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IMDbPro

Like Someone in Love

  • 2012
  • Not Rated
  • 1h 49min
CALIFICACIÓN DE IMDb
7.0/10
14 k
TU CALIFICACIÓN
Rin Takanashi in Like Someone in Love (2012)
An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty-four hours bears no relation to the circumstances of their encounter.
Reproducir trailer1:59
1 video
99+ fotos
Drama

En Tokio, una joven trabajadora sexual desarrolla una conexión inesperada con un viudo durante un período de dos días.En Tokio, una joven trabajadora sexual desarrolla una conexión inesperada con un viudo durante un período de dos días.En Tokio, una joven trabajadora sexual desarrolla una conexión inesperada con un viudo durante un período de dos días.

  • Dirección
    • Abbas Kiarostami
  • Guionistas
    • Abbas Kiarostami
    • Mohammad Rahmani
  • Elenco
    • Rin Takanashi
    • Tadashi Okuno
    • Ryô Kase
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    14 k
    TU CALIFICACIÓN
    • Dirección
      • Abbas Kiarostami
    • Guionistas
      • Abbas Kiarostami
      • Mohammad Rahmani
    • Elenco
      • Rin Takanashi
      • Tadashi Okuno
      • Ryô Kase
    • 45Opiniones de los usuarios
    • 125Opiniones de los críticos
    • 76Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 6 nominaciones en total

    Videos1

    Theatrical Version
    Trailer 1:59
    Theatrical Version

    Fotos187

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    + 181
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    Elenco principal13

    Editar
    Rin Takanashi
    Rin Takanashi
    • Akiko
    Tadashi Okuno
    Tadashi Okuno
    • Takashi Watanabe
    Ryô Kase
    Ryô Kase
    • Noriaki
    Denden
    Denden
    • Hiroshi
    Mihoko Suzuki
    Mihoko Suzuki
    • The neighbor
    Kaneko Kubota
    • Akiko's grandmother
    Hiroyuki Kishi
    Hiroyuki Kishi
    • The former student
    Reiko Mori
    Reiko Mori
    • Nagisa
    Kôichi Ôhori
    Kôichi Ôhori
    • Taxi Driver
    • (as Kouichi Ohori)
    Tomoaki Tatsumi
    • The mechanic
    Seina Kasugai
    • Nagisa's friend
    Alexandre Réis
    • Alexandre Réis
    Ryota Nakanishi
    • Student
    • (sin créditos)
    • Dirección
      • Abbas Kiarostami
    • Guionistas
      • Abbas Kiarostami
      • Mohammad Rahmani
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios45

    7.013.5K
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    Opiniones destacadas

    6napierslogs

    A peculiar relationship dissected as subtly as possible

    "Like Someone in Love" is Abbas Kiarostami's follow-up to the mind- bending relationship drama "Certified Copy". Dissection of the title alone provides so many interesting clues and directions for the film to take in addition to what was analyzed previously. And while it does in fact address those interesting ideas (indirectly), it is as minimal as any film-going audience could possibly stand. We essentially watch an unexplained relationship unfold in almost real-time (just under 24 hours).

    Akiko (Rin Takashi) is a college-aged girl up to something in the big city of Tokyo that is probably not good for her. She's having an argument with her boyfriend on the phone and she's saying no to a job that a middle-aged man is offering her. This middle-aged man is clearly her pimp and "no" means "yes, sir, I will do whatever you tell me to." So into the cab Akiko goes and we begin to worry about her safety. We spent an awful long time worrying about her safety with no idea what lies ahead for her. The cab ride was two hours long and we saw a lot of it. Akiko arrives at the apartment of an older gentleman looking for companionship. We don't really know what exactly Takashi Watanabe (Tadashi Okuno) wanted with Akiko, and then in the morning he drives her back to Tokyo. Another long car ride.

    Visually the car rides were impeccably shot. The scenery was reflected in the windshield and we could still see the characters' faces behind. Unfortunately we don't really know what's happening with these characters during these long car rides. Sometimes a car ride is just a car ride.

    Eventually we meet Noriaki (Ryo Kase), Akiko's offensive boyfriend. And he starts putting the relationships into perspective. A different perspective. He allows Akiko and Watanabe to act differently than they actually are, which allows us to start seeing them as they actually are. And then it ends. Well, not quite that quickly, but without giving anything away, it ends.

    We're given so little on screen to examine that it can be frustrating even to the viewers that appreciate the subtle beauty in film. Two weeks after first seeing it, my mind has started to form a few opinions on what was being said but it's still a bit too little, too late.
    8gavin6942

    Beautiful

    In Tokyo, a young prostitute (Rin Takanashi) develops an unexpected connection with a widower (Tadashi Okuno) over a period of two days.

    At this point in his career, Abbas Kiarostami had been directing films for forty years, so he is no amateur. But it might be a bit of a new beginning, filming in Tokyo with an all-Japanese cast. In fact, had one not known better, they might assume the director was Japanese. What do these two worldviews create when blended?

    Professor Nico Baumbach makes much of this cultural difference (and rightfully so), saying Kiarostami's foreign immersion "heightens in a new way the sense of the filmmaker as spectator", but is then quick to point out that despite this, we are not alienated from our subjects. The experience of distance "becomes the condition for an emotional connection that otherwise would not have been possible."

