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Serie antológica presentada por la enigmática Lilith. Cada historia era un encantador thriller policíaco contemporáneo en la tradición de las películas clásicas y las series de televisión má... Leer todoSerie antológica presentada por la enigmática Lilith. Cada historia era un encantador thriller policíaco contemporáneo en la tradición de las películas clásicas y las series de televisión más queridas.Serie antológica presentada por la enigmática Lilith. Cada historia era un encantador thriller policíaco contemporáneo en la tradición de las películas clásicas y las series de televisión más queridas.
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Finally caught up with this show after a few of my friends told me it was really good. Given it was a show on Cinemax, I didn't' really have any high expectations, but after downloading a few episodes from Amazon I was really surprised. The thing that caught my eye immediately was how good the show looked. Like classic crime thrillers from the 40s, it had a very unique style and some of the same kind of dialogue you expect in an old classic pulp film. Although the twist endings were usually surprising and cool, the thing that really grabbed me was the way characters moved in between episodes giving it the feel of a shared universe in a comic book. And there is even a comic book episode at the end of season 2 which was a ton of fun. For the most part, there are also some really strong performances and memorable femme fatales or femmes fatales, more accurately. There is a dark nihilistic quality to the show that I personally liked and it combines darkness and hmor in the way of a Breaking Bad does. I probably watched about 10 episodes so far and I liked them all, some I loved. The requisite women in prison episode is really a great homage to the 70s classics and the lead performances are all very engaging and the twist totally caught me by surprise. The second episode, Something Like Murder, feels like it came right out of the 1940s, if it weren't for some very sexy and beautifully photographed love scenes with an incredible twist at the end. But as soon as I thought I had this show pegged, it threw a change up with the antic Speed Date, a delightfully wacky screwball comedy with Girlfriends Reggie Hayes who's hysterical as a befuddled dating fraud. It's just a wonderful mash-up of some of my favorite movies. I also enjoyed The Clinic which featured Angus Scrimm, one of my favorite horror actors and The White Flower which had another great twist ending and one of the sexiest femme fatales in the entire series, Tina Casciani. I've only just started watching the second year of the show, other than skipping ahead to the comic book episode because I couldn't help myself. So far the episodes that have been even better and each one has had some of my favorite character actors like Chris Mulkey and Eric Roberts who are in two of the standouts so far. I also really liked Vivica Fox in the Femme Fatales goes to college episode and there's a strange sci-fi episode that feels like an old 70s TV series, the old evil twin chestnut, which got a neat spin, although it wasn't one of my favorites. All in all, I highly recommend the show and am looking forward to watching the rest and may even have to subscribe to Cinemax to watch the third season when it airs.
I've watched three episodes of this so far and have become a fan.
As someone who is tired of reality crap and the same stale, safe plot formulas playing out on network and cable (please kill me before I watch yet another cop/CSI show), "FF" takes a collection of familiar elements and tosses them in a pop culture mix master set to high. Yeah, it's corny at times, but it's also alternately funny, suspenseful, sexy, smart and scary — all depending on the episode.
There are a lot of "grindhouse" elements here but without the gore or general "torture porn" mood of that genre. And while "Skinamax" fans are offered plenty of eye candy, the female characters are never debased or pointlessly exploited, and generally have the upper hand in the end. Yes, the femme fatales are the stars of "FF."
The most recent episode, "Something Like Murder" offers the most traditional "film noir" style of the show so far. And while it depends heavily on familiar characters — the plot was pretty clever, and the cast game. Dialoge-wise, it reminded of what Pauline Kael said about the modern noir classic "Body Heat": "Sounds like the characters have been boning up on Chandler novels." But is that so wrong? Just a wink and a nod to the source material inspirations.
I'm not sure where "FF" is going, but I'll stay along for the ride.
As someone who is tired of reality crap and the same stale, safe plot formulas playing out on network and cable (please kill me before I watch yet another cop/CSI show), "FF" takes a collection of familiar elements and tosses them in a pop culture mix master set to high. Yeah, it's corny at times, but it's also alternately funny, suspenseful, sexy, smart and scary — all depending on the episode.
