Horizonte profundo

What is it about disasters that we enjoy watching? I could come up with a number of reasons, but the bottom line is that Hollywood has shifted to dramatizing former events as a means for more movies. Hi, Robbie K here bringing you another review of the latest films to grace the screen. Tonight we hit Deepwater Horizon starring Mark Wahlberg, Kurt Russell, and a handful of other actors. Let's get started.

LIKES: • Great acting • Over the top graphics • Emotionally stimulating

You might be thinking that I have gone crazy, after all Wahlberg hasn't had the greatest roles. Deepwater Horizon breaks the mediocre streak and drops him into a position that may net him an Oscar nomination. Wahlberg's portrayal of Mike Williams is certainly a heroic one filled with wisdom, strength, and a calm edge that sets the stage for a natural leader. But there is also a realistic side brought out near the second half the screen that balances out the heroic theatrics of Hollywood. Kurt Russell no surprise plays his usual rugged role, making sure to add the hard edge testosterone rush all older actors need to bring. Hudson and Malkovich get A's as well, each bringing the needed involvement to round out the cast. All the extras and lesser billed roles complete the picture as a close oil crew, but much of their time is spent standing around or ducking from fire.

Speaking of fire, the visual effects are top notch in terms of computer graphic imaging. Deepwater Horizon's reconstruction of an oil rig succumbing to its doom is very realistic. For you technical folks, the directors have crafted scenes to mimic the daily operations involved with pumping oil, from watching gritty mud flow through the pipe to the cracking foundation floor. That sound boring? Well those looking for a little more suspense will be impressed when the whole operation blows to pieces…literally. You might be amazed seeing the rig, and its crew, get covered in oil before erupting into a fiery inferno you've seen in the trailers. My friend described the visuals being so good, he felt immersed into the disaster, wanting to duck or dive as explosions rattled the screen.

Of course the real magic to the visual effects are the emotions it brings with it. The various sequences and montages of the exploding metal certainly paints a terrifying picture as you wonder how much time is left until something falls. Now add our characters trying to traverse the obstacle course from heck, feeling horrifying chills run through your body as you watch human bodies hurled through the air and disturbing injuries protruding in gory details. However, it is not all dismay and dread, no Deepwater Horizon has plenty of sequences and montages of heroism that will make you a little proud to be a human…no matter how overly theatrical it could be.

DISLIKES: • Overdramatic at times • Already know the ending • Editing needs work

I'm probably sounding overcritical or nonsensical, but here it goes anyway. Deepwater Horizon is at times a bit on the overdramatic side. As I said, much of the movie will light a fire in your soul that will have your patriotism in full force. Unfortunately, some of these moments are a bit too fake and in your face to get my full backing, primarily making an effort to pan on the American flag flapping in the flames. Even the more heroic moments sometimes get a bit too corny, the overdramatic focus on the camera amid a symphony soundtrack blaring pride. Again, they get the message across and deliver the emotion, it just sometimes gets a little too Hollywood for me.

The special effects and the noble protagonist will certainly spread suspense and awe, but it doesn't help that you know the ending. If you paid attention to the news, you know all about what happens to the rig, and if you choose to ignore history take a look at the trailer. The opening sequence doesn't help things either by telling you the fate of a certain character that further adds predictability to the mix. What does leave in terms of suspense and surprise? Pretty much it is the fate of the crew that held any mystery to me, and that was scarce at times. Perhaps another minor dislike, but still one nonetheless.

In regards to the editing, this one is a tough call to make. On the one hand I appreciate the details they provide about the incident, from the development of the disaster to how they faced the inferno the rig became. And yet, I felt some of it was elaborated too much for my liking. The build up was a little too long and drawn out, making it slightly boring as we waited for the dirt to hit the pipe. As the oil begins to bloom into a fountain the pace picks up, but then hits a very slow, somewhat pointless, standstill at the aftermath of the situation. Yes, it provides realism and rounding out of the characters, but again is a little too extended after all the excitement. They probably could have spared about fifteen minutes, but hey that's just me.

THE VERDICT:

Despite this being the third historical event to get a movie this month, Deepwater Horizon will provide the emotional thrills you want. A fantastic CGI design that's brimming with emotion and suspense. However, the predictability and overdramatic moments fall in line with Hollywood's magic and takes away from the message of the movie. I have to recommend this one for the theater though, primarily for the technological achievements it brings.

Overall my scores are:

Action/Drama/Thriller: 8.0 Movie Overall: 7.0

Peter Berg makes movies, but he also knows a lot about deep-water oil exploration. He'd have to, considering how complicated this dangerous activity is, and how well he handled those complexities and portrayed that danger in his film. Berg directed "Deepwater Horizon" (PG-13, 1:47), the dramatization of the 2010 Gulf of Mexico oil rig explosion which killed 11 people and resulted in the largest oil spill in the history of the petroleum industry and the biggest environmental disaster in U.S. history. A combination of faulty equipment and human error caused the disaster. Methane gas escaping up the rig's pipes enveloped it, ignited and eventually consumed the rig, which burned until sinking into the ocean 36 hours after the initial explosion. The titular rig's owner, Transocean, and its client, BP, traded accusations of wrongdoing for years, while various cases worked their way through the courts – and a lengthy environmental clean-up of the gulf coast proceeded. No one went to jail, but, according to Wikipedia, "To date BP's cost for the clean-up, environmental and economic damages and penalties has reached $54bn." But that's all scientific and industrial detail. This film is mainly a story about people.

