Ratings: 8/10 (Considering this as Bollywood movie + comparing with other Bollywood movies )
    8DjfunkmasterG

    LOVED IT... couldn't understand a word of it, but LOVED IT

    Yes, Bollywood has copycat syndrome, and extremely over the top moments, but what they do is make it work to be entertaining, not roll your eyes moments

    From start to finish I was entertained and found the action scenes to be well paced, entertaining and made me feel Singham is the bollywood Norris, Chan, Willis and Schwarzenegger rolled into one.

    Couldn't understand a single word, but there was never a moment I was looking at my watch or wondering when it would end.

    American action films that go over the top don't do it properly, they need to study bollywood films like SINGHAM and make it work.

    I extremely recommend it.
    bobbysing

    Though not great but still has some timely roars of a LION and a likable climax.

    With SINGHAM sons of two famous action masters of Bollywood return to their original genre in style. Veeru Devgun (Ajay's father) and Shetty (Rohit's father) were known for their own class in the Industry few decades before and now their proud sons return to the same genre, with which they had started.

    But sadly the attempt remains a visibly polished product only having few weak associations in the narrative which don't really give you a DABANGIAN kind of entertainment on the whole. Still it cannot be called a bad film for sure because it does have some great moments to offer and a winner climax which scores a clear six at the end, acting as its big savior.

    It's an Official remake of Tamil Hit Movie SINGAM and is all about an honest cop fighting against a mafia don and his empire based on strong political connections. Being a remake it has got all the ingredients of a typical south masala film which are just there to add some extra flavors into the film and nothing else. For instance, there is a love affair track going along with the Cop's fight which has no value of its own in the script, as usual there is a deliberately created comedy track around the pet name of a character which successfully generates some laughs in the start but later on becomes annoying. And as seen before, there exists the same eccentric kind of villain working against the Cop, whose dialogues become comical towards the end, played once again by the one & only Prakash Raj.

    The film starts off well with an impressive sequence revolving around the expressive eyes of a small child. But post that for about 1 long hour, it offers nothing as per the expectations raised, until the scene where Ajay and Prakash meet for the first time. The LION actually starts roaring at this very moment and then keeps roaring post interval till the climax in gaps.

    Hence the first half is not that effective as compared to the second one since it keeps focusing on various other subplots in the script, which do not register at all. The romance track falls flat and so does the family comedy angle forced into the proceedings to provide some relief moments. Though SINGHAM scores high in its technical department such as Cinematography and Action, but it fails completely in its soundtrack. Ajay-Atul's music works just as a filler with nothing worth listening. And its really annoying to hear another title song inspired from the cult Vishal Bhardwaj's track "Omkara", sung by Sukhwinder. Moreover the Background Score is both effective as well as noisy at times with excess of loud arrangements in all those slow motion sequences.

    Apart from Ajay Devgan and Prakash Raj, only Sudhanshu Pandey and Sonali Kulkarni are able to make an impact on the viewer and rest all work under the shadow of its two main giants. The debutant Kaajal looks fresh and bubbly but in absence of anything special written for her, she is not able to prove her talent in any of her scenes. Ajay Devgan once again proves his versatility, returning to the action genre after a string of comical hits. His body language, specifically his eyes seem to be just perfect for such roles and he comes up like a winner all through the film. Prakash Raj though is splendid in his typical negative role but this time it looked like repetitive to me towards the climax. Yet he is immensely watchable with Ajay on the screen. In short the film completely belongs to Ajay and Prakash Raj who generate such kind of mighty impact in their scenes together that the single screen theaters are bound to go full of whistles, claps and thundering applause.

    In fact, the main reason behind the probable success of this film has to be these particular scenes (including the one with the Neta Ji) where Ajay answers his powerful enemies with fiery dialogues and strong punches along with its worth watching action sequences which have been shot with élan. However, at times the action also seems to be too unbelievable with some impossible kind of stunts. In the writing department, I particularly liked the thought of the National Emblem being given to the cops to wear it in their caps but not to the Country's top political leaders to use it in their dresses. Plus the icing on the cake, for all the viewers loving such kind of over the top, masala cinema, should be its well written climax which really needs to be applauded for its thoughtful idea and brilliant execution.

