Una historia de amor poco convencional entre una madre soltera de clase trabajadora, su hija pequeña y un hombre gay privilegiado.Una historia de amor poco convencional entre una madre soltera de clase trabajadora, su hija pequeña y un hombre gay privilegiado.Una historia de amor poco convencional entre una madre soltera de clase trabajadora, su hija pequeña y un hombre gay privilegiado.
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- 4 nominaciones en total
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It's like a jigsaw puzzle where all the emotional pieces don't go together yet somehow fit. Thus the overall picture has uneven, rough edges and a lack of symmetry.
Jack Farthing plays a brilliant but vile version of Hugh Grant complimented by Daisy May hiding her First in English Lit under her pebbledash exterior. Although at times it may seem to be writhing in the dysfunctional and lacking emotional empathy, it is real as a bag of mouldy potatoes. Drugs, gambling, cheating, lying, and glorious food banks are the norm, not romance, candlelit dinners or happy endings.
Take Ade Edmondson as the Lenny the perv. He epitomises disgusting and most would avoid writing his character like the bubonic. No hankies needed, just all be prepared like a good Boy Scout to be shocked.
Not nice but true.
Jack Farthing plays a brilliant but vile version of Hugh Grant complimented by Daisy May hiding her First in English Lit under her pebbledash exterior. Although at times it may seem to be writhing in the dysfunctional and lacking emotional empathy, it is real as a bag of mouldy potatoes. Drugs, gambling, cheating, lying, and glorious food banks are the norm, not romance, candlelit dinners or happy endings.
Take Ade Edmondson as the Lenny the perv. He epitomises disgusting and most would avoid writing his character like the bubonic. No hankies needed, just all be prepared like a good Boy Scout to be shocked.
Not nice but true.
This alternative series is a breath of fresh air! I am very surprised by the relatively low score here, because this series is both innovative, well-made, varied, topical and humorous. Daisy May Cooper in particular excels here. She stars as the tired but resilient single mother Costello Jones. This is essentially the star here, and rightfully so. She is incredibly good at portraying both social challenges and economic problems - in general, the alienation that many people experience today. But her character never gives up. I think it's wonderful to follow her, and her small and big battles. I hope this series has a long life because Costello Jones has only just shown us what she is capable of.
As "Rain Dogs" (2023 release from the UK; 5 episodes of about 26-28 minutes each) opens, we are introduced to Costello, a single mom, and her 9 yo daughter Iris. They are being evicted from their apartment for lack of paying rent. In a parallel story, a Simon, who s gay, is released from prison that same day. What is the relationship between Simon and Costello? More urgently, Costello needs to figure out where she and Iris can take shelter for the next night... At this point we are 10 minutes into Episode 1.
Couple of comments: this mini-series is the TV debut of British writer/creator Cash Carraway. Here she looks at the challenges facing many folks living at the margins in expensive cities like London (where this is set). Social and housing inequality is an actual problem that more and more people are encountering. This mini-series is billed as "black comedy" and for good reason. There are no "laugh out loud" moments, but quite a few scenes where I found myself chuckling, mostly at the quirky nature of this series. Daisy May Cooper (s Costello) takes the series on her shoulders in a frank yet moving performance. Bottom line: this is not for everyone, and certainly not for anyone looking for a "feel good" comedy.
"Rain Dogs" started airing on HBO in early March and is now available on HBO Max, where I caught it. I've seen 3 of the 5 episodes, with the last two remaining episodes to be released on the next 2 Mondays. If you are in the mood for something quirky and dark-ish that is most definitely also very British. I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this mini-series is the TV debut of British writer/creator Cash Carraway. Here she looks at the challenges facing many folks living at the margins in expensive cities like London (where this is set). Social and housing inequality is an actual problem that more and more people are encountering. This mini-series is billed as "black comedy" and for good reason. There are no "laugh out loud" moments, but quite a few scenes where I found myself chuckling, mostly at the quirky nature of this series. Daisy May Cooper (s Costello) takes the series on her shoulders in a frank yet moving performance. Bottom line: this is not for everyone, and certainly not for anyone looking for a "feel good" comedy.
