Yossi

This film tells the life of Yossi, the Israeli soldier who lost his love in war, ten years after his loss. Yossi has become a cardiologist, working in a hospital. He is lonely and solitary on purpose. He meets a young soldier, and he struggles whether to let someone into his life or not, just like last time with Jagger.

"Yossi" is very similar to the last film, "Yossi & Jagger". Yossi is basically still the same restrained and solitary man, rejecting something beautiful for reasons only he would know. The pacing is slow, which echoes the psychological state of Yossi being slow to warm up to people who love him. It also touches on healing after loss, and the stigma on being gay, but these themes are not so well developed to become tear jerking subplots. Though it is not particularly engaging or moving, and the low budget shows, it is still worth a watch.

Yossi is a sequel to but not a continuation of Yossi & Jagger, and I don't care that this movie doesn't carry that romance to new heights of ecstasy. This is a story of what happens to Yossi later in life; the fact that ten years later Jagger isn't still an integral part of it is both normal and fine with me.

What does offend me greatly is the way Yossi is presented as if his being over 30 and slightly heavier than an anorexic fashion model makes him gross and repellent, incredibly lucky if any man even slightly younger or thinner looks at him without vomiting or at least sneering. Obesity is far too extreme a term, and even overweight is unreasonable. Yossi is a normal size, and he is by far the sexiest man in this movie. It's any other man who's lucky to get him, not the other way around.

The movie's second great offense is Lior Ashkenazi, as Yossi's pseudo-friend and fellow cardiologist Moti. Somebody in addition to Ashkenazi himself evidently finds him overwhelmingly attractive, but not me. I can't stand him. The most disgusting, most infuriating movie scene I've seen in years has him bringing a girl into the bar toilet where Yossi is peeing and trying to work up a sleazy threesome even though Yossi clearly isn't interested.

I know Moti is supposed to be disgusting, as are several others in this movie; but I already know that most people - especially straight men (and, unfortunately, most young gay men, like a smug, insufferable jerk Yossi meets online, and even the supposedly hot but arrogant and ugly soldier Tom who forces himself on Yossi near the end) - are disgusting, and having offensive behavior rubbed in my face doesn't entertain me.

I love Ohad Knoller, and the older and beefier he gets the sexier he gets, but he's wasted in this sadly and annoyingly shallow movie. Eytan Fox laid an egg this time.

Both of these movies were powerful films and the sequel does not disappoint. Ohad Knoller did a wonderful job. One of the existing reviews seemed to judge everything based on the looks of the individual actors in the film which seemed rather shallow. I did agree with them on some points though. Yes, Yossi, in spite of the weight he has added, still carried the movie, and he is still a strikingly handsome fellow. At first I could not recognize him as the same fellow that was in Jossi and Jagger. Secondly, the toilet scene where the other doctor brings a girl in to have a threesome with Yossi, seemed a little out of place, but perhaps it added some additional perspective to the lonely and dismal place that Jossi was in his life at that stage. Overall, I loved the movie and would say that it is easily Israel's answer to Brokeback Mountain. I thought about Jossi for days after viewing the film in much the same way I did when I saw Brokeback Mountain.

I would now like to see anything with Ohad Knoller in it...he is my new favorite actor. Go Ohad!!!

Set in contemporary Israel, YOSSI follows the life of the eponymous hero (Ohad Knoller), a heart surgeon who spends most of his life at work to try to compensate for a non-existent social life. Having lost his lover in combat, Yossi spends his few leisure hours watching porno films on a computer, trying and failing to find dates, and making a pilgrimage to Varda's (Orly Silbersatz's) house - Varda being the mother of his deceased lover. Eytan Fox's film is a stark depiction of loneliness - there is little or no music, and the camera scarcely departs from Yossi's face as he looks at his shapeless figure and wonders whether he will be able to escape the trauma of his loss. However the film takes an optimistic turn as Yossi travels to a resort, and on the way meets up with a group of soldiers. One of them, Tom (Oz Zehavi) takes a fancy to him - even though it takes a long time for Yossi to shed his inhibitions and respond in kind. In a consciously vulgar seaside resort, full of manufactured entertainment and artificial swimming-pools, the two of them spend the night together and subsequently take a life-changing decision. Fox's film offers hope for anyone trying to cope with the pain of losing a loved one.

Wow. What a beautiful film.

So simple yet so... I don't know how to describe it. I watched it with this peaceful relaxed feeling throughout the whole film. The story flows effortlessly. I don't know how the director did it. Everything just seems to work, just like in Yossi & Jagger. It could have been one of those typical films, but yet it works so well that it's special. It's almost like there's magic in the air. The acting is wonderful. Ohad Knoller who play Yossi is absolutely perfect. What a charmer. The film is all about Yossi and Ohad did a fantastic job. He's really the heart and soul of the film.

It's not everyday that I would give a "normal" film like this a 10, but I'd give this a 10.