Knife Fight

Brilliant! An awesome political movie; if you didn't like Rob Lowe before this, you will! This isn't a political drama where the stage is set on the candidate being in your face; the main focus. You won't see all the bells and whistles, big budget fight & gun scenes, and worn action dialog. Rather, this is a political drama built around dialog and characters. The main characters aren't the machine; moreover, the main characters are the cogs that run the machines. The reason comparisons to Primary Colors or Game Change doesn't work is because only thing in common/related is the political storyline. After watching there is a slight bias; however, Worth a DEFINITE watch!

Hollywood has seen several political spin doctor satires in the past decade. A notable one being Barry Levinson's Wag The Dog starring Robert De Niro and Dustin Hoffman. Knife Fight is set during the preliminary elections where Paul Turner (Lowe) has his hands full backing two major players - Larry Becker (McCormack) and Stephen Green (Harbour). These two are your standard issue senators: purists onscreen, pigs off-screen. And then, there's the saintly character (Carrie-Anne Moss) who in contrast is presented as a genuinely good person wanting to genuinely serve the society through the tainted prism of politics.

What I enjoyed and hated about Knife Fight was its mostly predictable and mostly comforting script. It doesn't take itself too seriously by blandly harbouring over the complex matter of ethics versus personality. Knife Fight manages to remain light-hearted and while that doesn't make it a worthy film, it's not a bad way of spending 90 minutes. If you like Rob Lowe - and desire a Sam Seaborn-Toby Ziegler reunion - this is it!

The first rule of satire is remember that it's satire. Because there are three types of political movies. One, the Mr Smith Goes to Washington true believer movie; two, the anti political nihilist flick like The Parallax View and lastly, the satire. The two points you have to include in a satire are a, humor and b, a broad sense of farce. The problem this movie has is that it started with the goal of being satire but halfway through it drank the Kool Aid and capitulated to becoming Mr Smith. By the end, the people we're supposed to be poking fun at have become moral crusaders for the forces of good and all the things we were poking fun at have become virtues. It's neither one nor the other but a watered down mixture of both. The dirty tricks and outright crimes they commit are swept away as nothing more than data points on the road to moral supremacy. If your cause is just then not only do the ends justify the means but the dirtier they are the more virtuous the end. So without understanding how or that it is this movie becomes the most nihilistic of them all.

Rob Lowe gained experience delivering political babble in The West Wing, and in this idealized satire about the workings and techniques of political strategists, he puts that experience to good use, delivering his quick-witted lines in typical Aaron Sorkin-ish tempo and tone. The film delivers a few jabs at the American political system, especially campaign advertising, but when push comes to shove writer/director Bill Guttentag is a little too much in love with his characters and their flaunting talent for the film to have enough edge and make a lasting impression. And while the narrative structure is semi-fresh and the agenda well-meaning enough, there's really not much progress or development to incur during the course of these ninety plus minutes. This may well be the filmmakers making a point by paralleling politics, but if so, it's as slight a point as there ever was.

The audience gets is a casserole of movie elements and little of the satisfaction that comes from watching these types of movies. It's one of those films for which I could guess the plot exactly before I saw it. You can predict the whole movie and ending easily. Worse, these characters were walking cardboards. Overall, the film was..."eh". I was bored through most of it and I left the living room with no intentions to ever see it again. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose, so I can accept them.