"Rain Dogs" started airing on HBO in early March and is now available on HBO Max, where I caught it. I've seen 3 of the 5 episodes, with the last two remaining episodes to be released on the next 2 Mondays. If you are in the mood for something quirky and dark-ish that is most definitely also very British. I'd readily suggest you check this out, and draw your own conclusion.
I didn't expect much from this series and watched the first two episodes inattentively and without much interest. However, starting with the third episode, I was already much more concerned about the plot. Now I think this series is brilliant in its own way.
First of all, there are few movies where the theme of codependency and toxic relationships is shown realistically: there is neither an ideal and helpless victim, nor a ruthless abuser. There are only people who try, love and try again. And then, what dialogues! My special thanks to the scenarists.
Of course, I would like to see something more holistic in the plot and more aesthetic in terms of framing and directing, but since the author's vision is like that, I accept this product as it is.
And for sure I can't wait to see main characters' new ups and downs.
First of all, there are few movies where the theme of codependency and toxic relationships is shown realistically: there is neither an ideal and helpless victim, nor a ruthless abuser. There are only people who try, love and try again. And then, what dialogues! My special thanks to the scenarists.
Of course, I would like to see something more holistic in the plot and more aesthetic in terms of framing and directing, but since the author's vision is like that, I accept this product as it is.
And for sure I can't wait to see main characters' new ups and downs.
Costello is a single mum, trying to do her best for her daughter Iris, her life is chaotic, and the major cause is her best friend Selby, a gay man from an immensely privileged background.
I've waited until I've got through the whole thing before reviewing the series in general, by episode five I still couldn't quite work out just what it was, by the end of it, I just couldn't care less, all I knew, is that it's a great series.
It's funny, it's sad, it's relevant, it goes on to deal with several taboo subjects, there is some material here that I don't think I've seen tackled in any show, Costello's story with her mum for example, that was quite something.
A real snapshot of life in 2023, how tough it is, and just how people will do whatever they can to survive. Costello's relatively with Selby, it's sort of a toxic story of love and friendship, it's so complex, but so interesting, how many of us have that love/hate thing going on with people, nothing truly is black and white.
Daisy May Cooper sends out a huge signal ahead of her Bond role, totally deserving, she is phenomenal, as an actor and a writer, I have a feeling she's due to be something of a national treasure. Jack Farthing, what a contrast to his role on Poldark, he is phenomenal as Selby.
An awesome supporting cast, Anna Chancellor, Ronke Adekoluejo, Ade Edmondson, Siobhan Redmond and even Karl Pilkington.
Don't let this one pass you by.
9/10.
I've waited until I've got through the whole thing before reviewing the series in general, by episode five I still couldn't quite work out just what it was, by the end of it, I just couldn't care less, all I knew, is that it's a great series.
It's funny, it's sad, it's relevant, it goes on to deal with several taboo subjects, there is some material here that I don't think I've seen tackled in any show, Costello's story with her mum for example, that was quite something.
A real snapshot of life in 2023, how tough it is, and just how people will do whatever they can to survive. Costello's relatively with Selby, it's sort of a toxic story of love and friendship, it's so complex, but so interesting, how many of us have that love/hate thing going on with people, nothing truly is black and white.
Daisy May Cooper sends out a huge signal ahead of her Bond role, totally deserving, she is phenomenal, as an actor and a writer, I have a feeling she's due to be something of a national treasure. Jack Farthing, what a contrast to his role on Poldark, he is phenomenal as Selby.
An awesome supporting cast, Anna Chancellor, Ronke Adekoluejo, Ade Edmondson, Siobhan Redmond and even Karl Pilkington.
Don't let this one pass you by.
9/10.
¿Sabías que…?
- TriviaNamed after the 1985 Tom Waits album "Rain Dogs". The album's central theme was urban dispossession.
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