Berg (with his screenwriters, Matthew Michael Carnahan and Michael Sand) personalizes the story by focusing on a few key people involved in the events depicted. Master electrician Mike Williams (played by Mark Wahlberg, who Berg also directed in 2013's "Lone Survivor") is a devoted family man with a loving wife (Kate Hudson) and a sweet and precocious daughter (Stella Allen), who's very proud of her dad and his job. Radio operator Andrea Fleytas (Gina Rodriguez) is a young, single woman who has a steady boyfriend and loves her vintage Ford Mustang, even if she does have trouble keeping it running. Both Mike and Andrea work for "Mr. Jimmy" (Kurt Russell, appearing on film for the first time with Hudson, who is his adopted daughter) is the caring, but tough and diligent Transocean foreman on Deepwater Horizon, who often finds himself at odds with BP's corporate representatives on the oil rig.

As Mr. Jimmy and his crew arrive at the rig for their three-week-long turn on board, it's apparent that the departing shift (including Berg, in a cameo role, in which he briefly talks with Russell's character) hasn't done their due diligence in taking care of operation and safety concerns on the rig. While entertaining two BP executives who are visiting Deepwater Horizon (and who present him with a safety award during a brief ceremony), Mr. Jimmy locks horns with BP liaison Donald Vidrine (John Malkovich). Mr. Jimmy insists on a test of the pressure entering the well from beneath the ocean floor. When the test gives conflicting results and the results of an alternate follow-up test complicates the situation further, the stage is set for disaster. The rest of the film depicts that disaster with astonishing detail and realism as everyone on that rig fights for survival and for the goal of getting back safely to their families.

"Deepwater Horizon" is a fascinating, entertaining and inspiring take on a real-life disaster. We get good character development and a detailed behind-the-scenes look at the considerations, disagreements and actions that led up to the catastrophic explosion, but there are a couple problems with all that. Berg does a good job with a combination of dialog, on-screen verbiage and impressive visuals to help us understand the dynamics at play, but it almost seems like too much, and the conversations, with a lot of technical jargon, characters talking over each other and seeming to mumble their lines, and some with various southern accents and some without, combine to make it difficult to tune one's ear to the dialog and understand everything that's being said. However, the main point of this movie is the survival story. Berg had a realistic version of the rig built (including many working components) for shooting. His attention to detail – in the set and in the film's visual effects is nothing short of remarkable. What's more, we care about the characters and the danger they're in feels real. For excellent acting, a well-developed story and incredible visuals, you should put this film on your horizon. "B+"

A solid disaster flick with some good production and acting, the first half is a little too slow for my taste but after the catastrophe strikes Deepwater Horizon rolls on like a beast.

Deepwater Horizon is a movie that succeeds on two levels: as an action-packed blockbuster and as an honest depiction of a tragic disaster. It's the story of the BP oil rig that exploded and contaminated the Gulf of Mexico. The way Berg directs the sequence of events is well paced and purposefully developmental for a good chunk of the movie. It takes about 45 minutes before the crap hits the fan, during which we're allowed time to get to know the characters - their quirks, their personalities - so we can empathize with their situation. The stakes feel real, as they should (and were), which is a testament to the directing and the acting. Mark Wahlberg and Kurt Russell dominate in their roles, Russell given the opportunity to remind us why he's one of the biggest stars ever. The supporting cast is excellent, including John Malkovich, Gina Rodriguez, and Dylan O'Brien, who have chemistry and rapport between other characters (Malkovich and Russell sharing a couple intense moments where not a word is said).

The disaster itself is portrayed brilliantly. The tone remains frantic and the stunning special effects work puts it over the edge. Once things go south, it's a nonstop adrenaline rush till the end. The only reason it's not rated higher is because it's merely a depiction of events, nothing groundbreaking or revolutionary in regards to storytelling. But it didn't have to be. This was a tragic event and the gritty realism shown here is as refreshing as it is intense. If you're in the mood for a deeper-than-average thrill-ride, look no further than Deepwater Horizon.

I usually don't write reviews but saw mostly negative reviews on here so far and that ain't right.

It is not a perfect movie and it's not artsy, or profound. However it is very entertaining, has wide appeal, will make you laugh, have you on the edge of your seat and might even make you cry. It's a slow build at the beginning but the tension soon rises and you will then be hooked. The effects appear to be realistic and mostly practical made with a production value that appears to be one of the most expensive films ever made (which alone is impressive given it is not a sequel or superhero movie).

Mark Wahlberg works as an everyman lead, but it is Kurt Russel who steals the show. Maybe the performance of his career, and the strongest aspect of the film in my opinion. Malkovich is also amazing as the villain, stealing every scene he is in. The two of them along with the incredible story done with top notch sets, effects and sound is exactly why you have to pay the money to see this on the biggest screen possible.

If you need a film to be a character study or you want senseless action from start to finish then you might be one of the people who is disappointed. But if you are looking for a gripping story with great tension and action that can be enjoyed by a wide range then go see this film.