There are a lot of "grindhouse" elements here but without the gore or general "torture porn" mood of that genre. And while "Skinamax" fans are offered plenty of eye candy, the female characters are never debased or pointlessly exploited, and generally have the upper hand in the end. Yes, the femme fatales are the stars of "FF."
The most recent episode, "Something Like Murder" offers the most traditional "film noir" style of the show so far. And while it depends heavily on familiar characters — the plot was pretty clever, and the cast game. Dialoge-wise, it reminded of what Pauline Kael said about the modern noir classic "Body Heat": "Sounds like the characters have been boning up on Chandler novels." But is that so wrong? Just a wink and a nod to the source material inspirations.
I'm not sure where "FF" is going, but I'll stay along for the ride.
Femme Fatales is a truly great anthology series and I'm not sure why it's not getting all the love it deserves. I've never seen an anthology show done quite this well before since The Twilight Zone...and that includes The Outer Limits, new and old. If you can imagine a sexy version of the Twilight Zone mashing up different genres with a sultry host and cool characters, then you have some idea of the show "Femme Fatales." There are great special appearances by cult stars such as, Agnus Scrimm & Paul Mazursky, to name some of my favorites. The other thing that deserves a shout-out is the cast. The acting is terrific and the "femme fatales" usually aren't only smoldering, but they're also really good actresses as well. Femme Fatales is way more edgy and entertaining than previous stabs at doing anthologies in the last few years, like Masters of Horror and Fear Itself, which I wanted to love, but kinda blew. For example, "Behind Locked Doors" is a woman in prison romp reminiscing 70's exploitation and grindhouse. "Something Like Murder" is an old school sexy noir. "Haunted" is a straight up horror episode in the realm of Paranormal State type shows. "Help Me Rhonda" is a home invasion thriller and a sort of prequel to "Behind Locked Doors" which I've never seen done in anthology before where episodes actually connect to each other even though they're different stories. "Speed Date" is a hilarious action comedy. "Girls Gone Dead" is a sex charged revenge episode. Seeing how they tackled all the different genres this season, I can't wait to see what they do with season 2. The one thing I've come to expect with "Femme Fatales," is expect the unexpected.
It's always nice to see more anthology shows on TV. Femme Fatales is probably the first erotica/crime anthology show since The Hitchhiker.
Femme Fatales shares The Hitchhiker's wildly uneven nature, as it luxuriates in gunplay, murder, and exploitation of women, all while trying to give lectures on violence and the exploitation of women (see the "Girls Gone Dead" slam with Charlie O'Connell pitch-perfect as the sleazy producer). The main difference between the two shows is the adrenaline jolts of humor and pure insanity which kept The Hitchhiker going. Femme Fatales usually takes itself very seriously, and often seems very flat, in everything from lighting to acting. It's half-baked noir. Worst of all is they continue to have a host who can barely read her lines and who was presumably hired solely for a British accent and for her large breasts. Imagine Alfred Hitchcock Presents hosted by the local sweater girl.
When you watch old Hitchhiker episodes, you can ogle the absurd fashions, hairstyles, pulsing synthesizers, and general paranoid cocaine blindness which makes up so much of 1980's TV. You get an extra kick from nostalgia. You don't get that with Femme Fatales. The show represents the directionless blandness of so much of today's pop culture.
Femme Fatales shares The Hitchhiker's wildly uneven nature, as it luxuriates in gunplay, murder, and exploitation of women, all while trying to give lectures on violence and the exploitation of women (see the "Girls Gone Dead" slam with Charlie O'Connell pitch-perfect as the sleazy producer). The main difference between the two shows is the adrenaline jolts of humor and pure insanity which kept The Hitchhiker going. Femme Fatales usually takes itself very seriously, and often seems very flat, in everything from lighting to acting. It's half-baked noir. Worst of all is they continue to have a host who can barely read her lines and who was presumably hired solely for a British accent and for her large breasts. Imagine Alfred Hitchcock Presents hosted by the local sweater girl.
