Least Among Saints

This was a heartfelt film is about two people one war vet and a young boy trying to heal after dealing with tragic loss. The story was very well written and the performances were outstanding. It was played so well that I could really feel the characters' pain and struggle becoming instantly involved. I especially enjoyed the chemistry between the boy and the war vet. The supporting characters also have their own stories as they relate to the two main characters (the boy and the soldier). There was a large continuum of emotion as the story played out, I cried but also found myself laughing out loud a few times as well. The cinematography and scenery were very entertaining and the close attention to details whether it be emotion, scenes, or fabric detail. Most of all, I enjoyed the message of the film as well as the human connection. I highly recommend this movie and look forward to seeing it again.

Anthony (Martin Papazian) is a recently divorced vet who is on the brink of self-destruction until his ten-year-old neighbor, Wade (Tristan Lake Leabu), desperately needs Anthony to help him find his father. Both go on a journey of self-discovery while battling inner demons and are quietly helped along the way by the unsung heroes of the world – The Least Among Saints.

Small film. Big message. This fast-paced true-to-life movie is a must-see for anyone who likes rich thought-provoking stories of humanity. The performances are spot on and powerful. Keep your eye on Martin Papazian and young Tristan Lake Leabu. I gather this is not the last we'll be seeing of them.

I was hoping to like this movie, I wanted to like it. I usually enjoy character driven movies, more so when they have child - adult interaction.

Watching this movie I couldn't help but feel I was watching a soap opera, or at best a made for TV movie. It doesn't deserve the high rating it has here on IMDb. The film is based around a formula of pity and compassion, which has failed miserably. An adult ex military, a kid with problems, a dog, all coming together to make life worth living, but it doesn't work this time, rarely does when you rely on formula alone. The acting is woeful, unbelievable. The hard nosed social services woman is so over acted, the movie is melodramatic in every sense. Hollywood produces these movies based purely on formula and think the formula will work every time, sadly Hollywood has got it wrong.

When looking at movies with adult - child interaction and character driven, see The Butterfly (2002) aka Le papillon, or Oshin (2013), Skyggen af Emma (1988).

As I stated previously, I wanted to like this movie, but didn't at all.

I stumbled across this indie film in L.A., and was very pleasantly surprised! The lead character (played my Martin Papazian) grabbed my interest in the very first scene, and held it til the end, in a subtle, layered performance as a haunted war vet, that has us rooting for him despite his flaws, and very deserving of top critic Jeffrey Lyons calling him a "rising star". The supporting cast was equally strong, with such talented veterans as AJ Cook as the drugged out mother, Laura San Giacomo as the tough as nails, wise-cracking social worker, and the always powerful Charles S. Dutton as a police chief, plus many other great supporting performances, not the least of which was newcomer Tristan Lake Leabu as the kid. I heartily recommend this film - it's a real find!

This is an honest and humble love story, really, framed in two important social/political issues that our world currently faces. First, how should we be dealing with returning Veterans from all over the world. How do we help them heal, as a society and as individuals. What works and what does not work within the "system" and how can we change that? Second, how are we handling children who suddenly find themselves in the system. Overworked social workers are limited in what they can do and how well they can do it. I know I said it's a love story, and it is. A love story with lovely moments. Oh and moments that make you squirm. And moments that are so terribly tragic yet some have undertones of humor. Some don't. Bring a handkerchief, but Martin Papazian, the director, handles them without being maudlin. And Martin Papazian, the actor, lights up the screen.