Crazy Kind of Love

After watching this movie, I went and checked that it had a female director as I suspected, and I was right. I then discovered that the writers were female as well.

I then imagined all the parts in the movie played by a character of the opposite sex, and considered what the public reaction would be.

It was interesting to note that even the male lead in the movie could not redeem himself.

It is a superficially pleasant story, but deeply misandrist in its message and were the sexes reversed, would be considered offensive or blatantly silly.

I'm not sure if the director or the writers even intended it as such, but it does show how the public attitudes toward women and men differ, almost to a complete reversal from fifty years ago.

Perhaps someday someone can make a movie about an likable male hero, and the public would believe it?

The unholy bastard child of a low budget after school drama and the limpest, most derivative romantic comedy imaginable, Crazy Kind of Love attempts to exist as both a frothy coming of age story and a more sombre drama, and it completely fails at both. So little feels genuine that it begs the question if those involved are in actuality idiot savants and have crafted one of the most subtle parodies of all time.

If the on-the-nose musical cues and the atrociously contrived meet-cute between our young leads aren't enough to drive you stir crazy early on, Crazy Kind of Love will soon use its umpteenth strike as it continues to show absolutely no grasp as to how normal people react in the simplest situations. If anyone can earnestly tell me they've been to a party depicted in the film's first act or been privy to a divorce unfurl as the one did here please contact me immediately as I do in fact wish to journey to Narnia.

And those transgressions are among the most overt, as Crazy Kind of Love also takes every possible opportunity to be precious and instead just makes things awkward, even in the smaller, more intimate moments – instances that should have been reined back and left to unfurl with emotional honesty, not in the vein of a bad sitcom. The entire effort is made all the more insulting in approaching themes like growing up in the shadow of hardships and divorce with the care of a tween writing in her licensed One Direction diary.

While director Sarah Siegel-Magness has to take ample responsibility for not moderating her actors, nobody has to look very far to find the culprit behind the emotional suicide of Crazy Kind of Love. Yes, the one supplying the noose is writer Karen McCullah Lutz whose recent credits include The Ugly Truth, The House Bunny and She's the Man – wow. To be fair, she did lend her pen to some minor classics in the late 90's-early aughties with 10 Things I Hate About You and Legally Bonde but it's clear that she milked the high school dramedy-spunky heroine cow dry years ago and is now just blinding yanking, hoping something of worth will drip out.

The central plot, as I'm sure one could guess is very simple: Henry's (Revolution's Graham Rogers) parents are headed for divorce, something his mother (Virginia Madsen) takes rather hard considering the unfaithful antics of her spouse. Thankfully, and in the nick of time, Henry meets the free spirit Bette (Amanda Crew), the type of girl who literally skips through the rain and jumps in puddles. Will this outgoing bundle of kindling help get this family through their ordeal? Will she help to break Henry's virginal, egg-head brother out of his funk? Will Henry's charming, handsome boss win the affections of the heartbroken damsel? And by the end will anyone give a single solitary *bleep*?

It's the Bette character, supposed to be the dynamic lifeblood of Crazy Kind of Love, that utterly guts what remaining zeal the film may have possessed, presenting us with one of the most phony, inorganically promiscuous and straight-up grating characters in recent memory. After (wait for it) moving in with Henry and his brother and mom (don't ask) she continues to be a big ol' firecracker, spouting cheerfully inappropriate cliché at junctures, which while uneasy to watch as a viewer, ring utterly false in the context of the scenes. Not only that, the way characters react to her untethered zip is simply moronic.

This character is being presented as the outlier (and I'm not talking about the type of film which has uppity people turning their nose up at this free spirit, or something of the like) – no. This girl is mentally deranged. She puts the crazy in Crazy Kind of Love (hint: that kind of love usually involves a restraining order). If Juno raised her daughter as a slutty hipster, we'd get Bette and the rate at which this bond develops is faster than a redundant montage (a cliché incidentally missing). The only relationships that mature so quickly are ones that end in the alleyway behind a bar, and judging by how this girl acts, she's familiar with the terrain.

The dynamic kink is an important one in films like this but we need the organic twist to what is supposed to be preordained formula. The fantastic indie City Island did it wonderfully with an inmate returning to live with the man he doesn't know is his father. Even in more limited instances, such as in the important relationship between Matt King and his daughter's boyfriend in The Descendants, it works so well. And speaking of fathers, we never get to know Henry's in Crazy Kind of Love, only that he cheated and he's a jerk. What caused this to happen? Are all men simply scum? The feminist leanings and women behind the camera seem to think so. I don't intend to say all females in the business fall victim to this mantra, as men are equally guilty of crafting broad, often insulting caricatures but that certainly doesn't excuse what happens here.

During one scene regarding Augusta's state, Bette remarks that being sad doesn't make you crazy, being crazy makes you crazy. In that instance, true words were spoken. It's simply ironic she didn't know she was speaking autobiographically. The type of film that can be summed up with the poster, Crazy Kind of Love is the type of cinematic dreck that dares you not to guess every upcoming contrivance and then forces you to feel somewhat guilty as you laugh at it fulfilling its destiny.

Valiant effort. But NO! I was feeling down and wanted to believe in love again, but I found myself yelling at the screen saying NO! at all the unwanted awkward moments & direction flaws! and some script flaws.

What got me thru this movie was the cast. And all the other elements of a good film are there, like the soundtrack, great lighting & cinematography etc.

Never a dull moment of course with the lovely Virginia Madsen. And Graham Rogers is so cute. Showing great potential. It even managed to capture a bit of an irresistible feeling with Amanda Crew, But her character does many things in the film that make you root against her. Zach Gilford is the cutest nerd ever. The actors just felt misdirected.

I loved this movie. It showed the inherent goodness of people even when things go wrong in their lives & they have cause to be angry/depressed/sad etc & act out. The character of Bette is such a breath of fresh air. As another reviewer wrote, she isn't afraid to be herself nor does she let the others' behaviour affect her desire to love them & be of service...& she's very funny & fresh, a joy to behold! She was also incredibly wise (i.e being aware of allowing the devastation of divorce to floor you in the moment rather than suppressing & holding onto resentment forever etc)without trying & just didn't get drawn into the darkness that was visiting the mother & sons. We need more examples of this in movies, more inspiration to do good in the world & to stay buoyant even when things appear 'bad'. She is an advert for resilience & strength.

I was waiting for formulaic moments to pop up but they didn't. I was continually surprised by where conversations/scenes went & that 'messy' was allowed to be messy without having to tidy it all up & make a pretty-looking package, yet at the same time, it didn't descend into huge amounts of drama & cruelty as is often the way. The ultimate package is pretty anyway, cute, brave, sexy, endearing & very real. I didn't want it to end! Sit back & enjoy my friend :))

Wasn't sure what to expect but left wanting to see where the family ended up.

Family is suffering from deep depression. Different reactions by members.

Enter Amanda Crew. She is exactly when the family needs to turn around and literally survive.

Virginia plays the lost but loving mother. Henry is in a tail spin and doesn't know where to stop or look.

It all comes together. The family was always there. It took Amanda to show them the light.

Sort of had the "Beautiful Girls" aspect with the men in the lost and depressing house.

I definitely recommend you give this a watch. Don't expect too much. But you'll leave happy.