When you watch old Hitchhiker episodes, you can ogle the absurd fashions, hairstyles, pulsing synthesizers, and general paranoid cocaine blindness which makes up so much of 1980's TV. You get an extra kick from nostalgia. You don't get that with Femme Fatales. The show represents the directionless blandness of so much of today's pop culture.
*****UPDATED REVIEW******
I HAD ORIGINALLY rated this Cinemax "after hours" series a two. Based on a single lack luster episode (entitled "Help Me Rhonda" - I honestly could not envision myself, at the time, watching the series again after this)that I still maintain, failed to deliver on multiple levels.
However after recently viewing another earlier episode (ironically and by no planning of my own, CONNECTED to the previous episode I'd reviewed)I found it to be shockingly conflicting to the PREVIOUS episode I'd watched, as well as the subsequent review.
The episode "Behind Locked Doors" proved to well surpass my earlier designation of the "adult action" in this series as "feather core" and move well into the standard (albeit, still somewhat lack luster) "softcore" range and while the acting won't be winning any awards, it was far more palatable than the unfortunate assembly of actors had been apparently capable of delivering in the first episode I reviewed.
Overall the after hours fare in this respect lived up to and surpassed my most minimal expectations and the knowledge that it tied into a later episode (again, strangely enough the first one I'd previously suffered through) was an especially alluring and surprising bonus.
Being somewhat partial to a "presentably" made W.I.P. storyline (Jailbait 2014, anyone?) I felt compelled to give this series its day in court and revise my earlier rather scathing review.
Again, this is no award winner, but at least in the case of THIS episode, it delivered MORE than I expected and deserved a retrial and pardon.
Of note: I noticed the latest particular episode reviewed (premier ep.)was almost 43mins long where the later episodes are only in the neighborhood of 30mins. Comparably I'd say even an extra 12 mins could make a world of difference in both the storyline and plot. So let's just call this "probation," for now.
I HAD ORIGINALLY rated this Cinemax "after hours" series a two. Based on a single lack luster episode (entitled "Help Me Rhonda" - I honestly could not envision myself, at the time, watching the series again after this)that I still maintain, failed to deliver on multiple levels.
However after recently viewing another earlier episode (ironically and by no planning of my own, CONNECTED to the previous episode I'd reviewed)I found it to be shockingly conflicting to the PREVIOUS episode I'd watched, as well as the subsequent review.
The episode "Behind Locked Doors" proved to well surpass my earlier designation of the "adult action" in this series as "feather core" and move well into the standard (albeit, still somewhat lack luster) "softcore" range and while the acting won't be winning any awards, it was far more palatable than the unfortunate assembly of actors had been apparently capable of delivering in the first episode I reviewed.
Overall the after hours fare in this respect lived up to and surpassed my most minimal expectations and the knowledge that it tied into a later episode (again, strangely enough the first one I'd previously suffered through) was an especially alluring and surprising bonus.
Being somewhat partial to a "presentably" made W.I.P. storyline (Jailbait 2014, anyone?) I felt compelled to give this series its day in court and revise my earlier rather scathing review.
Again, this is no award winner, but at least in the case of THIS episode, it delivered MORE than I expected and deserved a retrial and pardon.
Of note: I noticed the latest particular episode reviewed (premier ep.)was almost 43mins long where the later episodes are only in the neighborhood of 30mins. Comparably I'd say even an extra 12 mins could make a world of difference in both the storyline and plot. So let's just call this "probation," for now.
¿Sabías que…?
- TriviaLilith is a reference to the character from Jewish folklore of Adam's first wife, a demon who preys on single men, and is the daughter of Asmodeus.
- ConexionesReferenced in Elysaviews: WINEning About Movies: Pilot (2020)
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- How many seasons does Femme Fatales have?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 30min
- Color
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