CALIFICACIÓN DE IMDb
7.1/10
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Cada vez más eclipsada por el reciente ascenso a la fama de su novio, un artista contemporáneo que crea esculturas a partir de muebles robados, Signe trama un malvado plan para reclamar su a... Leer todoCada vez más eclipsada por el reciente ascenso a la fama de su novio, un artista contemporáneo que crea esculturas a partir de muebles robados, Signe trama un malvado plan para reclamar su atención de la élite cultural de Oslo.Cada vez más eclipsada por el reciente ascenso a la fama de su novio, un artista contemporáneo que crea esculturas a partir de muebles robados, Signe trama un malvado plan para reclamar su atención de la élite cultural de Oslo.
- Dirección
- Guionista
- Elenco
- Premios
- 7 premios ganados y 10 nominaciones en total
Mathilda Höög
- Anja
- (as Matilda Höög)
Elisabeth Aschehoug
- Anine
- (as Elisabeth Bech Aschehoug)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I didn't expect it to be THIS good. There's a lot of film talent in Scandinavia lately. If you're reading this and the combo "drama, comedy, horror" sounds appealing you can't go wrong with this one (I recommend watching it alone). It does those three genres well with great timing. It's funny, it's horrific, it's devastating and beautiful. A lot of films - most of them really - nail the beginning and then fall apart, or resort to generic formulas for the ending, but a good ending makes it all worth it, gives meaning to the whole thing, I believe it's the most crucial part of a film.
This is really great stuff, a descent into madness presented with intelligence, sensitivy and style, it's up there close to heavy weights like Cronenberg's The Fly or Polanski's Repulsion; and Kristine Kujath Thorp is outstanding, without her there is no film. Besides, she is absolutely gorgeous. This deserves much more attention (ha!).
This is really great stuff, a descent into madness presented with intelligence, sensitivy and style, it's up there close to heavy weights like Cronenberg's The Fly or Polanski's Repulsion; and Kristine Kujath Thorp is outstanding, without her there is no film. Besides, she is absolutely gorgeous. This deserves much more attention (ha!).
There's a girl who likes to exceed expectations, just to grab, grasp, claw, pluck, seize, the world's attention, a girl whose boundaries are so wide, it's hard to even give a guide, as she smashes, crashes, bashes her foundations.
Original for sure, as Signe, superbly performed by Kristine Kujath Thorp, captures the eye, refocuses your gaze, turns your head at an angle and distracts with dismay, all for the sake of the brainwashing world so many have come to be seduced, deceived and ensnared by, and the rewards it invariably fails to deliver, as the clock tik toks and the masses fail to take stock, lock and flock.
Original for sure, as Signe, superbly performed by Kristine Kujath Thorp, captures the eye, refocuses your gaze, turns your head at an angle and distracts with dismay, all for the sake of the brainwashing world so many have come to be seduced, deceived and ensnared by, and the rewards it invariably fails to deliver, as the clock tik toks and the masses fail to take stock, lock and flock.
This movie, about a woman who hatches a vicious plan to reclaim her rightfully deserved attention, is quite a unique story with interesting content, and is definitely something different. I think it was smart to add some humor here and there, which made the movie very alive. Narcissism is the core theme here, and the brutality was almost frighteningly strange. The crazy thing about this is that there are actually people out there doing the same kind of action like in this movie. A very interesting topic! I think the camera and the lightning work wasn't to good, which made it sometimes feel like a homemade movie, but at the same time, I think the script and the editing was great. Also, time and reality were well used. Recommending for those who wants to experience something different!
There is a lot of social commentary to be found in this film, which revolves around a young woman named Signe, who cannot deal with her pathological need for attention. It not only brings a character portrait of someone suffering from Münchhausen syndrome, but it also highlights topics like how we choose our beauty standards, even with "imperfect" beauty to be politically correct, or how we portray ourselves to the outside world.
A funny dynamic is her relationship with an equally attention hungry boyfriend Thomas: he asked for her help stealing furniture which he makes into his "art" and takes all the credit for himself. The more attention he receives, the more revolted she becomes and vice versa.
The movie starts off fantastically with increasingly absurd social situations and how far people are willing to go for a second in the spotlight. However, the speed decreases halfway through the movie and instead focusses more on the actual sickness Signe forced on herself. Even though her state of being gets worse and worse, the initial lighthearted yet dark humor that worked so well is kind of forgotten. The ending was felt anticlimactic and out of place for a movie that borded on the absurd and extreme during the first half.
The ideas and the script are really great, but all in all I feel the makers did not exactly know how to end the story. It would have been better - in my opinion - if it went out with a bang or at least a bit more on par with the intensity delivered in the beginning.
A funny dynamic is her relationship with an equally attention hungry boyfriend Thomas: he asked for her help stealing furniture which he makes into his "art" and takes all the credit for himself. The more attention he receives, the more revolted she becomes and vice versa.
The movie starts off fantastically with increasingly absurd social situations and how far people are willing to go for a second in the spotlight. However, the speed decreases halfway through the movie and instead focusses more on the actual sickness Signe forced on herself. Even though her state of being gets worse and worse, the initial lighthearted yet dark humor that worked so well is kind of forgotten. The ending was felt anticlimactic and out of place for a movie that borded on the absurd and extreme during the first half.
The ideas and the script are really great, but all in all I feel the makers did not exactly know how to end the story. It would have been better - in my opinion - if it went out with a bang or at least a bit more on par with the intensity delivered in the beginning.
I watched the entire movie speechless, I had to watch 2 episodes of "bake-off, the professionals" right after to smell the flowers...
I do not agree with some reviews here which empathize with what they describe as a human who wants to be seen and recognized. To me, this is all about attention-obsession and the lack of basic morality and self-respect - everyone else is to a degree victim, but not the 2 lead characters in this movie.
The impact it has on the viewer makes the movie successful, and I recognize it is bold and courageous also because it touches the subject of the superficiality of social media and diversity models (although I find the hint of humor in the blind-assistant scenes not acceptable). Technically, the acting was good (convincing and natural a lot), the plot is keeping you engaged from start to finish, and it was well worth the time (and money if applicable) somebody spends to see it.
I recommend watching this movie either alone or with people who are equally willing to sit and watch carefully and discuss it afterwards. Its not a light Saturday night movie to "enjoy with friends" while ordering pizza and beers.
The impact it has on the viewer makes the movie successful, and I recognize it is bold and courageous also because it touches the subject of the superficiality of social media and diversity models (although I find the hint of humor in the blind-assistant scenes not acceptable). Technically, the acting was good (convincing and natural a lot), the plot is keeping you engaged from start to finish, and it was well worth the time (and money if applicable) somebody spends to see it.
I recommend watching this movie either alone or with people who are equally willing to sit and watch carefully and discuss it afterwards. Its not a light Saturday night movie to "enjoy with friends" while ordering pizza and beers.
¿Sabías que…?
- TriviaNorwegian star actor Anders Danielsen Lie, who has a single scene cameo playing the doctor revealing test results back to Signe at the hospital, is a licensed medical doctor in real life, and regularly works as a general practitioner in between film shoots. He had graduated from University of Oslo with a medical degree in 2007.
- ConexionesFeatured in Aksel is a Fish in the Aquarium (2024)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Sick of Myself
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 106,156
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,462
- 16 abr 2023
- Total a nivel mundial
- USD 1,102,579
- Tiempo de ejecución1 hora 37 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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