Desaparecida: El caso Lucie Blackman
Título original: Keishichô sôsaikka rûshî burakku man jiken
CALIFICACIÓN DE IMDb
6.4/10
4.1 k
TU CALIFICACIÓN
1.º de julio de 2000. La joven británica Lucie Blackman, de 21 años, desaparece en Tokio y desencadena una investigación internacional y una incansable búsqueda de justicia.1.º de julio de 2000. La joven británica Lucie Blackman, de 21 años, desaparece en Tokio y desencadena una investigación internacional y una incansable búsqueda de justicia.1.º de julio de 2000. La joven británica Lucie Blackman, de 21 años, desaparece en Tokio y desencadena una investigación internacional y una incansable búsqueda de justicia.
- Dirección
- Guionista
- Elenco
Lucie Blackman
- Self
- (material de archivo)
Sophie Blackman
- Self - Lucie's Sister
- (material de archivo)
Tony Blair
- Self - Former Prime Minister of England
- (material de archivo)
Graham Norton
- Self
- (material de archivo)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I know this story pretty well already, having read a few books on it. Tokyo Hostess, in particular, was well written and gave a lot of detail.
This documentary starts when Lucie has already disappeared, so there is no background to her life in Tokyo and her job working in the hostess club. It suffers greatly for this, as this is what would make the casual viewer care about her story.
Instead, it's her father, who I find seriously arrogant, who is star of this show. Not playing down that he lost his daughter, and obviously what happened to Lucie was evil, but I just couldn't deal with him throwing his weight around in another country. I know this won't be a popular opinion. Reading that he accepted a cash payment in hopes of a reduced sentence from a friend of the killer makes him look even worse, honestly.
Lucie took a silly risk to make easy money (again, in no way makes what happened to her okay). Father has the air of wealth, so not sure why he didn't just fund her holiday instead of letting her do that. Even a safe country has its issues.
This documentary starts when Lucie has already disappeared, so there is no background to her life in Tokyo and her job working in the hostess club. It suffers greatly for this, as this is what would make the casual viewer care about her story.
Instead, it's her father, who I find seriously arrogant, who is star of this show. Not playing down that he lost his daughter, and obviously what happened to Lucie was evil, but I just couldn't deal with him throwing his weight around in another country. I know this won't be a popular opinion. Reading that he accepted a cash payment in hopes of a reduced sentence from a friend of the killer makes him look even worse, honestly.
Lucie took a silly risk to make easy money (again, in no way makes what happened to her okay). Father has the air of wealth, so not sure why he didn't just fund her holiday instead of letting her do that. Even a safe country has its issues.
Internationally known as "Missing: The Lucie Blackman Csse", this is a feature-length documentary of a true crime case. Taking place in 2000's Japan, a 21-year british girl has gone missing in Tokyo. This documentary gives an overview of the facts that happened since she went missing.
What makes this true crime documentary interesting is not only the large (inter-)national attention that the case a caught in the 2000's, but also how exactly her father was able to gain all the attention and thereby pressure the japanese police to take all the actions possible to push this case forward. In my opinion, it is exactly this pressure that got this case eventually solved.
The documentary is based on (1) interviews with many involved parties - e.g. Family, press, police, (forensic) investigators - combined with (2) footage from 2000 that was taped during the course of the investigation, and (3) newly recorded footage on-site. It is an attractive combination of material that gives the viewer an overview of many relevant facts of the investigation that took place. Unfortunately, we get to see practically nothing of the trial(s) itself.
What I found missing in this documentary, is more information on whom exactly Lucie Blackman was. Yes, we get some information on her having been a stewardess and now a hostess in Japan. But other than that, we only get to see a photo of how she looked. It would have been more fair to her, if the documentary would have put more time in describing her youth, interests and upbringing. Some interviews with former friends would have given the viewer some emotional connection with her.
What I also would have liked to see, is more information on the "profession" of being a hostess in Japan. This topic was only covered very shortly by interviews with two authors that wrote a book on this profession. These short interviews got me as viewer left with more questions than answers - a fact that I think other viewers will also experience.
Summarizing, I found the documentary an interesting watch. For someone interested in true crime, it will also give an idea of how cases are investigated in Japan. As such, I award this documentary a score of 7.2/10, thereby making it a 7-star IMDb rating.
What makes this true crime documentary interesting is not only the large (inter-)national attention that the case a caught in the 2000's, but also how exactly her father was able to gain all the attention and thereby pressure the japanese police to take all the actions possible to push this case forward. In my opinion, it is exactly this pressure that got this case eventually solved.
The documentary is based on (1) interviews with many involved parties - e.g. Family, press, police, (forensic) investigators - combined with (2) footage from 2000 that was taped during the course of the investigation, and (3) newly recorded footage on-site. It is an attractive combination of material that gives the viewer an overview of many relevant facts of the investigation that took place. Unfortunately, we get to see practically nothing of the trial(s) itself.
