Corpo celeste

Having been brought up a Catholic, this evoked many familiar feelings in me and will probably resonate for quite some time.

Peopled with some very well-observed supporting characters - such as the Sunday School teacher, the Priest, and the visiting cardinal's team, it's clear how mysoginistic the whole structure remains, even as they struggle to maintain relevance in the modern world.

The girl at the centre of all this handles her role very well, I think, balancing her rebelliousness with her understandable feelings of dislocation in a new country with new surroundings and cultural (and religious) expectations, plus puberty. One feels that she has the inner strength to survive, despite circumstances so, despite being depressed that things remain like this, there is hope.

This is the movie which can be discuss for years to come. A young pre-adolescent girl from Switzerland, where there is freedom of religion, who goes to Catholic dominated Italy to live with her Mother and older Sister who pesters her. Imagine the cultural shock of a contrast country. Add to this, the coming of adolescent age with its confusion and rebellion. Survival is challenging despite the indoctrination of a religious sense to keep people living within the teachings of the church. One sees a battle between moral values and self preservation. Plus, the struggle of an innocent child who wants to live the right way in a world that acts on human self righteousness and desires. This film will take you on a ride which leaves you in a hopeless state of not knowing who to believe or what to believe. Yet, among all the world lust, hypocritical situations, and unfairness... we can survive. We are a miracle. Especially when we put our faith in spiritual understanding. A thought provoking film which will question your own beliefs and understanding.

While harshly critical of the deadening effects of religious dogmatism director Alice Rohrwacher is never crudely so. She manages to inject some level of sympathy for the abusive catechism teacher as well as the careerist priest while having the most negative person be the very secular, cruelly teasing older sister of the main character. I also like how the film's dramatics never veer into histrionics. In other words, Rohrwacher has a steady, controlling hand, for me a sure sign of a good film maker. Another indication is her ability to coax an amazingly fine performance from a child actor as she does here with Yie Vianello as the traumatized yet rebellious 13 year old Marta. I hope to see more of this fine director's work as well as Vianello's subsequent film, "Sow The Wind". Give it an A minus. (Why not an A? Well, for one, I would have liked more of an examination of why Marta's dad ignores her and prefers the horrendous older sister. And for another I wanted to know why Marta's family had to move from Switzerland to Calabria which, on the trauma scale, is like going from Boulder Colorado to Greenville Mississippi.)

I'm grateful to finally find a film that is sensitive, subtle, original in its view of people and has something to say (about faith and the church, society and outsiders.) It's Italian, but only two characters act like the Italian angry prototype, and only briefly. The acting is extraordinary. Yle Vianello, who plays the thirteen years old girl, seems as authentic as it gets. It is her story-after ten years in Switzerland, she returns to a small town in Italy with her single mother and 18-year-old sister. Right away she's called to participate in the endless studies for the communion at church. She tries to fit in, but is swept by other types of emotional and spiritual searches.

After a slow start, I really enjoyed this one. Yle Vianello is wonderful as Marta, the earnest young girl about to go through the rite of confirmation in the Catholic Church. In a quiet way and without resorting to something like a story of priestly abuse, director Alice Rohrwacher gives us a powerful critique. She shows church leaders to be almost hopelessly far from Christ's precepts, and more interested in indoctrinating the young (in some cases with untranslated and unexplained dogma) and their own positions within the hierarchy than in real teaching. The drive from Reggio Calabria to the abandoned hill town to tussle over a crucifix seems like a perfect metaphor. I felt for Marta's coming-of-age alienation from her changing body, her mean older sister, and her crisis of faith. The subplot of the priest's assistant, a woman who finds out just how little she means in the patriarchy of the church, is also strong.