    The film is also, in short, beautifully shot, with glorious cinematography. This is the sort of film, with its style and charismatic lead actress that one could watch for hours regardless of plot or substance. Critic David Denby says it more eloquently when he writes, "The cinematography is clear and hard-focused, and the editing produces long, flowing passages. This exquisitely made, elusive film has a lulling rhythm and a melancholy charm."
    9donreplies

    Very Underrated

    This is one of the very few good films I have watched in a while. This film is criticised for being simple, but Kiarostami's craft is almost flawless and very realistic. There are times when I questioned the duration of real-time in the film as he opt not to use jump cuts to show the shift in time, but except that minor glitch, this film was highly tense, deep and meaningful at so many levels.

    Unlike the superficial Hollywood garbage we get to see everyday, Kiarostami's films show us real people with real problems. Probably one of the very few directors who can claim to have real class in this present era. I started watching this film after reading an interview with the director. The film did not disappoint me even a little bit. I am ashamed that I did not come across his name before.
    10mkian

    A simple masterpiece

    I watched this movie on silver screen twice up to now and I'm sure I can check it out ten more times and still enjoy it. It's definitely a minimal piece of art but it's as deep as life. It looks simple but it doesn't mean you can't elaborate. Kiarostami highlights lifelike stories. Stories which belong to us, ordinary people! Aren't they important? And Kiarostami doesn't conceal this fact that he likes Haiku and Japanese culture but he doesn't have any idea how this feelings came up to him. He started writing poems that resembled Haiku when he was just 20! The serene, nonchalant, and often profoundly philosophical language of haiku allows the poet to swiftly touch on the core of the universal human condition: love, despair, humor, death; as his movies do and now Kiarostami made his last movie (and one of the best ones) where Haiku was blossomed: Japan. All these said, I can't ignore the innovative cinematographic techniques he used in "Like Someone in Love" that adds to the beauty of this movie. Remember the first scene in the bar with Camera fixed on a table, the girl is talking in behind while we see other people activities. We don't know what we should track. The other scenes in the car which camera plays with lights and shadows are just magnificent. I'm really amazed how delicately he sets up these all. Every detail is deliberated. Briefly, if you are bored of the stupid stories we see in the movies nowadays and instead want to know what's behind go and check this out.
    7GiraffeDoor

    Great for the right person.

    This Movie reminds me a lot of "4 months, 3 weeks and 2 days", in its minimalist approach to story telling. It almost isn't a story in the conventional sense; there isn't a clear build up to some resolve, it's more like just a snapshot of someone at a particularly desperate point in their lives with a quiet but rather brutal pathos.

    It also reminded me a bit of Anomalisa with its two slightly lost characters finding each other for comfort though here it's more about emotional support.

    Cool and leisurely, a lot of it feels just like chat because that's what people are like. I watched this over about four sittings over a period of a few months because it is a movie that really demands that you slow your pace to match its own, but over all I admire the uncompromising, unpretentious tone where there are no easy solutions offered, just the blunt jab of reality delivered without aggression.

    Más como esto

    Copia fiel
    7.2
    Copia fiel
    El viento nos llevará
    7.4
    El viento nos llevará
    Dah
    7.4
    Dah
    Zire darakhatan zeyton
    7.7
    Zire darakhatan zeyton
    Zendegi va digar hich
    7.9
    Zendegi va digar hich
    24 Frames
    6.8
    24 Frames
    10 on Ten
    6.7
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    El sabor de las cerezas
    7.7
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    Mossafer
    7.5
    Mossafer
    Avaliha
    7.2
    Avaliha
    Nema-ye nazdik
    8.2
    Nema-ye nazdik
    Shirin
    6.7
    Shirin

    Argumento

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    ¿Sabías que…?

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    • Trivia
      In the late 1990s Abbas Kiarostami was driving late at night while on a visit to Tokyo and witnessed a young girl on the side of the street dressed as a bride. In the years following, while visiting Tokyo to promote other films, he realized that he was always looking for that same girl because she had left such an impression but that he would never likely notice her again in real life because she wouldn't be wearing the same dress. This experience became the basis for the film.
    • Citas

      Akiko: [subtitled version] I'd rather not know all the mistakes I've made. I'm depressed enough as it is.

    • Conexiones
      Featured in At the Movies: Cannes Film Festival 2012 (2012)
    • Bandas sonoras
      Que Sera, Sera
      (uncredited)

      Sung by Tadashi Okuno

    Selecciones populares

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    Preguntas Frecuentes18

    • How long is Like Someone in Love?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de septiembre de 2012 (Japón)
    • Países de origen
      • Japón
      • Francia
    • Sitios oficiales
      • Official Site (MK2) (France)
      • Official site (Japan)
    • Idioma
      • Japonés
    • También se conoce como
      • The End
    • Locaciones de filmación
      • Shizuoka, Japón(Shizuoka Station)
    • Productoras
      • Centre national du cinéma et de l'image animée (CNC)
      • Euro Space
      • MK2 Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 239,056
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 21,813
      • 17 feb 2013
    • Total a nivel mundial
      • USD 562,878
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 49 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.66 : 1

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