What I found missing in this documentary, is more information on whom exactly Lucie Blackman was. Yes, we get some information on her having been a stewardess and now a hostess in Japan. But other than that, we only get to see a photo of how she looked. It would have been more fair to her, if the documentary would have put more time in describing her youth, interests and upbringing. Some interviews with former friends would have given the viewer some emotional connection with her.
What I also would have liked to see, is more information on the "profession" of being a hostess in Japan. This topic was only covered very shortly by interviews with two authors that wrote a book on this profession. These short interviews got me as viewer left with more questions than answers - a fact that I think other viewers will also experience.
Summarizing, I found the documentary an interesting watch. For someone interested in true crime, it will also give an idea of how cases are investigated in Japan. As such, I award this documentary a score of 7.2/10, thereby making it a 7-star IMDb rating.
There is a movie called the "earthquake bird" that takes a really similar tone and everything to this story and even worst because this is real life, the story of lucie was tragic indeed but there are so many others with stories similar to this one and no voice to speak up i think netflix should be doing more documentaries like this so we know about those sad cases there is a similiar active case about a 21 year old girl that flew to japan 16 years ago with a one way ticket and never return to this day no one knows anything about her i there are thousands stories like this we need more, but i agree that we needed to know more about lucie who she was.
Extremely biased story telling, eluding many important facts of the story, including the father receiving 450k£ from the killer to limit his sentence, or the existence of her friend and colleague who had received a phone call from the killer on day one.
Only the father and cops are giving testimonies to re-write History, and skip all the aspects that could hurt Japanese police.
When you check who the director is, you understand the story is told in a way to clean Tokyo police image only.
Netflix should be ashamed of producing such content, without any fact checking, and depicting an absolutely misleading representation of the actual story.
Go on YouTube or listen to podcasts, you will have better quality content to understand the full story instead of wasting your time with this piece of propaganda.
Only the father and cops are giving testimonies to re-write History, and skip all the aspects that could hurt Japanese police.
When you check who the director is, you understand the story is told in a way to clean Tokyo police image only.
Netflix should be ashamed of producing such content, without any fact checking, and depicting an absolutely misleading representation of the actual story.
Go on YouTube or listen to podcasts, you will have better quality content to understand the full story instead of wasting your time with this piece of propaganda.
This is obviously a tragic case, the anguish and desperation are perfectly understandable.
However, the attitude? Why do British nationals so often behave like this in an international setting? From British journalists throwing stereotypical comments about another culture, to Tim Blackman's initial disrespect and antagonistic attitude to random Japanese people/cops who are just trying to go about their lives. Again, it's a serious case, and it's understandable that certain standard behavior is out-of-the-window here, but trying to stick your posters anywhere then giving an officer a hard time for nicely telling him not to?
Imagine a foreigner who made a scene in London after their hostess daughter went missing. They then tried to stick posters everywhere downtown, then their entourage of journalists/friends throw stereotypical comments like "oh you know the Brits, they may seem reserved, but there's a dark side under the belly," sneering at the police instead of trying to engage with them first... they might be tackled to the ground forthwith, let alone being given big platforms to present their case to the media and being allowed to do whatever they want (including setting up a hotline, which the Tokyo Met claims might interfere with investigation), all the while with many locals offering assistance.
Look, not suggesting that the Tokyo Met is beyond reproach here, all police forces are flawed, including the Scotland Yard, and their actions deserve scrutiny. Just saying that a sense of self-entitlement isn't going to help anything.
However, the attitude? Why do British nationals so often behave like this in an international setting? From British journalists throwing stereotypical comments about another culture, to Tim Blackman's initial disrespect and antagonistic attitude to random Japanese people/cops who are just trying to go about their lives. Again, it's a serious case, and it's understandable that certain standard behavior is out-of-the-window here, but trying to stick your posters anywhere then giving an officer a hard time for nicely telling him not to?
Imagine a foreigner who made a scene in London after their hostess daughter went missing. They then tried to stick posters everywhere downtown, then their entourage of journalists/friends throw stereotypical comments like "oh you know the Brits, they may seem reserved, but there's a dark side under the belly," sneering at the police instead of trying to engage with them first... they might be tackled to the ground forthwith, let alone being given big platforms to present their case to the media and being allowed to do whatever they want (including setting up a hotline, which the Tokyo Met claims might interfere with investigation), all the while with many locals offering assistance.
Look, not suggesting that the Tokyo Met is beyond reproach here, all police forces are flawed, including the Scotland Yard, and their actions deserve scrutiny. Just saying that a sense of self-entitlement isn't going to help anything.
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- Missing: The Lucie Blackman Case
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- Tiempo de ejecución1 hora 23 minutos
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