    So, overall SINGHAM does have its merits in the form of some worth watching confrontation sequences and superb action. But if you are looking for something fresh or novel then you are sure going to be disappointed with its routine kind of content. The film is not consistent enough in its narration as the real action starts after almost 45 minutes into the movie and it also becomes a bit repetitive towards the end. Yet, for all Ajay Devgan's fans its festival time in the theaters. However the last half an hour of the film forced me to think about its original makers of the South.

    To be specific, it struck me that if South Films are able to think of such great climax and other similar interesting plots in their own movies which in turn inspire Bollywood to make their remakes, then certainly the SOUTH CINEMA is miles ahead of Hindi CINEMA in film-making. May be the Hindi Film Industry is enjoying more success due to their over-popular stars and glamour but if studied in real sense then South Cinema is undoubtedly more important, experimental and bold which needs to be recognized at the earliest as an essential part of Indian CINEMA.
    7eartherian

    Singham is how it should have been...

    Mann bhanvar uthe, tan sihar uthe, jab khabar uthe ki aave... Singham!! The line from the title song aptly depicts what Singham is in the movie. The movie is not just another movie to me but based on a simple but strong theme which the movie rightly justifies.

    Singham is not just the name of the movie, but the idea that is replicated in depiction, dialogues, songs and action... i.e. everywhere.

    Singham (Ajay Devgan) lives in his own happy and non-corrupt world which is disturbed by the villain of the movie. And the story is how he deals with it. Though, it seems more about clash of egos than the clash of ideologies; however, the message is positive.

    One thing I liked the most in the movie is the power of unity and leadership that is shown. Singham is the man of right deeds and whole village will stand by him in case of any threat. He replicated the same at the new place he has been sent to and hence in the hour of need, everyone was standing by him.

    The message that there are people in the system who want to do real good but are crushed by the wrong-doers is true and well known. The movie is an entertaining mix of reality and dramatization.

    I hope right people take right inspiration from it! :) :)
    akshaychug14

    Packed up with iron claws

    When you think of a bollywood action flick , you expect a fair amount of dramatic rush going down your spine. But unlike other action movies, Singham is indeed a different film because it's main focus is it's action which packs nothing in excess.

    After the huge success of action films like dabanng and wanted, Singham also was aimed at full-blown action fun with some decent and convincing fighting sequences. The storyline features Bajirao singham (Ajay devgan) an honest police cop, a good friend and a dark cloud for the wrong doers. when away from his village he is transferred to the city, he walks into an face to face battle with the criminal and his empire. Aprt from the story Ajay devgan is a treat to watch because he has forever been a part of action genre for the cop movies like wanted, dabanng and his very own gangaajal. Also the film did well because of it's great supporting cast and performances.

    But apart from the engrossing action fun the film lacks humor. Also the idea is not innovative and is kinda old-fashioned. But the plot is interesting enough to grab your attention quickly and pretty early. Ajay Devgan's girlfriend (Kajal aggarwal) did well on part of her acting but was offered little scope to leave a mark of minds of audience. To be honest the movie offers nothing original but is interestingly crisp and fresh stuff for the movie goers. Overall, an entertaining film for the action lovers and if you want a dose of it then Singham is the one for you.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Prakash Raj became immensely famous for his role and many awards for best villain that year.
    • Errores
      Shivgad is shown as being in between Maharashtra and Goa border but Ajay Devgn's bike has a Goa registration
    • Créditos curiosos
      The opening credits consists of lion shaped icon on each names.
    • Conexiones
      Edited into Black Eyed Peas: Action (2020)
    • Bandas sonoras
      Singham
      Written by: Swanand Kirkire

      Produced by: Ajay Gogavale and Atul Gogavale

      Performed by: Sukhwinder Singh

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    Preguntas Frecuentes

    • How long is Singham?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de julio de 2011 (India)
    • País de origen
      • India
    • Idiomas
      • Hindi
      • Maratí
      • Tulu
      • Inglés
    • También se conoce como
      • Chàng Cảnh Sát Can Đảm
    • Locaciones de filmación
      • Goa, India
    • Productora
      • Reliance Entertainment
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 350,864
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 161,063
      • 24 jul 2011
    • Total a nivel mundial
      • USD 15,086,930
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 23 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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