Tom yum goong 2

Disappointed by Tom Yum Goong 2 (The Protector 2).

It is a half-baked movie. The problem I found with this second installment were mostly post-production stuff, e.g. lousy and disjointed music, rough and disjointed cut, bad CGI, bad image composition which make a real stunt looks like a fake stunt.

Yep. If only the movie was left as it was taken without any post- production things (like let the background were green), it might be more enjoyable than this half-finished movie.

The other problem was lack of screen time for Jeeja Yanin. In THE KICK, Jeeja Yanin didn't play the main character yet she stole the screen. Here, she barely exist although she appeared in the final fight.

Once you can get pass through the annoying things, the movie was actually have a better stuff which could make it a way better than Donnie Yen's Special ID.

TYG 2 was actually felt more like the sequel of Ong Bak instead of Tom Yum Goong.

The earlier scene where Tony Jaa taught children three martial art movement based on elephant movement reminded me to the earlier scene of Ong Bak which Tony Jaa exhibit all the movement from Muay Boran. I was excited watching the scene but unfortunately, that idea was developed into action only for .. err.. two fight scenes. The other fight scenes was all-the-stuff-we-have-seen-from-previous-movies.

The bikes-chase-scenes were kind of mixing between Tuk-Tuk chase scene and gambling gang chase scene from Ong Bak. This scene, which should had been great, unfortunately was the most unfortunate scene ruined by those half-finished post-production.

The actor which may gain benefit from this movie was Marrese Crump who played as Fighter #2. I counted there were four fight scenes in which he appeared. The first fight was so and so (He against Tony Jaa, Jeeja Yanin, and another girl). The second one was amazing (he against Tony Jaa). The third one was too fantasy and the CGI were not good. The fourth one, which also the final fight was good although the choreography was so and so.. but it was tense.

If I'm not mistaken, there will be a project, 'FORMLESS', which had him as a star and also collaborate with the same team from Tom Yum Goong 2. I can't wait to watch it but I wish Sahamongkol Film will really take time to finish the post-production as necessary. Releasing this kind of half-baked movie was really a grave mistake.

i just want to say that tonyjaa is absolutely sad waste of talent.he is great fighter.nobody perform original fight like him without wirework.but he is being waste in small budget movies,so i request to big names Hollywood director to sign him in a big movies.and i want to say BIG THANX to director of fast and furious 7' who gave tonyjaa a role. paul walker passed away wo don't know how long we have to wait for the movie.but director can raise the duration of tonyjaa'role in the movie.it ll be great chance for him and use him in a long duration fight scenes so other directors or Hollywood giants can see his performance.

I give a 4 only for some serious deadly stunts done by real professional fighters. Other than that the whole movie is a waste of time. I think Tony Jaan has also gained some weight compared to his earlier movies. The roof motor cycle fight was way too lengthy and did not give any thrills. The fight in the warehouse in TYG first part was simply fantastic. There is no comparable fights in this movie. The twin sisters were good with their fights but nothing great to mention in detail about it. Jeeja Yanin was good as usual, but I think she is also completely wasted her talents in this movie. RZA, seriously why? There is only build up and no big effects. Sorry,but was very disappointed.

Story: Ridiculous, boring, tons of plot holes - but who cares, it's got Tony Jaa AND JeeJa Yanin in it, right?

Martial arts choreography: Tony Jaa, half of the time, is running away from something and not fighting back. They could have shown off his great athletic skills but compared to the chase scene in Ong Back it's a joke what they do here. Also the variety of moves is rather small and unimaginative and the only thing that sets it apart from other martial arts movies is that it's Muay Thai. Enter JeeJa Yanin who has shown in her previous movies that she is a force to be reckoned with. In this movie I felt like they didn't really know what to do with her and she has to be saved by Tony's character quite often. They didn't really give her enough room to shine. Here and there you see a hint of what she's capable of but it stays more of a hint. And what's up with all the jumping against walls? I've never seen any other movie where they do kicks and jumps pushing of a wall as often as in this one. a) It gets boring after a while. b) Half the time the person doing it gets thrown or kicked (so you could call it a fail).

As a fan of martial arts I gave it a 5/10 which in my case means it's OK, I didn't fall asleep. I didn't watch it for the story. If you like a movie to also have somewhat interesting story that makes some sense it's more of a 4/10.

Tom Yum Goong 2 marks Tony Jaa's return since his announced retirement after the failed Ong Bak 3 and living life as a Buddhist monk. The sequel to 2005's Tom Yum Goong has Kham's elephant Khon is kidnapped once again by an evil organization that plans to blackmail Kham into assassinating the President of Katana to kick start a coup. As flimsy as that plot sounds, it is the least of its problems.

By incorporating special effects and stereoscopic 3D into the film's action scenes, Pinkaew forgets its major visual effect, namely Tony Jaa himself. The action is haphazardly cut with an embarrassingly huge amount of spatial jumps and tight close-ups that do not match, as if there was not enough usable footage. Many times the viewer enters the action after the first hit has been made. Apparently there were five editors on the project, what happened?

Tony Jaa is at not in his peak physical form, and the film seems to be hiding it from the audience. He is not as fast or hard-hitting as he once was. Jaa's choreography is restrained, for most of the group fights he just seems to be dispatching people aside as quickly as possible. And the whole time, I was waiting for Jaa to show off. Every time Ja whips out the elephant boxing style, a style that he and fight choreographer Panna invented for the previous film, are some of the film's most exciting moments. Sadly, there is very little of it.

Jeeja Yanin from Chocolate is unfortunately sidelined, she occasionally shows up to help Tony Jaa and vice versa, but otherwise there is little interaction between them. Clumsy cop comic sidekick Petchtai Wongkamlao gets some nice lines in but as seen in the first Ong Bak his strengths seem to lie in physical comedy, which he does not get to do here. The stunning Rhatha Phongam from Only God Forgives also makes a decent femme fatale, but the overabundance of supporting characters and a political assassination plot weighs everything down as the film takes on more than it can handle. Why does it have to be so complicated? Man loses elephant. Man goes and retrieves it, end of story!

RZA, together with his film The Man with the Iron Fist and self-proclaimed love of martial arts films, is forging a reputation to being a kung fu film staple. His casting as the villain is cashing in on that particular geek sheik. Atrocious acting aside, watching RZA sharing an on screen fight with Tony Jaa had me rolling my eyes. RZA movie fights just fine, but does anyone buy him gaining the upper hand on Ja?

Speaking of which, Marresse Crump, who plays the lead henchman, is a great on screen fighter who can go toe-to-toe with Tony Jaa. The first fight between Crump and Jaa had me pumped, and their last fight on a train track was the type of creative set piece I was expecting to see. Both fighters are capable of more complicated choreography but the choreographers held back with their fight. The fights always seem to be over before the audience can properly enjoy them. The first Tom Yum Goong had a video game boss level-like approach with its action sequences that kept topping each other in terms of scale and insanity, which was made it entertaining and hilarious. There is nothing to that equivalent here.

The best Prachya Pinkaew film is still Chocolate, as it had a neat creative angle and managed to incorporate its action in telling an emotional story coherently. Tom Yum Goong 2 just seems oddly distracted and unconfident about what it wants to be.