El tiempo entre costuras

I loved this drama. I watched "Palmeras en la nieve" and was impressed by Adriana Ugarte's acting, style and beauty. So I found this drama and she did impress here as well. I love how the Spanish excel in portraying different historic periods. This show was just as such, beautifully shot, great acting and story line. This is not only a love story, but a story of a woman's journey with suspense, history and heart.

Highly recommend this.

It is everything one would hope for in a romantic period piece. Lovely scenery that is beautifully filmed. Lilting melodies on piano or with orchestra that remain in your head afterward. Fun scenes throughout, from the clubs, the cities, the country sides, to the costumes and cars of those times that are perfectly done. The actors all portraying their parts perfectly. I even learned things, such as the eating of the 12 grapes on New Years Eve in the main plaza in Madrid - which I looked up on my iPad without pausing the series on my TV. The story, as well, compelling, romantic, stressful at times as the main characters are always in some kind of danger. Perfect for delightfully and very satisfyingly filling a rainy day in bed with lots of sugary snack treats to indulge in.

Adriana Ugarte and the rest of the excellently selected cast grabs you from the first moment and holds on to your heartstrings till the very end. I commend the creators for giving us a story that keeps the viewer entranced without having to show explicit sex scenes or Uber realistic murders. Each episode ends in a cliff hanger that will leave you wanting more. My wife and I felt sad when it ended, but it was just the right amount of episodes to leave a lasting impression. Excellent show. Good on Netflix for bringing it to us.

My wife and I really enjoyed this series. The plot is engaging, and the acting is above average. Adriana Ugarte, who plays Sira/Arish, is particularly fun to watch. More than anything I enjoyed the look of the show -- the architecture (in Tangier and Tetouan Morrocco, Madrid, and Lisbon), the cars, and the clothes. I saw somewhere that the women in this show (the dressmaker and her clients) wore well over 1000 different outfits, each more elegant, in a 1940 sort of way, than the last. This isn't what I usually watch TV for, but the look of the show is over the top and it makes the whole series more fun to watch. Also, with the first half of the show set in the Tetouan, in the Spanish Protectorate in Morocco, during the Spanish Civil War, I had to brush up on some interesting history. I had imagined that Morocco was all under French control before the country resumed full independence in the 1950s, but a strip of northern Morocco was under Spanish administrative control from 1912 on. And of course Franco had started his rebellion against the Republic, and thus the civil war, by invading Spain from Morocco..

If you had created a series just for me, it would be "The Time in Between" -- 1930s, drama, fashion, suspense, and espionage - it had my name on it from the beginning.

"The Time in Between" is carried on the beautiful shoulders of Adriana Ugarte, a young, natural beauty with dancing eyes and a warm smile, who plays the heroine, Sira, who lives with her mother in Madrid during the Civil War. Her mother is an excellent seamstress and teaches Sira her skills. Sira is engaged to a young man who wants her to buy a typewriter so that she can take some classes. On entering the shop, Sira's eyes and the eyes of the man (Rubén Cortada) behind the desk meet - he's a hunk - and it's over. When Sira takes off with him, her mother disowns her.

After a great time nightclubbing in Morocco, the business project he was to invest in never materializes. One morning she wakes up and he's taken all of the jewels and money her father (whom she just met) had given her. Broke, she escapes from the hotel, finds herself in trouble with the law, and winds up in a low-class boarding house.

When the owner of the house wrecks her dress, Sira fixes it. The owner sets her up in a shop, and soon, she is a star dressmaker for the elite. One of them is Rosalinda Fox (Hannah New), the lover of Biegeber, the High Commissioner of the Protectorate, with whom she forms an important friendship.

The film then takes us on a wild ride that leads us to Nazis, espionage, and more love for Sira.

The scenery, the atmosphere, the clothing - everything is perfect and eye-popping. I understand this series was so popular that sewing machine sales in Spain rose 197%! I can believe it.

This is an absolute must-see. It's like potato chips - you can't watch just one episode.

For trivia buffs, there actually was a Rosalinda Fox and Commissioner Juan Biegeber. After the war, Rosalinda headed to Guadarranque where she bought property to await Juan, who was under house arrest in Ronda. The two of them lived there together; Juan died in 1957, and Rosalinda died at the age of 96. Rosalinda's book is called "The Grass and the Asphalt."